GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: TRAUMA | HEALING | ILLNESS | FAMILIES | MENTAL HEALTH

It’s never easy to talk about mortality with our loved ones. It’s even harder between a physician mother who excels at hiding her emotions under rationality and a daughter who spent her childhood solving math problems next to the morgue. They avoid conversation about mortality and related feelings at all costs – until the mother becomes a cancer patient and the daughter becomes her caregiver.

Screening with Short Film

Uproot | Queena Liu | Canada | Doc | 2023 | 11 minutes English and Cantonese with English subtitles 

“Ten years ago, my dad was diagnosed with bipolar disorder in his forties and spent two years in and out of a psychiatric hospital. This film documents my first time having an open and honest conversation with my family about his diagnosis that I never could as a child and explores how mental health care in immigrant communities is often complicated by a cultural and generational divide. Even as I gain a new perspective on my family’s silent struggles, putting together my interpretation of their stories, I still feel the need to hide myself behind the camera.”

GENRE: DOCUMENTARY (FEATURE) | DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: INDIGENOUS ISSUES | TRAUMA | FAMILY | HEALING

“I’m a descendent of a people who have more or less disappeared, all that’s left are a few indigenous and mixed-race people dotted around the world”. Having arrived in Europe at the age of 19 and lived in Brussels for many years, Colombian Sergio Guataquira Sarmiento carries a complex idea of his identity deep inside of him, because not only is he living in exile, he’s also an Indian, and “being an Indian person in Colombia is a burden, a source of shame, so we tend to lie low and westernise ourselves.” When the filmmaker learns that an epidemic of young indigenous people hanging themselves is raging through the jungle in his home country, he decides to visit the area in person, moved by a desire to investigate this phenomenon, but also to untangle his own confused feelings related to his roots” – ​​Fabien Lemercier (Cineuropa)

Screening with Short Film

Love and the Art of Despair | 2023 | Tara Grundmanis | Canada | 9 minutes | English with open captions

Love and the Art of Despair is a profile on Rebeccah Love; a Toronto based filmmaker who perseveres over mental and physical illness to create art.

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: AGING | DEMENTIA | GRIEF | FAMILY

German filmmaker Astrid Menzel makes her feature-length documentary debut with this incredibly personal and moving story of loss, love, and legacy. Following the death of her beloved grandfather E.O., the director and her brother embark on a 10-day canoe trip through the North of Germany with their widowed 86-year-old grandmother–a woman slowly succumbing to progressive dementia. Looking for some semblance of control at a time when grief seems insurmountable and change never-ending, a determined Menzel invites her grandmother to become a part of the planning and organization, looking for ways to connect with and involve her simultaneously. Eventually, the unlikely trio set out on a unique, emotional and unflinchingly honest journey that helps all three uncover different and changing perspectives on their existing relationships. With some distance and time come a little patience, unexpected joy and sorrow, and a brand new understanding of exactly what being there for someone you care about truly means.

Streams (online only) with Short Film:

White Noise | Tamara Scherbak | Canada | Drama | 2023 | 18 minutes | English with open captions

White Noise follows Ava, who suffers from misophonia – an extreme hyper-sensitivity to sound. When this reaches new terrifying heights, her doctor enrolls her in an experimental trial involving an anechoic chamber: the world’s quietest room.

PANEL

After the film enjoy a conversation with the film’s director Astrid Menzel; moderated by Jutta Brendemuehl from the Goethe Institut, Toronto.

Genre: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
Keywords: TRAUMA | TRANS RIGHTS | MURDER | SEX WORK

Kenya is an intimate portrait of a transgender female sex worker whose fate changes when faced with the transfeminicide of her sex worker partner. I came to this story with the intention of talking about the violence that trans women experience in Mexico, but the struggle in Kenya overcame violence and overcame all the systemic and structural limits that keep these women on the margins of society. Kenya is a film that brings us closer to a world full of darkness, which little by little is filled with light through the actions of the protagonist, her conviction to fight, and her humanity. Kenya is an intimate and powerful portrait that gains dimension and strength as this story progresses, which in its bowels reveals the violence experienced by trans women in Mexico, this being the country with the second most hate crimes due to transphobia in the world.

Screening with Short Film

Nicole | Chadi Bennani | Canada | 2023 | 23 minutes | French with English Subtitles and open captions

In this touching documentary, filmmaker Chadi Bennani accompanies his mother, Dominique, as she sets out to empty Nicole’s apartment, her mother who passed two years prior. Through their discoveries, Dominique and Chadi share their memories of Nicole, as well as their apprehensions of a future without her.

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: YOUTH | CLASS | INDIGENOUS

Co-directed by Nicolas van Hemelryck and Clare Weiskopf, Alis is a poignant documentary that delves into young womens’ stories of hope and despair. Set in a Columbian group home for teenage girls, the directors ask the young women to conjure an imaginary housemate named Alis. Alis is a blank canvas for the young women to paint vivid portraits of the darkest moments in their lives. 

