Ink, Blood and Socks (Ink, blod och strumpor)

Johan Ribe | 2023 | Sweden | Documentary | 68 minutes | Swedish with English subtitles | Canadian Premiere | Director in attendance

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Homelessness, Addiction, Graffiti, Punk

Hanna Finn’s talent and charisma were undeniable from an early age. By the time she reached preschool, her creativity and sharp sense of humour were on full display. Now a young adult known as Psykos, she exists on the fringes, describing her life as one in a “parallel society.”  Ribe’s documentary Ink, Blood and Socks chronicles Psykos’ struggles with addiction and her journey toward recovery. Keywords:  Homelessness, Addiction, Graffiti, Punk

WITH SHORT FILM ——— Off Suit —— Lou Estores & Brian Demoskoff | 2018 | Canada | Documentary | 3 minutes | English | Directors in attendance

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Malu

Pedro Freire | 2024 | Brazil | Fiction | 100 minutes | Brazilian Portuguese with English subtitles | Canadian Premiere

GENRE: Fiction (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Poverty, Housing, Intergenerational Trauma, Family, Fiction

Writer-director Pedro Freire’s feature debut Malu offers a raw and emotional exploration of motherhood and the circumstances perpetuating transgenerational trauma. Amid the many sequences of emotional chaos, Malu emerges as a touching story about healing, forgiveness, and learning to see the people we love for who they truly are rather than who we expect them to be.

WITH SHORT FILM ——— Mechanism ——  Eva Grant | Canada | Experimental | 2023 | 5 minutes | English

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A Man Imagined

Brian M. Cassidy & Melanie Shatzky | 2024 | Canada | Documentary | 61 minutes | English and French with English subtitles | Directors in attendance

GENRE: Experimental Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Schizophrenia, Housing, Experimental Documentary

Pushing at the limits of non-fiction cinema, A Man Imagined is a bracingly intimate and hallucinatory portrait of a man with schizophrenia surviving amidst urban detritus and decay. Made in close collaboration with 67-year-old Lloyd, this immersive documentary fable follows the jagged path of a decades-long street survivor, across harsh winters and blistering summers, as he sells discarded items to motorists, sleeps in junkyards and lapses into near-psychedelic reveries.

When Lloyd reveals a startling detail from his past, the filmmakers try to help him piece together a story that spills out in fragments—a jigsaw puzzle of painful childhood abstraction that seems to hold an unspeakable mystery at its core.

With its subjective, lyrical camerawork and expressionistic sound design, the latest feature from directors Brian M. Cassidy and Melanie Shatzky finds poetic power and transcendence in the harrowed mind of its protagonist, delivering a poignant meditation on life at the margins.

WITH SHORT FILM ——-Uncle Bardo —— Luke Mistrucci | 2024 | Canada | Documentary | 14 minutes | English

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1001 Days

Zikethiwe Ngcobo & Chloe White | 2023 | South Africa, United Kingdom | Documentary | 94 minutes | Zulu and English with English subtitles | North American Premiere

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Postpartum depression, Women’s issues, Stress, Family

Unemployment, poverty, disease and domestic violence are commonplace in the township of Alexandra in Johannesburg. For young mothers, who often have to raise their children alone, they barely have time for themselves and their babies. A group of women from the Ububele Home Visiting program are working to transform the neighborhood by improving the mental well-being of mothers and their babies.

WITH SHORT FILM ——— Beyond Recall —— Ajay Kumar | 2024 | Canada | Fiction | 11 minutes | English | Director in attendance

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WaaPaKe (Tomorrow)

Dr. Jules Arita Koostachin | 2023 | Canada (Attawapiskat) | Documentary | 80 minutes | English

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Indigenous documentary, Family, Trauma, Addiction

A National Film Board of Canada Production

Dr. Jules Arita Koostachin’s deeply personal documentary WaaPaKe (Tomorrow) asks the difficult question: “Who are we without our pain?”

For generations, the suffering of residential school Survivors has radiated outward, impacting Indigenous families and communities. Children, parents and grandparents have contended with the unspoken trauma, manifested in the lingering effects of colonialism: addiction, emotional abuse and broken relationships.

In her efforts to help the children of Survivors, including herself and her family, Koostachin makes the difficult decision to step in front of the camera and participate in the circle of truth. She is joined in this courageous act of solidarity by members of her immediate family, as well as an array of voices from Indigenous communities across Turtle Island. Moving beyond burying intergenerational trauma, WaaPaKe (Tomorrow) is an invitation to unravel the tangled threads of silence and unite in collective freedom and power.

