A Collection of Rebellious Imaginings From Authors With Lived Experience of Mental Health & Addictions

For the second time in over three decades of supporting artists living with mental health issues and/or addictions, Workman Arts in collaboration with Strangers in a Tangled Wilderness is publishing a print literary anthology – launching on Sunday, November 30, 2025. That’s big news!

Up:Rising is an unapologetic chorus of Mad voices that refuse to conform or cower in the shadows. It was born from a collaboration between two organizations rooted in community care:  Workman Arts, a multidisciplinary arts organization supporting artists with lived experience of mental health and/or addictions; and Strangers in a Tangled Wilderness, a collectively-run publisher of radical culture grounded in anarchist ideals. We invited writers with lived experience of mental health and/or addiction issues from across Canada to send us their stories, poems, daydreams, imaginings, and manifestos around all the things it can mean to rebel. 

Read the letter from our editors here.

Meet The Editors

Kelly Rose Pflug-Back is a writer and creative writing workshop facilitator. Her fiction, poetry, and journalism has appeared recently in publications like The Briarpatch, The Deadlands, and This Magazine, as well as anthologies such as Queer Little Nightmares (Arsenal Pulp, 2022) and Imaginarium: The Best Canadian Speculative Writing (ChiZine, 2012) . Their debut collection of poems, The Hammer of Witches (Caitlin Press/Dagger Editions, 2020), recently placed as a finalist in the upcoming Bisexual Book Awards.  

Hanan Hazime is a multidisciplinary artist, creative writer, community arts educator and, creative writing instructor. She has a Master of Arts degree in English Literature and Creative Writing from the University of Windsor. Hanan’s writing has appeared in a number of publications including The Windsor Review, Feckless C*nts: An Anthology of Feminist Writing, and on CBC Arts.  Her poetry chapbook Aorta was published by ZED Press in 2018.  Hanan is one of the co-editors of the anthology Muslim American Writers at Home (Freedom Voices Publications, 2021).  She is also a former editorial assistant for Rampike Magazine. Currently, Hanan is the Education Manager at Workman Arts. 

Teyama Alkamli is an award-winning Syrian filmmaker based in Toronto. Her visually tender and deeply human work deals predominantly with issues of identity, sexuality, displacement and migration. She is an alumna of DocNomads, the European Mobile Film School, Hot Docs Emerging Filmmaker Lab, TIFF Writers’ Studio, and the Canadian Film Centre’s Director Lab.
In 2021 Teyama’s mid-length documentary, Hockey Mom, won a Canadian Screen Award for Best Documentary Program. Her films have screened worldwide at festivals such as TIFF, Berlinale, and Doc Lisboa.

What we received exceeded our expectations. While some pieces whisper rebellion through quiet acts of survival, others rage loudly against psychiatric incarceration, systemic violence, and various forms of injustice. Many of the pieces stare you defiantly in the eye while rupturing sanist stereotypes. They subvert genre.

They challenge traditional literary structures. They dare to crip time and space, to be nonlinear. Some pieces queer what healing means and turn the notion of recovery on its head until it is too dizzy to stand. None of these works follow a straight path. They all twist and tangle into a messy but bold collection of rebellious imaginings. This collection isn’t about overcoming madness, it’s about thriving with our madness, fully and fiercely, on our own terms. 

Meet The Contributers

A.C. Yeboah is a Brampton-based writer, creative facilitator, learner for life, and quiet disruptor who is currently using her curiosity to embark on newfound paths of creativity. Her writings often centre on themes of playful discovery, growth, language and identity. A second-generation Canadian with Jamaican and Ghanaian ancestry, she is keen on exploring the intricacies of bicultural identity and the different ways it intersects with our everyday experiences. Most recently, an essay she wrote centred on her experiences travelling to her father’s homeland, was published in the “Back Where I Came From: On Culture, Home and Identity” anthology. One of A.C.’s favourite places to write is at a park not too far from where she currently resides.

A.G.A. Wilmot (BFA, MPub) is a writer and editor based out of Toronto, Ontario. They have won awards for fiction, short fiction, and screenwriting, including the Friends of Merril Short Story Contest and ECW Press’s Best New Speculative Novel Contest. For seven years they served as co-publisher and co-EIC of the Ignyte- and British Fantasy Award-nominated Anathema: Spec from the Margins. Their credits include myriad online and in-print publications and anthologies. They are also on the editorial advisory board for Poplar Press, the speculative fiction imprint of Wolsak & Wynn. Books of AGA’s include The Death Scene Artist (Buckrider Books, 2018) and Withered (ECW Press, 2024). They are represented by Kelvin Kong of K2 Literary (k2literary.com). Find them online at agawilmot.ca.