By projecting their lived experiences onto Alis, they find ways to speak their truths without the burden of shame or stigma. Through a series of candid conversations, the camera captures profound moments of self-reflection in real-time. 

Alis profiles childhood trauma’s insidious influence on the trajectory of one’s life and speaks to the determination required to recover from major setbacks. These bright-eyed and increasingly world-weary young women share stories that will inspire laughter in one moment and tears in the next. Ultimately, Alis is a story about reckoning with the past in order to pave the way for a brighter tomorrow.

Screening with Short Film

Black Hole Legion | Jonathan Omer Mizrahi, Ariel Sereni Brown | Greenland, Germany | 2021 | 12 minutes | Inuktitut with English Subtitles and open captions

On the foothills of Uummannaq mountain, four cybergoth teens are fighting depression. Water contamination spreads throughout the village pipelines and one cybergoth finds herself laying on a hospital bed. The cybergoths show us a post-apocalypse future, that is to say, the apocalyptic qualities of the present; a fragile reality where national, communal, environmental, and mental stability is at risk.

GENRE: FICTION (FEATURE)
TYPE: FILM | IN-PERSON
KEYWORDS: FAMILY | YOUTH | MUTISM

درناز حاجیها | ایران | درام | ۲۰۲۲ | ۷۸ دقیقه | فارسی با زیرنویس انگلیسی | اولین نمایش تورنتو

(ژانر: داستانی (بلند

نوع رویداد: فیلم، حضوری

کلید واژه: خانواده، جوانان، نا گویایی/اللی

“A transfixing and brooding, unafraid film where there are no winners. But there are truths to be had.”–Robert Daniels

Ilya is a normal, healthy four-and-a-half year-old boy. He goes to daycare and enjoys playing. He comes from a stable background with loving parents. But for reasons known only to himself, he has stopped talking. Contrary to what you might expect, Dornaz Hajiha’s superbly-acted film zeroes in on the boy’s parents, Haleh and Amir (Sepidar Tari and Shahdiyar Shakiba). In the first scene, a psychologist probes their relationship and recommends that they reverse roles, that is, Amir should take over responsibility for getting Ilya dressed, feeding him, and the thousand other little things that his wife routinely does for their son. He grudgingly agrees. But it’s Haleh who really struggles with the new arrangement. She feels helpless and redundant. And Ilya still isn’t talking.

In her spare, empathetic first feature film, Hajiha establishes authenticity; it’s almost as if we are watching an observational documentary. As the distressed parents consult one specialist after another, all to no avail, their own mental health suffers and the marriage cracks apart, leading to a devastating climax. 

– The Cinematheque (Vancouver)

فیلمی متحول کننده و غم انگیز که در آن هیچ کس پیروز نیست، فقط حقایقی هستند که آشکار می شوند’

رابرت دنیلز

ایلیا پسری چهار و نیم ساله است. عادی و سالم. او به مهد کودک می رود و از بازی کردن لذت می برد.از خانواده ای حامی و

والدینی مهربان برخوردار است. اما به دالیلی که فقط خودش میداند، دیگر حرف نمیزند. بر خالف آنچه انتظار می رود، درناز حاجیها در فیلم خود به والدین ایلیا می پردازد، هاله و امیر ) با بازیگری درخشان سپیدار طاری و شهدیار شکیبا(. در اولین صحنه فیلم، روانشناسی رابطه ی آنها را زیر سوال می برد و به آنها توصیه می کند که نقش خود را با یکدیگر عوض کنند. یعنی امیر مسئولیت پوشاندن لباس ایلیا، غذا دادن به او و هزار یک مسئولیت دیگری را که همسرش به طور معمول برای پسرشان انجام می دهد را به عهده بگیرد. او با اکراه موافقت می کند. اما این هاله است که با وضعیت جدید دست و پنجه نرم می کند. او احساس درماندگی و بیهودگی می کند و ایلیا کماکان صحبت نمی کند.

.درناز حاجیها در اولین فیلم بلند خود، با دقت، حساسیت و همدلی دنیایی را خلق می کند که همانند فیلم های مستند مشاهده گر است

 والدین  مضطرب در پی پاسخ به مشکل فرزندشان بی نتیجه به متخصصین متعدد مراجعه می‌کنند و در نهایت  سلامت روان و ازدواجشان با نابسامانی و مصیبت روبرو می‌شود.

FEATURED PANELISTS

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: IMMIGRATION | TRAUMA | MOBILITY | MUTUAL AID | HEALING

Should we leave our origins behind or can we give them new meaning? This is the question posed by The Dependents, in which the filmmaker combs through decades of diary entries written by her father, a retired immigration officer, interrogating him as he did countless applicants who appeared before his desk in Canadian embassies across the globe. This work is a reflection on the right to mobility for some and not others and the discourses that justify this inequality. Sofia Brockenshire’s film merges the past and present in a bold and sonically rich family portrait about home, displacement, and current forced and voluntary migration movements. — Jason Fox (RIDM, Montreal)

Screening with Short Film

Neighbour Abdi | Douwe Dijkstra | The Netherlands | Doc | 2022 | 29 minutes | Somali and Dutch with English subtitles 

How can you understand a violent past? Somali-born Abdi reenacts his life, marked by war and criminality, with the help of his neighbour and filmmaker Douwe. Through playful reconstructions in a special effects studio, they embark on a candid and investigative journey through a painful history, focusing on the creative process throughout.

