For the second time in over three decades of supporting artists living with mental health issues and/or addictions, Workman Arts in collaboration with Strangers in a Tangled Wilderness is publishing a print literary anthology – launching on Sunday, November 30, 2025. That’s big news!
Up:Rising is an unapologetic chorus of Mad voices that refuse to conform or cower in the shadows. It was born from a collaboration between two organizations rooted in community care: Workman Arts, a multidisciplinary arts organization supporting artists with lived experience of mental health and/or addictions; and Strangers in a Tangled Wilderness, a collectively-run publisher of radical culture grounded in anarchist ideals. We invited writers with lived experience of mental health and/or addiction issues from across Canada to send us their stories, poems, daydreams, imaginings, and manifestos around all the things it can mean to rebel.
Read the letter from our editors here.
Kelly Rose Pflug-Back is a writer and creative writing workshop facilitator. Her fiction, poetry, and journalism has appeared recently in publications like The Briarpatch, The Deadlands, and This Magazine, as well as anthologies such as Queer Little Nightmares (Arsenal Pulp, 2022) and Imaginarium: The Best Canadian Speculative Writing (ChiZine, 2012) . Their debut collection of poems, The Hammer of Witches (Caitlin Press/Dagger Editions, 2020), recently placed as a finalist in the upcoming Bisexual Book Awards.
Hanan Hazime is a multidisciplinary artist, creative writer, community arts educator and, creative writing instructor. She has a Master of Arts degree in English Literature and Creative Writing from the University of Windsor. Hanan’s writing has appeared in a number of publications including The Windsor Review, Feckless C*nts: An Anthology of Feminist Writing, and on CBC Arts. Her poetry chapbook Aorta was published by ZED Press in 2018. Hanan is one of the co-editors of the anthology Muslim American Writers at Home (Freedom Voices Publications, 2021). She is also a former editorial assistant for Rampike Magazine. Currently, Hanan is the Education Manager at Workman Arts.
What we received exceeded our expectations. While some pieces whisper rebellion through quiet acts of survival, others rage loudly against psychiatric incarceration, systemic violence, and various forms of injustice. Many of the pieces stare you defiantly in the eye while rupturing sanist stereotypes. They subvert genre.
They challenge traditional literary structures. They dare to crip time and space, to be nonlinear. Some pieces queer what healing means and turn the notion of recovery on its head until it is too dizzy to stand. None of these works follow a straight path. They all twist and tangle into a messy but bold collection of rebellious imaginings. This collection isn’t about overcoming madness, it’s about thriving with our madness, fully and fiercely, on our own terms.

A.C. Yeboah is a Brampton-based writer, creative facilitator, learner for life, and quiet disruptor who is currently using her curiosity to embark on newfound paths of creativity. Her writings often centre on themes of playful discovery, growth, language and identity. A second-generation Canadian with Jamaican and Ghanaian ancestry, she is keen on exploring the intricacies of bicultural identity and the different ways it intersects with our everyday experiences. Most recently, an essay she wrote centred on her experiences travelling to her father’s homeland, was published in the “Back Where I Came From: On Culture, Home and Identity” anthology. One of A.C.’s favourite places to write is at a park not too far from where she currently resides.

A.G.A. Wilmot (BFA, MPub) is a writer and editor based out of Toronto, Ontario. They have won awards for fiction, short fiction, and screenwriting, including the Friends of Merril Short Story Contest and ECW Press’s Best New Speculative Novel Contest. For seven years they served as co-publisher and co-EIC of the Ignyte- and British Fantasy Award-nominated Anathema: Spec from the Margins. Their credits include myriad online and in-print publications and anthologies. They are also on the editorial advisory board for Poplar Press, the speculative fiction imprint of Wolsak & Wynn. Books of AGA’s include The Death Scene Artist (Buckrider Books, 2018) and Withered (ECW Press, 2024). They are represented by Kelvin Kong of K2 Literary (k2literary.com). Find them online at agawilmot.ca.