AGA Wilmot

Althea Knight is a poet, artist, teacher, and catalyst born in London, England to Jamaican and West African lineages. Poetry has been an enduring companion since age nine, shaping ache and astonishment into language. Her poems serve as witness and confidante, therapist and timekeeper, tracing survival, joy, memory, and the quiet insistence of change. They hold her in dialogue with who she’s been, what she carries, what longs to be released, and what still calls her forward. 4 works appear in Flaunt It’s anthology Love Dimensions, “Perhaps” in Recipes for Sustainability, “Udu you think you are” for the Gardiner Museum and Barbara Schlifer Clinic’s #WeBelieveSurvivors. She read her poem “2053” at Kuumba at Harbourfront in 2023. Althea continues to honour language as a living force, a way to document, disrupt, soothe, and ignite. She is currently shaping a new body of poetic work. Watch for new growth taking root.

Althea Knight IMG_6981

Althea Knight is a poet, artist, teacher, and catalyst born in London, England to Jamaican and West African lineages. Poetry has been an enduring companion since age nine, shaping ache and astonishment into language. Her poems serve as witness and confidante, therapist and timekeeper, tracing survival, joy, memory, and the quiet insistence of change. They hold her in dialogue with who she’s been, what she carries, what longs to be released, and what still calls her forward. 4 works appear in Flaunt It’s anthology Love Dimensions, “Perhaps” in Recipes for Sustainability, “Udu you think you are” for the Gardiner Museum and Barbara Schlifer Clinic’s #WeBelieveSurvivors. She read her poem “2053” at Kuumba at Harbourfront in 2023. Althea continues to honour language as a living force, a way to document, disrupt, soothe, and ignite. She is currently shaping a new body of poetic work. Watch for new growth taking root.

Ash Winters is a non-binary writer based out of Toronto. Their poetry and prose have appeared in; Existere, Open Minds Quarterly, The White Wall Review, Free Fall Magazine, Into the Void, and Filling Station. Their first collection of poetry, Run Riot: Ninety Poems in Ninety Days came out with Caitlin Press in January 2021. They live in a small apartment with their beautiful Wife, rambunctious dog Eloise, and tuxedo cat named The Smooch.

Cid V Brunet (they/them) published their debut memoir, This Is My Real Name, with Arsenal Pulp Press in 2021. These days Cid is completing an MFA in creative writing at the University of British Columbia while working as a freelancer and editor. When not working on their upcoming historical fiction novel, Cid enjoys time with their new dog, weightlifting, and caring for an ever-growing collection of houseplants.

Daniel Oudshoorn is a father, fighter, lover, friend, and failure. A formerly homeless youth, he has spent more than twenty-five years actively pursuing life and mutually liberating solidarity in the company of the oppressed, colonized, and left-for-dead.

Elvie C (also, “LVC”) is a writer and creator, who studies and is deeply inspired by nature and the Earth, mysticism, religion, esoteric knowledge and ritual practice. She engages her crafts at her home in the strange surroundings she lovingly calls, the “liminal borderlands of Toronto” (more commonly known as north Scarborough).

Some of her identities (whether self-chosen, bestowed upon by the universe or “assigned’ by others – and sometimes shifting or evolving) include: Queer or Bisexual, Canadian-born Chinese-diaspora, POC, she/her, mother, solo-parent, “crazy”, community member, advocate/activist, insider/outsider, living with chronic physical pain from an auto-immune condition, survivor, friend, human and lover. She has been incarcerated in the mental health system for stretches of time throughout her life. To discover more, please visit: elviec.ca and/or follow her on the Instagram page she keeps promising to start using one-day @LV_see

Emily Couves is a Vancouver-based multidisciplinary designer and writer. More of her work can be found in past and upcoming journals from Acta Victoriana, the Bellevue Literary Review, Wingless Dreamer, and more online.

Emily Schooley is a multi award-winning, multi-dimensional artist who tells stories by, about, and for unapologetic & unconventional queer heroines. She creates primarily across theatre, film, and new media as an actor, voiceover artist, director, and filmmaker; her body of work as a writer spans numerous poems, screenplays, short stories, and personal essays.

To date, Emily’s original works have been supported by organizations including Canada Council for the Arts, Ontario Creates, Ontario Arts Council, the Canadian Film Centre, Panavision, Sunbelt, and Workman Arts. Emily is also the founder of Laughing Cat Productions, an emerging film production company that focuses on telling bold, forward-thinking, women-driven stories. You can find her online under @EmilySchooley across multiple platforms, and she publishes poetry at @lovepoemsfornobody on Instagram.