Shane Belcourt is a four-time CSA-nominated Director, with award-winning narrative and documentary works in both film and TV.  He has directed three narrative feature films, TKARONTO (which was showcased in both the TIFF Indigenous Cinema Retrospective and the UCLA Film & Television Archive traveling exhibition, “Through Indian Eyes: Native American Cinema”); RED ROVER (premiered at the Whistler Film Festival and can be found on Amazon Prime  Currently, Shane is directing the feature documentary NADAAMAAIS which received Telefilm funding and set for release in 2025; and is a co-creator and co-showrunner (with Tasha Hubbard) of a premium narrative mini-series in development with CBC titled, STONECHILD.

OPENING NIGHT FILM

Friday, October 25, 2024
CAMH Auditorium | 1025 Queen St W, Toronto
Reception at 5 PM (all are welcome) with art, snacks and refreshments
Box office: 5:30 PM | Film 6:30 PM

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I don’t need to ask you to love me because i love myself

Recent short films by Workman Arts artist members

Film still from 3 Seconds In 6 Seconds Out by Christopher Beaulieu.

2024 | CANADA | SHORT FILMS | 60 MINUTES | ENGLISH with open captions

The short film program ‘I don’t need to ask you to love me because I love myself’’ explores many different modes of filmmaking as a means to express emotions related to how we not only exist but thrive in a world filled with challenges, contradictions and conundrums. Featuring artists: Jamila Balde, Christopher Beaulieu, Jeyolyn Christie, Jet Coughlan, Brian Demoskoff, Gabe Gonçalves, Helen Posno, Zan Redcrow, Emily Schooley, Ardene Shapiro, Andrea Thompson and TK Workman.

Followed by Spoken Word & Open Mic | 4:00 PM – 5:30 PM

FEATURED FILMS

Flowery | DIR. TK Workman | Canada | 2024 | 1′ (19 seconds) | ANIMATION
Spotting the Trauma Survivor | DIR. Andrea Thompson | Canada | 2023 | 5′ | EXP / ESSAY
3 seconds in 6 seconds out | DIR. Christopher Beaulieu | Canada | 2022 | 17 | FICTION
the body reclaiming project | DIR. Gabe Gonçalves | Canada | 2024 | 2 | EXP / ANIMATION
The Sweetest Goodbye | DIR. Emily Schooley | Canada | 2023 | 14 | FICTION
Whirling World Walking | DIR. Helen Posno | Canada | 2024 | 2 | EXP / ESSAY
I dont need to ask you to love me because i love myself | DIR. Jet Coughlan | Canada | 2021 | 3 | EXP
Dance Me | DIR. Jamila Balde | Canada | 2023 | 5 | FICTION
Broken | DIR. Brian Demoskoff | Canada | 2023 | 2 | EXP
Teddy | DIR Ardene Shapiro | Canada | 2024 | 2.5 | DOC / ESSAY
a collective loss | DIR Jeyolyn Christi | Canada | 2024 | 2 | DOC / ESSAY
As the Crow Flies | DIR Zan Redcrow | Canada | 2024 | 6 | DOC / ESSAY

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Drive Back Home

Michael Clowater | 2024 | Canada | Fiction | 100 minutes | English and French with English subtitles | Toronto Premiere

GENRE: Fiction (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: 2SLGBTQIA+ issues, Coming out, Trauma

In the winter of 1970, a small-town plumber from rural New Brunswick must drive his beat-up work truck 1000 miles to Toronto to get his estranged, gay brother out of jail after being arrested for having sex in a public park. The two men are then forced to drive back home together at the behest of their hard-nosed mother before they kill each other. Inspired by a true story.

“Drive Back Home is a story that’s inspired by true events that happened in the 1960s to my grandfather, Ernie Clowater, and his brother, my great uncle, Hedley Clowater. The only time that my grandfather ever left New Brunswick in his life was when he drove up to Montreal to get his brother out of jail for having sex with a man.

However, I could never understand WHY an uneducated plumber who didn’t know anyone outside of New Brunswick would be able to get his brother out of jail for committing an actual crime. What I discovered was that, unofficially, police departments were motivated to get these cases off the books by offering to drop the charges if family members or employers came to vouch for them. By forcing these men to “out” themselves to people that mattered to them, the police were satisfying two needs at once. The first was to relieve themselves of paperwork and the second was to ensure that the people they took so much offense to still had their lives ruined.