Althea Knight is a poet, artist, teacher, and catalyst born in London, England to Jamaican and West African lineages. Poetry has been an enduring companion since age nine, shaping ache and astonishment into language. Her poems serve as witness and confidante, therapist and timekeeper, tracing survival, joy, memory, and the quiet insistence of change. They hold her in dialogue with who she’s been, what she carries, what longs to be released, and what still calls her forward. 4 works appear in Flaunt It’s anthology Love Dimensions, “Perhaps” in Recipes for Sustainability, “Udu you think you are” for the Gardiner Museum and Barbara Schlifer Clinic’s #WeBelieveSurvivors. She read her poem “2053” at Kuumba at Harbourfront in 2023. Althea continues to honour language as a living force, a way to document, disrupt, soothe, and ignite. She is currently shaping a new body of poetic work. Watch for new growth taking root.

Amrita Mathur: I am an East Indian queer woman, a new mother and a decade-long nurse (OB-GYNE & now mental health) attempting to also work as an emerging artist and poet in Toronto (on ceded Indigenous peoples land). I actively volunteer in my community for over 10 years, supporting women facing addiction and trauma. My writing stems from my lived experiences and identity as a brown, queer, first-generation immigrant who has recovered from significant long-term addiction, mental health challenges, and numerous instances of trauma. My work has previously won at provincial level with the Canadian Legion and has been featured in social action projects with Gardiner Ceramic Museum (for International Day of Violence against Women) and for vulnerable persons with mental health, trauma, and addiction with YWCA. My work has been published or is forthcoming in West Trade Review, Libre Lit, Anti-Heroin Chic, Fruitslice, Kintsugi, swim press, Squid Lit Mag, Writers Resist, and Only Poems, as Poet of the Week.
Ash Winters is a non-binary writer based out of Toronto. Their poetry and prose have appeared in; Existere, Open Minds Quarterly, The White Wall Review, Free Fall Magazine, Into the Void, and Filling Station. Their first collection of poetry, Run Riot: Ninety Poems in Ninety Days came out with Caitlin Press in January 2021. They live in a small apartment with their beautiful Wife, rambunctious dog Eloise, and tuxedo cat named The Smooch.

Cid V Brunet (they/them) published their debut memoir, This Is My Real Name, with Arsenal Pulp Press in 2021. These days Cid is completing an MFA in creative writing at the University of British Columbia while working as a freelancer and editor. When not working on their upcoming historical fiction novel, Cid enjoys time with their new dog, weightlifting, and caring for an ever-growing collection of houseplants.

Daniel Oudshoorn is a father, fighter, lover, friend, and failure. A formerly homeless youth, he has spent more than twenty-five years actively pursuing life and mutually liberating solidarity in the company of the oppressed, colonized, and left-for-dead.

Elvie C (also, “LVC”) is a writer and creator, who studies and is deeply inspired by nature and the Earth, mysticism, religion, esoteric knowledge and ritual practice. She engages her crafts at her home in the strange surroundings she lovingly calls, the “liminal borderlands of Toronto” (more commonly known as north Scarborough).
Some of her identities (whether self-chosen, bestowed upon by the universe or “assigned’ by others – and sometimes shifting or evolving) include: Queer or Bisexual, Canadian-born Chinese-diaspora, POC, she/her, mother, solo-parent, “crazy”, community member, advocate/activist, insider/outsider, living with chronic physical pain from an auto-immune condition, survivor, friend, human and lover. She has been incarcerated in the mental health system for stretches of time throughout her life. To discover more, please visit: elviec.ca and/or follow her on the Instagram page she keeps promising to start using one-day @LV_see

Emily Couves is a Vancouver-based multidisciplinary designer and writer. More of her work can be found in past and upcoming journals from Acta Victoriana, the Bellevue Literary Review, Wingless Dreamer, and more online.

Emily Schooley is a multi award-winning, multi-dimensional artist who tells stories by, about, and for unapologetic & unconventional queer heroines. She creates primarily across theatre, film, and new media as an actor, voiceover artist, director, and filmmaker; her body of work as a writer spans numerous poems, screenplays, short stories, and personal essays.
To date, Emily’s original works have been supported by organizations including Canada Council for the Arts, Ontario Creates, Ontario Arts Council, the Canadian Film Centre, Panavision, Sunbelt, and Workman Arts. Emily is also the founder of Laughing Cat Productions, an emerging film production company that focuses on telling bold, forward-thinking, women-driven stories. You can find her online under @EmilySchooley across multiple platforms, and she publishes poetry at @lovepoemsfornobody on Instagram.