Eve Crandall: I have moved between many different art and craft forms in my life, always with delight at learning something new and becoming at least competent at it. I have written fiction and poetry, knitted, quilted, done stained glass and mosaics, folk art painting and paint pouring. From there I discovered pen and ink and also slipped into mixed media collage to highlight wonderful quotes collected over the years. Quilling has also become a passion. So now I have a lovely collection of possible media to create in, and that certainly makes it all never boring. One can never have too many options, especially when creation is so very, very gratifying.

Freda Sze is a writer with a love for literature and the slight difficulty of turning words into experience. Fiction makes life bigger than being yourself, and a way into worlds of existence, transporting across time and space and the fourth dimension.  Freda lives in Toronto, Canada, and enjoys crepes, sparkling water, and anything that makes things cozy.  She looks forward to the next book, next story, and the next protagonist that can change her world again.

Zimmer (they/she) is a Mad/disabled writer, musician, artist, and performer. They have poetry and prose in The Vault, Lived Collective, Workman Arts’ Literary Anthology, and Feels Zine, where they are a regular contributor. Their live readings include Feels Zine, With/out Pretend, Issues Magazine Shop, and literary symposia at the University of Toronto, Ryerson University, the University of Calgary, and York University. In their disability advocacy, they’ve presented their work about ableism in academia at several universities, work which featured in The Toronto Star.

They are trained in classical piano and have composed music for independent production companies. Their artwork has been displayed at Show Gallery and Nuit Blanche. As an actor, they performed in “Passport to Madville” (hosted by Workman Arts), the Hamilton Fringe Festival, and the Toronto Sketch Comedy Festival. They were the 2025 Workman Arts literary artist-in-residence. The Toronto Arts Council funded their book in progress.

Katherine Sarah Palakovic (she/her) is a fitful writer and enthusiastic editor. Hailing from Hamilton, Canada’s city of waterfalls and steel, she writes about queerness, disability, belonging, and why she absolutely needs to own a horror shop’s worth of houseplants even as they slowly consume her. Katherine believes that a difficult life can still be beautiful, and also that noise-cancelling headphones are magic. Her words have found homes in places like Chestnut Review, Yellow Arrow Journal, and Renaissance Press, and if the writer could she would crawl into their pages and live there too. Until then, she lives in Toronto.

Leah Bobet: Author, editor, critic, and community organizer Leah Bobet’s novels have won the Sunburst, Copper Cylinder, and Prix Aurora Awards; her short fiction is anthologized worldwide. Her poetry has appeared in Grain, Prairie Fire, and Canthius, and has placed in the Muriel’s Journey Poetry Prize and the Rhonda Gail Williford Award for Poetry. She was the Utopia Award-winning poetry editor for Reckoning: creative writing on environmental justice’s 2021 issue and read for Grist’s Imagine 2200 climate fiction contest. She lives in Toronto, where she makes jam, builds grassroots food security networks, and plants both tomatoes and trees. Visit her at www.leahbobet.com.

Luke Kernan holds a Ph.D. in anthropology from the University of Victoria. His thesis, “Re-worlding the Self in Graphic Narratives” (2024), examines lived experiences of psychosis and how arts-based practices can translate those sensory states. Additionally, Luke is a poet, graphic novelist, and mental health activist.

His Liminalities article, “Psychotic Bodies/Embodiment of Suicidal Bipolar Poets” (2020), also delves into the topic of suicide and psychiatry from a creative, theoretical, and Mad Studies lens. Since 2009, Luke has been performing poetry sets at spoken-word venues across Western Canada. As a mental health advocate, he has organized poetry and music open mics, Unquiet Minds I and II, to support and fundraise for youth mental health initiatives as well as compiling, editing, and printing a book titled Unquiet Minds: Youth Anthology of Art and Poetry (2022), which features youth submissions that explore the theme of mental health as it intersects with their lives.

Mathhew Tomkinson is the author of oems (Guernica Editions 2022), Paroxysms (Paper View Books 2022), and For a Long Time (Frog Hollow Press 2019), as well as a collection of collaborative short fiction, Archaic Torso of Gumby (Gordon Hill Press 2020), with Geoffrey D. Morrison. His writing appears in Literary Hub, 3:AM Magazine, Minor Literature[s], Full Stop, The Ex-Puritan, Exacting Clam, and elsewhere. He is currently a SSHRC Postdoctoral Fellow at the University of British Columbia, and his academic work has been published by or is forthcoming from Oxford University Press, Bloomsbury Publishing, McGill-Queen’s University Press, and Palgrave Macmillan. He lives in Vancouver on unceded Musqueam territory.