GENRE: VARIOUS
TYPE: FILM | IN-PERSON
KEYWORDS: AUTOBIOGRAPHY | EXPERIMENTAL | PETS & SERVICE ANIMALS | SPOKEN WORD

The short film program “Born To Be An Artist” explores different methodologies in filmmaking as a way to express something that is true or unique to the idea of self. Featured artists: Shabnam Sukhdev and Ishaa Chopra, Don Vaillancourt and Naomi Hendrickje Laufer, Emily Sweet, Shantell Powell, Dorothy Ogda Laxton, Amy Ness, Victoria Brecht and Gladys Lou  

Unfinished | Shabnam Sukhdev And Ishaa Chopra | 2021 | Doc | English, Hindi with open captions

Music Box | Don Vaillancourt and Naomi Hendrickje Laufer | 2023 | Experimental | English with open captions

Interspecies Antics | Emily Sweet | 2020 | Experimental | English with open captions

Chinchilla Theatre Episode 1 – The Director’s Cut | Shantell Powell | 2020 | Experimental 

The Reluctant Messenger  | Dorothy Ogda Laxton | 2023 | Spoken Word | English with open captions

Amys Fight | Amy Ness | Documentary | English with open captions

Coffee & a Smoke | Victoria Brecht | 2023 | Documentary | English with open captions

Breathe Easy | Gladys Lou | 2021 | Experimental/performance art | English with open captions

GENRE: DOCUMENTARY (FEATURE)
TYPE: FILM | IN-PERSON
KEYWORDS: SUICIDE | TRAUMA | FAMILY | OVERSTIMULATION | ANXIETY

back home follows the filmmaker’s pursuit to get to know her older brother, Josh, twenty years after he took his own life. As she connects with the friends who knew him best as a teen, a complex portrait emerges. Through intimate recollections re-imagined on Super8 and 16mm, and lyrical images hand-processed with plants, seaweed, soil and ashes, back home floats between memory and present time in a fragmented meditation on identity, grief and loss: illuminating the transformative power of healing in community.

DIRECTOR’S STATEMENT

It is my pleasure to share my first feature film, “back home,” with you. I was 11 years old when Josh’s death forever changed our family and shifted my perspective on the value of closeness and the impact broader society can have on a young mind. “Back home”’s unique handmade quality recalls the photochemical processes I found solace in during my teenage years when I took refuge in the high school darkroom. The abstract film images represent the changing chemistry of Josh’s brain, as well as illustrating my physical pain – a manifest form of grief.

Screening with Short Film

White Noise | Tamara Scherbak | Canada | Drama | 2023 | 18 minutes | English with open captions

White Noise follows Ava, who suffers from misophonia – an extreme hyper-sensitivity to sound. When this reaches new terrifying heights, her doctor enrolls her in an experimental trial involving an anechoic chamber: the world’s quietest room.

GENRE: DOCUMENTARY
TOPICS: FILM | IN-PERSON
KEYWORDS: ISOLATION | ADDICTION | HOMELESSNESS | TRAUMA | ABUSE | SCHIZOPHRENIA

Canadian filmmaker Stephen Hosier focuses the lens of his feature debut uncomfortably close to home as he joins his childhood friend, Richard Csanyi, in investigating the life and death of the latter’s twin brother, Attila. Found dead on a Hamilton rooftop in May 2020, the 28-year-old was expelled from a long-term care residence even as he grappled with addiction and schizophrenia. 

A creative expression of grief and healing, this stirring home-grown film compassionately explores the intersection of personal trauma and the systems that fail those in need, while striving toward a place of forgiveness and understanding. ATTILA is a beautiful portrait honouring one man’s tragedy and the family he left behind, while providing the audience with a valuable window into the extreme systemic obstacles experienced by far too many in Canada and around the world.

Tuesday October 10, 2023 marks the 75th Anniversary of World Mental Health Day. This year’s theme is ‘mental health is a universal human right’. The sentiment aligns with the ambitions of ATTILA, the film. In presenting an authentic and local portrayal of addiction and schizophrenia. We hope to destigmatize these circumstances and create a space for dynamic conversation that lead to change.

Join us after the film screening for a post-film panel discussion moderated by Aisha Jamal (filmmaker and film programmer) featuring Dr. Naheed Dosani (palliative care physician and health justice activist), Chris Summerville (Schizophrenia Society of Canada), Diana Chan McNally (community and crisis worker) and other special guests to be announced.

Hashtags: #RWMFEST #MindtheGaps #ATTILAfilm

Masking is required at all Rendezvous events for everyone’s safety (masks provided) Thank you.