Eve Crandall: I have moved between many different art and craft forms in my life, always with delight at learning something new and becoming at least competent at it. I have written fiction and poetry, knitted, quilted, done stained glass and mosaics, folk art painting and paint pouring. From there I discovered pen and ink and also slipped into mixed media collage to highlight wonderful quotes collected over the years. Quilling has also become a passion. So now I have a lovely collection of possible media to create in, and that certainly makes it all never boring. One can never have too many options, especially when creation is so very, very gratifying.
Freda Sze is a writer with a love for literature and the slight difficulty of turning words into experience. Fiction makes life bigger than being yourself, and a way into worlds of existence, transporting across time and space and the fourth dimension. Freda lives in Toronto, Canada, and enjoys crepes, sparkling water, and anything that makes things cozy. She looks forward to the next book, next story, and the next protagonist that can change her world again.

K. Zimmer (they/she) is a Mad/disabled writer, musician, artist, and performer. They have poetry and prose in The Vault, Lived Collective, Workman Arts’ Literary Anthology, and Feels Zine, where they are a regular contributor. Their live readings include Feels Zine, With/out Pretend, Issues Magazine Shop, and literary symposia at the University of Toronto, Ryerson University, the University of Calgary, and York University. In their disability advocacy, they’ve presented their work about ableism in academia at several universities, work which featured in The Toronto Star.
They are trained in classical piano and have composed music for independent production companies. Their artwork has been displayed at Show Gallery and Nuit Blanche. As an actor, they performed in “Passport to Madville” (hosted by Workman Arts), the Hamilton Fringe Festival, and the Toronto Sketch Comedy Festival. They were the 2025 Workman Arts literary artist-in-residence. The Toronto Arts Council funded their book in progress.

Katherine Sarah Palakovic (she/her) is a fitful writer and enthusiastic editor. Hailing from Hamilton, Canada’s city of waterfalls and steel, she writes about queerness, disability, belonging, and why she absolutely needs to own a horror shop’s worth of houseplants even as they slowly consume her. Katherine believes that a difficult life can still be beautiful, and also that noise-cancelling headphones are magic. Her words have found homes in places like Chestnut Review, Yellow Arrow Journal, and Renaissance Press, and if the writer could she would crawl into their pages and live there too. Until then, she lives in Toronto.

Leah Bobet: Author, editor, critic, and community organizer Leah Bobet’s novels have won the Sunburst, Copper Cylinder, and Prix Aurora Awards; her short fiction is anthologized worldwide. Her poetry has appeared in Grain, Prairie Fire, and Canthius, and has placed in the Muriel’s Journey Poetry Prize and the Rhonda Gail Williford Award for Poetry. She was the Utopia Award-winning poetry editor for Reckoning: creative writing on environmental justice’s 2021 issue and read for Grist’s Imagine 2200 climate fiction contest. She lives in Toronto, where she makes jam, builds grassroots food security networks, and plants both tomatoes and trees. Visit her at www.leahbobet.com.
Luke Kernan holds a Ph.D. in anthropology from the University of Victoria. His thesis, “Re-worlding the Self in Graphic Narratives” (2024), examines lived experiences of psychosis and how arts-based practices can translate those sensory states. Additionally, Luke is a poet, graphic novelist, and mental health activist.
His Liminalities article, “Psychotic Bodies/Embodiment of Suicidal Bipolar Poets” (2020), also delves into the topic of suicide and psychiatry from a creative, theoretical, and Mad Studies lens. Since 2009, Luke has been performing poetry sets at spoken-word venues across Western Canada. As a mental health advocate, he has organized poetry and music open mics, Unquiet Minds I and II, to support and fundraise for youth mental health initiatives as well as compiling, editing, and printing a book titled Unquiet Minds: Youth Anthology of Art and Poetry (2022), which features youth submissions that explore the theme of mental health as it intersects with their lives.