Myriad Augustine is a queer and disabled interdisciplinary artist whose focus is on own-voice stories centering multiply-marginalized perspectives. With a long history as an organizer and educator, they have worked to advance social justice issues and facilitate intersectional solidarity, often through their non-profit community organization ‘The Wheelhouse’ and through their self-designed curriculum on community-focused disaster preparedness (‘Get Out Alive, Together!’ or ‘GOAT’). The latter has earned mention in publications such as Broken Pencil and Briarpatch, as have their accompanying zines on the topic. Myriad has also spoken on panels, consulted for organizations, and designed curricula, strongly focusing on the subjects of diversity and inclusion as collective efforts.

Nadja Lubiw-Hazard:  Prior to turning to full-time writing, Nadja worked as a veterinarian.  She is the author of the novel The Nap-Away Motel, and an upcoming short story collection, The Life of a Creature. She also writes for children. Nadja is a trained creative writing workshop facilitator, and has worked with Firefly Creative Writing, The Writers Collective of Canada, East End Arts, and CAMH Collaborative Learning College. A life-long animal-lover and long-time vegan, her writing often explores themes related to the more-than-human world. She lives with her wife, their two adult daughters, and a feisty fluffy cat in Toronto.

Paulette Andria Hamilton: I am a BIPOC Workman arts Artist.  I  write with humour, pop culture and music in mind at all times. I try to let the muse take me and the reader into a journey grounded in Fantastical  realism.  I’ve been doing spoken word poetry for years.  How I write is an act of rebellion because I truly believe rules were made to be broken. My artist name is PAH.

Parvati Mehmi is a transgender and disabled multidisciplinary artist from Brampton, Ontario. Inspired by The Lord Of The Rings, Parvati wrote a short story at the age of 12, picking up more art forms as she got older, learning FL Studio and Photoshop as a teenager. Most of her art centers around themes of gender, culture and identity, as well as her experiences with mental health and illness. While no longer making as much art as before due to her mental and physical health, her art can be found on her Instagram at @parvatimehmi, with her music at her Bandcamp at parvatimehmi.bandcamp.com

Shae Yusuf Stamp is a neurodivergent surrealist artist, graphic/user experience designer, and creative writer originally from Newfoundland, who now resides in Tkaronto/Toronto. He has a BA from Memorial University and an Advanced Diploma in Graphic Design from Centennial College.
He was very active in the artist community in St.John’s and received a junior honors achievement award from the Arts & Letters Awards Program of Newfoundland. Since relocating to Toronto, he has been involved in several local art projects including EEA’s Coxwell Mosaic Mural and Workman Arts’ Channel 2400. Most recently, he was part of the space themed surrealist duo show entitled “Forged From Stars”, alongside Hanan Hazime, at Show Gallery on Queen Street West.  Instagram: @shams_creates    
Shantell Powell is an Indigiqueer swamp hag of Inuk/Mi’kmaw/settler ancestry who grew up on the land and off the grid in an apocalyptic cult. She’s an alum of Roots Wounds Words, the Banff Centre for the Arts, The Writers’ Studio at Simon Fraser University, GrubStreet’s LGBT+ Novel Immersive, the Vancouver Manuscript Intensive, and the LET(s) Lead Academy at Yale University. She studied art and design at Conestoga College, the New Brunswick College of Craft and Design, and the University of New Brunswick.
Her writing appears in Augur Magazine, Solarpunk Magazine, On Spec, The Deadlands, and more. She is a winner of Brave New Weird 2024 and the Dystopian Fiction Award, is a finalist for the 2024 Aurora Award, and was first runner-up for the Native Voices Award. When she’s not writing or making things, she wrangles chinchillas or gets filthy in the woods.

JOIN US FOR OUR LAUNCH PARTY

IN PERSON

SUNDAY, NOVEMBER 30, 2025
7-9 PM, Glad Day Bookshop
32 Lisgar St, First Floor, Toronto

VIRTUAL

THURSDAY, DECEMBER 4, 2025
6-8PM (EDT), Virtual via Zoom
Closed Captions Available

ACCESSIBILITY

Our in-person launch party takes place at 32 Lisgar St, Toronto. Please see below for venue accessibility information.
  • Lisgar Park is accessible with ramps and flat concrete paths (may be affected by snow/ice in winter).
  • Elevator available just inside the entrance.
  • Ground floor washroom is wheelchair accessible.
  • Second floor all-gender washroom has two accessible stalls.
  • WA has a scent-free policy.
  • Various types of seating available on the first and second floors.
QUESTIONS? PLEASE CONTACT:
Kelly Rose Pflug-Back
Publishing Coordinator & Editor
kellypfl@gmail.com