Artwork by Jace Traz.
Alino Giraldi, Reverie, 2024. Digital print on paper.
V Vallières_Chin Up_2025
BrandonWulff_Look_2024

Workman Arts celebrates 25 Years of BEING SCENE with a landmark Exhibition, opening May 7 and running through June 14, 2026. 

Marking a quarter-century of artistic excellence and community impact, Being Scene is a vital platform showcasing the work of artists with lived experiences of mental health and addiction. The artworks on display at this year’s juried exhibition include a diverse collection of painting, photography, digital media, installations, sculpture and video featuring 28 select artists. A tailored public program will include Open Studio and other programs/events offered throughout the year. 

Being Scene represents a sustained commitment to amplifying voices that are too often underrepresented in the contemporary landscape. For 25 years, this exhibition has evolved into a key must-attend event on Toronto’s cultural calendar.  

MAY 7 - JUNE 14, 2026

GALLERY HOURS

Wednesdays to Sundays, 1-6 PM
WA OFFSITE, 32 Lisgar St
2nd Floor
Toronto, ON

PHOTO GALLERY

BEING SCENE Juried Exhibition, May 7 – June 14, 2026.

Photography by Henry Chan.

Alino Giraldi, Reverie, 2024. Digital print on paper.
Alino Giraldi, Reverie, 2024. Digital print on paper.

Announcing the Inaugural Being Scene x G44 MAD FOCUS Award

In partnership with Gallery 44, Workman Arts is launching the Being Scene x G44 MAD FOCUS annual award. Presented to recognize excellence and artistic rigor in photography and digital media.

The inaugural recipient of this award is Alino Giraldi.

Ica Pas, landscape in brown, 1970s. Ink on paper.
Ica Pas, landscape in brown, 1970s. Ink on paper.

The exhibition honors the legacy of Ica Pas through the awarding of the Ica Pas Artist Scholarship

This award is dedicated to Ica Pas and all the other artists in Toronto Community Housing (TCH) buildings who may fight silent battles and use their art to overcome and make it through another day.

Our 2026 Award Recipients are Leeay Aikawa and Michael Alemayehu.

MEET THE 2026 JURORS

Simon Cole is a self taught and multifaceted arts professional with an extensive career spanning back to 2005.

In 2011, Cole founded Cooper Cole, a contemporary art gallery in Toronto. Renowned for its distinctive programming and global reach, Cooper Cole has earned international acclaim under Cole’s leadership as gallery director.

In 2021, Cole established X in Residence (XiR), a non-profit residency program based in Toronto. Devoted to supporting artists, curators, and creatives from marginalized communities, XiR serves as a vital resource hub for creatives in Toronto.

Cole’s influence extends beyond gallery walls; as he has played a pivotal role in managing a series of permanent public art installations, including murals and sculptures, visible both locally in Toronto and nationwide.

Portrait of Simon Cole

Building on a decade of independent exhibition-making and close collaboration with artists, Eli Kerr founded his eponymous gallery in Montréal in 2022.

Rooted in long-term relationships with artists, his program brings together an intergenerational group of nine artists working from critical and experimental positions across sculpture, drawing, photography, painting, moving image, and installation.

In 2024, the gallery relocated to a 140-square-meter storefront on Boulevard Saint-Laurent in Le Plateau–Mont-Royal, expanding its capacity for ambitious exhibitions and public engagement.

Portrait of Eli Kerr

Ann MacDonald is Director/Curator of the Doris McCarthy Gallery at the University of Toronto Scarborough. She has worked with a number of Canadian artists on exhibitions including David R. Harper: Entre le chien et le loup (2013), Mélanie Rocan: Souvenir involontaire (2013), Jon Sasaki: Good Intentions (2010), Liz Magor: Storage Facilities (2009), Bill Burns: Bird Radio (2008), Euan Macdonald: Two Places at Once (2005), and Doris McCarthy: Everything Which Is Yes (2004).

The Doris McCarthy Gallery is a collecting institution, and MacDonald has assisted in notable acquisitions including works by Robin Collyer, Liz Magor, Doris McCarthy, Ed Pien, Sasha Pierce, Zalmaï, and others. She has also been a key participant in the commissioning of permanent installations at the University of Toronto Scarborough by Daniel Young & Christian Giroux, Kim Adams, and BGL. She co-authored Shiva’s Really Scary Gifts (Coach House Books, 2002) with Governor General’s Visual and Media Arts Award recipient John Scott.

MacDonald is a faculty member in the Arts, Culture and Media department at the University of Toronto Scarborough as well as U of T’s Masters of Visual Studies, Curatorial Stream.

Portrait of Ann MacDonald

HISTORY OF BEING SCENE

BEING SCENE is an annual juried exhibition of recent artwork by Workman Arts members and individuals who have accessed the Centre for Addiction and Mental Health (CAMH) services in their lives.

BEING SCENE began over 20 years ago on the grounds of the Centre for Addiction and Mental Health (CAMH). Over the years, BEING SCENE has exhibited juried surveys of thousands of artworks by Workman Arts member artists as well as artists with lived experience who have received services from CAMH. BEING SCENE is an invaluable professionalization experience for artists, consistently reaching audiences of over 5,000, allowing for a greater understanding of diverse experiences. Artists have given shape to compelling ideas and narratives, covering a wide range of conceptual and material approaches. BEING SCENE has been shown in spaces such as The Gladstone Hotel, Toronto Media Arts Centre, various Artscape locations, and at CAMH.

To receive email updates about BEING SCENE’s annual exhibition launch sign up for the mailing list.

IF YOU HAVE ANY QUESTIONS ABOUT BEING SCENE, PLEASE CONTACT:
FATMA HENDAWY
VISUAL ARTS MANAGER
fatma_hendawy@workmanarts.com
SUBSCRIBE HERE TO OUR E-NEWS FOR UPDATES ABOUT BEING SCENE.

THANK YOU TO OUR SUPPORTERS

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