Mathhew Tomkinson is the author of oems (Guernica Editions 2022), Paroxysms (Paper View Books 2022), and For a Long Time (Frog Hollow Press 2019), as well as a collection of collaborative short fiction, Archaic Torso of Gumby (Gordon Hill Press 2020), with Geoffrey D. Morrison. His writing appears in Literary Hub, 3:AM Magazine, Minor Literature[s], Full Stop, The Ex-Puritan, Exacting Clam, and elsewhere. He is currently a SSHRC Postdoctoral Fellow at the University of British Columbia, and his academic work has been published by or is forthcoming from Oxford University Press, Bloomsbury Publishing, McGill-Queen’s University Press, and Palgrave Macmillan. He lives in Vancouver on unceded Musqueam territory.

Myriad Augustine is a queer and disabled interdisciplinary artist whose focus is on own-voice stories centering multiply-marginalized perspectives. With a long history as an organizer and educator, they have worked to advance social justice issues and facilitate intersectional solidarity, often through their non-profit community organization ‘The Wheelhouse’ and through their self-designed curriculum on community-focused disaster preparedness (‘Get Out Alive, Together!’ or ‘GOAT’). The latter has earned mention in publications such as Broken Pencil and Briarpatch, as have their accompanying zines on the topic. Myriad has also spoken on panels, consulted for organizations, and designed curricula, strongly focusing on the subjects of diversity and inclusion as collective efforts.

Nadja Lubiw-Hazard: Prior to turning to full-time writing, Nadja worked as a veterinarian. She is the author of the novel The Nap-Away Motel, and an upcoming short story collection, The Life of a Creature. She also writes for children. Nadja is a trained creative writing workshop facilitator, and has worked with Firefly Creative Writing, The Writers Collective of Canada, East End Arts, and CAMH Collaborative Learning College. A life-long animal-lover and long-time vegan, her writing often explores themes related to the more-than-human world. She lives with her wife, their two adult daughters, and a feisty fluffy cat in Toronto.
Paulette Andria Hamilton: I am a BIPOC Workman arts Artist. I write with humour, pop culture and music in mind at all times. I try to let the muse take me and the reader into a journey grounded in Fantastical realism. I’ve been doing spoken word poetry for years. How I write is an act of rebellion because I truly believe rules were made to be broken. My artist name is PAH.
Parvati Mehmi is a transgender and disabled multidisciplinary artist from Brampton, Ontario. Inspired by The Lord Of The Rings, Parvati wrote a short story at the age of 12, picking up more art forms as she got older, learning FL Studio and Photoshop as a teenager. Most of her art centers around themes of gender, culture and identity, as well as her experiences with mental health and illness. While no longer making as much art as before due to her mental and physical health, her art can be found on her Instagram at @parvatimehmi, with her music at her Bandcamp at parvatimehmi.bandcamp.com


SUNDAY, NOVEMBER 30, 2025
7-9 PM, Glad Day Bookshop
32 Lisgar St, First Floor, Toronto
THURSDAY, DECEMBER 4, 2025
6-8PM (EDT), Virtual via Zoom
Closed Captions Available
Stream our 2025 Rendezvous with Madness Festival paired shorts! Curated by the festival programming team, each short film was screened as part of our 33rd Annual Rendezvous with Madness Festival.
The Fourth World Problems Collective | Kira Doxator | 2024 | Canada | Fiction | 7 minutes | English

Ghost | Stephanie Quilliams | 2025 | Canada | Animated short | 3 minutes | English

Semillas (Seeds) | Esteban Powell, Francisca Rojas, Ruben Dario Chavez-Munoz | 2024 | Canada | Documentary | 11 minutes | English, Spanish

Hatch | Panta Mosleh, Alireza Kazemipour | 10 minutes

Adieu Ugarit | Samy Benammar | 2025 | Quebec/Canada | Documentary | 15 minutes

The Last Day | Mahmoud Ibrahim | 2024 | Egypt | Documentary | 5 minutes | Arabic


Content Keywords: Disability, Grief, Harm Reduction, Psychiatry, Trauma
Through experiments with technology, improvisation and new-found acceptance of lived experience, Ben E. Wood has built something of a catharsis-fueled time machine. The output is a rich and layered concept album that plays with hurt, love, anguish, wisdom, and self-destruction-for-the-sake-of-self-rebuilding. This album (and its live show counterpart) curiously dance through each stage of grief, ultimately landing on acceptance as the last stop. This is not just a story of endurance, it’s about transformation and growth. It’s about coming to accept reality, with all its pain and beauty. It’s about coming to terms with disability, and all that we can’t change.
This album is a dreamlike companion to crisis and recovery, drawing aesthetic inspiration from folk-punk, clowny 90s rock and psychedelic anti-folk. The refrains and motifs that weave in and out of the project are meant to tie each string into the bigger knot that is recovery. While the project is full of hard-found wisdom, throughout the show we get to see the emotional backstage of what it feels like to seek help.
Farewell Strange Hotel is about the derailment that comes from crisis, and the effort of helping the train onto a new track. This album moves us through frantic manic fear and urgency, to grounded and thoughtful resolutions. There’s pain and levity and roadblocks and epiphanies. And restarts. Sometimes recovery walks a circular path, and the lyrical and melodic interplay between the songs reflects that. It’ll walk with you. Sometimes in circles.
Ben E. Wood (he/they) is a disabled artist and media-maker in East York whose experiences fill out a whimsical body of work playing in the tension between misery and joy. Through experiments with technology, improvisation and new-found acceptance of lived experience, Ben has built something of a catharsis-fueled time machine. Ben’s new recoverycore concept album is called Farewell Strange Hotel, and it’s a dreamlike companion to 2024’s immersive psychosis episode, a 4-week hospitalization and its associated recovery efforts afterwards. It seeks to laugh and cry at the same time, covering both the manic frantic fear and the measured thoughtful resolutions.
Tranzac Club | 292 Brunswick Ave, Toronto
8 – 9PM
Box office opens at 7 PM | Tickets in Advance & By Donation at the Door while space allows

PART OF OUR HALLOWEEN SERIES: WELCOME TO THE MAD HOUSE
🪦 6:00PM – How to be Normal ( Film Screening )
🪦 8:00PM – Farewell Strange Hotel ( Album Launch )
🪦 9:30PM – Mad Haus Halloween Bash, Hosted by Sucka Queen
🍭 CRAFTS, HANG OUTS, AND DRINKS IN THE SOUTHERN CROSS ALL NIGHT LONG!
TICKETS IN ADVANCE OR AT THE DOOR.
We’re all mad here, why not flaunt it?
Come celebrate with us in community on Halloween Night as we let loose and get juiced.
What’s Happening (more or less)
🍬 Costumes = Candy!!
🍬 Lip Sync Battle, do you have what it takes?
🍬 Give us your best vogue on the Cat Walk-Off.
🍬 Live performance by your host, Sucka Queen!
🍬 Dancing, Dancing, Dancing!!
🍬 PRIZES & BRAGGING RIGHTS
Sucka is a powerhouse drag performer and host known for her outrageous humour, high-camp charisma, and crowd-loving energy. A fixture in Toronto’s queer nightlife and event scene, she’s taken the stage at beloved venues like The Garrison, The Baby G, Granite Brewery, The Smith House, Junction Underground, Bar Cathedral, El Convento Rico, Western University, and many more.
Tranzac Club | 292 Brunswick Ave, Toronto
9:30 – 11:30PM
Box office opens at 7 PM | Tickets in Advanced & By Donation at the Door while space allows

Keywords: BIPOC, protest & resistance, technology & media
‘Everything has a voice’
Lips pressed against a mic with a determination to be heard, even in fragmented lines, distorting. Two gloved hands wave over a series of objects arranged on a large white table; a VHS player and CRT Monitor, a Cassette Player, three mixers, a camera, a power bar and several charging cells, the crackling electromagnetic static they emit made audible and interruptive. Their wires spill over the edge of the desk, entangled.
‘Sound is something that you can feel beyond your skin’
“Listening Gloves” designed as an instrument to play different pulsing electromagnetic frequencies of curated technological artifacts through touch. In this process of amplification, they tune into sounds as though they are rhythms of a living being.
This is “Sandpaper Hammock”, a solo multimedia performance series where improvised sound compositions are played off of technological artifacts in combination with original poetry recitations. Through sound, a story unfolds, inviting embodied feeling as a vehicle to share in ways that do not center language over sensation.
Static is used as a material of resistance; the electromagnetic frequencies made audible are a sonic reminder of a friction that exists between surface and depth, a disruption of smoothness. During the set, the camera is turned onto the audience and the frequencies generated from a live feed on a CRT are an act of subversion.
This piece disrupts the focus by interrogating the nature of viewership through technology in the performance itself. People are asked to “watch themselves, watching me. Who remembers longer? The static, the screen, or the human being?’
Aliyah Aziz is a multidisciplinary storyteller, poet and musician who uses light to talk about shadows, and sound to physically move them through us. She uses disruption as a tool of resistance, embracing glitch and static to channel the friction that exists between the surface and the depth of the technology that we engage with. Her expressions take many forms, from multimedia moving collages of archived material, experimental sound and poetry compositions, interactive media installations, to live performances. I consider my practice to be an exploration of identity and the power that stories hold, from the history of our shadows to the projection of our futures.
Tranzac Club | 292 Brunswick Ave, Toronto
Performed in the Southern Cross
7:30 – 8:15PM
Box office opens at 6:30 PM | Tickets in Advanced & By Donation at the Door while space allows
![Original Size] No More News for Nancy - 1](https://workmanarts.com/wp-content/uploads/2025/10/Original-Size-No-More-News-for-Nancy-1.png)
Keywords: Digital Media, news, desensitization, marginalized communities, community care
No More News for Nancy is a spoken word, movement, and sound-based digital performance experiment exploring the connection of 24-hour news in marginalized communities.
Nancy is a young Biracial Gen Z millennial cusp who has a very unhealthy relationship with news. Deemed too empathetic by the “system,” Nancy is placed in TIN (Trapped In News), a government program designed to desensitize people of the global majority to news. Through spoken word, dance, and music, Nancy confronts some serious life questions that she is not sure she is equipped to deal with.
“Why do conspiracy theories exist?”
“What was it like to grow up in the generation that was the birth of the digital age?”
“What is the obsession with 24-hour news?”
“How is access to information harmful vs. helpful?”
“What is it like as a black person to consume news that causes unfathomable pain?”
Was it the Twin Towers? The mad cowers? Or Tori, that girl who has been missing for hours?
Performance includes audience “goodie bags” featuring nostalgic 90s/2000s snacks stress relief treats.
Keira Marie Forde (Shey/They) is a multidisciplinary artist and community arts producer who has worked in culturally relevant pedagogy and the arts for over nine years.
Keira’s artistic practice focuses on amplifying stories from youth (under 30) in Toronto. Recent performance credits include NYC’s Richest Man (web series), Suitable Climate with b current at SummerWorks, The Christie Pits Riot with Hogtown Collective, What’s So Funny with Carousel Players, and her original digital work No More News for Nancy with Alberta-based company Major Matt Mason Collective. In 2023–2024, No More News for Nancy underwent further research through the Creative Catalyst Dance Program at Nia Centre for the Arts.
In 2025, Keira completed a residency on the decolonization of bodies at HAUT in partnership with KRA/RAS in Denmark. In 2024, she produced and choreographed Generation Gentrified for the Paprika Festival, inspired by Toronto’s changing communities. Keira is passionate about professional arts in public spaces and shares that passion in her role as Community Arts Coordinator with Toes for Dance.
Back by popular demand, the 2nd annual Rhythm of the Night closes out the Rendezvous With Madness festival.
We #DISRUPTTHEFOCUS and challenge stigma placed on our community by daring to create, regardless of whether what we create has anything to do with our challenges or not. Our life, our passion, our joy, our creativity belongs to us. Not always our struggles.
Join us for a musical showcase and mini night market that celebrates and connects audience with amazingly talented and diverse local musicians and vendors who all support and exist within the various intersections of mental illness and addictions. Come be in community as we headbang, dance, groove, vibe, and shop the whole night away.
MUSIC | MAIN HALL
11:00PM | SUPERFRAUD
10:00PM | SAM-R
09:20PM | Vivek Mehmi
08:45PM | DJ Nico
NIGHT MARKET | MAIN HALL & SOUTHERN CROSS
Electric Retro Designs
Prickly Cactus Collage
Hana and Hala
Secret Teatime
byAffrica
Birdsong Witchery
this fragile world photography
The Gloomy Angel Shop
FLOOBY
MakeSomething.K
Sticky Mangos
Sentient Pansy
Feels Zine
Nico is a DJ from Bogotá, Colombia, who’s always exploring new sounds and rhythms to bring fresh energy to his sets. Whether it’s a chill vibe or a packed dance floor, he loves creating moments that people can truly feel and enjoy. Vivek Mehmi is a multidisciplinary artist and seeker whose work bridges music, spirituality, and self-discovery. Drawing from healing, and creative expression, he explores themes of transformation and inner truth through sound and storytelling.
KEYWORDS: Trauma, Family, Loss, Grief, Gender
Rana is a middle-aged woman holding a high-ranking position at a major bank. Her husband left her when she was pregnant with their daughter. Since that time, she has been raising Hoda alone and her daughter means the world to her. Hoda’s birthday is approaching fast, and she would like to celebrate it at an amusement park; overprotective Rana is not so pleased, but finally agrees. An accident at the amusement park ends fatally for Hoda, and Rana’s life is turned upside down. As if the pain and tragedy of losing her only daughter was not enough, Rana must also face the absurdity of the laws and traditions in her country.
فیلم: دیاپازون
کلمات کلیدی: تروما، خانواده، فقدان، سوگ، جنسیت
رعنا زنی میانسال است که در یک بانک بزرگ، مقام بالایی دارد. شوهرش او را زمانی که دخترشان را باردار بود، ترک کرد. از آن زمان، او هدی را به تنهایی بزرگ کرده و دخترش برایش به معنای تمام دنیاست. تولد هدی به سرعت نزدیک میشود و او دوست دارد آن را در یک شهربازی جشن بگیرد. رعنای بیش از حد محتاط، چندان راضی نیست، اما سرانجام موافقت میکند. حادثهای در شهربازی برای هدی به مرگ ختم میشود و زندگی رعنا زیر و رو میشود. گویی درد و تراژدی از دست دادن تنها دخترش کافی نبوده است، رعنا باید با پوچی قوانین و سنتهای کشورش نیز روبرو شود.
CAMH Auditorium | 1025 Queen Street West, Toronto
Reception at 3:30 PM with art, snacks and refreshments ($20.00 per person)
For reception tickets, please phone (416) 388-9314 (English and Farsi)
Box office: 4 PM | Film: 5 PM
Keywords: Relationships, trauma, addictions, isolation, terminal mental illness, grief
Featured artists: TK Workman, Gavin Seal, Serena McCarroll, Ace Kazkayasi, Andrea Thompson, Brian Demoskoff, Ishaa Vinod, Zan Redcrow, Emmanuel Teji
Our annual short film program celebrating films by Workman Arts’ member artists!
“Poetic Proclamations’’ features nine films exploring a wide palette of creations including documentary, fiction, animation, spoken word and 360-degree cinema. An all-encompassing range of poetic, personal and transformational expressions that not only disrupt common narratives around mental health they also embody the connections of what it means to connect, critique and commiserate in a mad world.

Featuring artists: Amreen Kullar, Genesis Rose, Imogen Lister, Jonathan Bent-Ford, Jessi Elgood, Jessica Wu, Leo Dean
For the ninth consecutive year, If You Ask Me (IYAM) has supported emerging filmmakers with lived mental health and/or addiction experiences to create new short films. This year’s program features shorts by filmmakers from across the Greater Toronto Area (GTA). These new films were developed from July – September 2025 under the guidance of Robin Riad, along with IYAM alumnus Esteban Powell serving as mentor. Equipment rentals and facilities were generously provided by our community sponsor and partner, LIFT.