If you’re a young black person in 2024 and you want to know what life was like for ordinary black Canadians in the 1960s, you can ask your black grandparents. But if you’re gay, you don’t have gay grandparents to ask. A film like this would have been the only way for him to see that life., I also wanted this to be real and authentic and funny. I wanted the two men to be imperfect and littered with their own personal baggage that we all have. I used western themes and wanted to give it a cinematic feel of a western by using snow and bleak landscape of a Canadian winter in the same way that John Forde or Sergio Leone would use the harsh landscape of a desert."

– Michael Clowater

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My Dad’s Tapes

Kurtis Watson | 2023 | Canada | Documentary | 82 minutes | English | Director in attendance

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Family, Suicide, Trauma, Youth

“On August 9, 2006, Leonard Watson dropped off his eight-year-old son Kurtis at summer camp. That’s the last time anyone saw him. No bags packed, no calls, no activity in the bank account, no note: Watson disappeared, leaving his family behind. He was considered missing until 30 days later, when he was found dead by apparent suicide.

Fourteen years later, Kurtis Watson discovers a trove of home videos—hundreds of hours recorded by his father leading up to his death—a discovery that inspires a painstaking search for answers in recorded moments, family testimonials, and conversations with people connected to the event in any way, including the Watson family themselves, who come together for the first time to talk about the weight of this memory in their lives. Discoveries of small details lead to impactful and revelatory moments for them, revealing an ever-present stigma around mental health. My Dad’s Tapes documents the tremendously brave embrace of a reality in which some of our most burning questions may forever be unanswered. To hold each other close is all that matters."

– Hot Docs

Featuring Director Kurtis Watson, Producer Rob Viscardis, family members as well as mental health advocate Valéry Brosseau and moderated by filmmaker and film programmer Mariam Zaidi.

Mariam Zaidi is a filmmaker, film programmer, and arts manager based in Toronto. She has worked on programming teams at the Hot Docs Canadian International Documentary Festival since 2016 and the Toronto Reel Asian International Film Festival since 2020, respectively. Previously, Zaidi was the Executive Director of the Breakthroughs Film Festival. Aside from festival programming, Zaidi has also made short films that have been supported by the National Film Board of Canada, the Ontario Arts Council, the Toronto Arts Council and the CBC. Most recently she worked on the distribution and impact campaigns for the Canadian films, Academy-Award Nominated, To Kill a Tiger (TIFF, 2023) and An Unfinished Journey (Hot Docs, 2024).

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Gaza Ghetto: Portrait of a Palestinian Family

Update from Workman Arts regarding October 10 World Mental Health Day

Our previously scheduled event for World Mental Health Day next Thursday has been cancelled. Thank you to our panelists and audiences for your understanding. We are looking forward to seeing you at the 32nd Rendezvous With Madness Festival, October 25-November 3.
Please contact <info@workmanarts.com> with any questions.

Pierre Björklund, Per-Åke Holmquist & Joan Mandell | Palestine / Sweden | Documentary | 1984 | 80 minutes | Arabic with English subtitles | Presented on 16mm film

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON

Purportedly the first documentary feature film made in Gaza, Gaza Ghetto: Portrait of a Palestinian Family highlights the historical precedents of war, dispossession and military control that influence a family’s daily life in the Jabalia refugee camp. Intimate scenes – a child is born, a grandmother dies – are inter-cut with visits to the architects of the Israeli military occupation. 

Gaza Ghetto follows the El-Adel family: Itidhal and Mustafa and their many children, including Ra’ida Abdullah, Samar, Shuroug, Riham and Ayed. We see the family’s humdrum daily routines: waking up grumpy, getting dressed for school, brushing their hair, and attending morning prayer at the UNRWA Jabalia Girls’ Preparatory School. The film provides historical context through archival footage from 1948 when the original Israeli invasion of Palestine displaced some 150,000 people, and 1967, when the Six-Day War resulted in the Israeli occupation of Gaza and the West Bank and the displacement of a further 300,000 people. We see scenes of the Al-Ahli Arab Hospital in Gaza City, where Mustafa works as a healthcare provider alongside an inadequate international response—the United Nations and Quaker volunteers distributing meager rations—and the grueling daily grind endured by the working-age men and women of the camp, who leave the camp before dawn each day and spend several hours commuting to Tel Aviv or Jaffa to then spend hours, and sometimes entire fruitless days, soliciting jobs in an informal day-labor market.

Discussion to follow with mental health / health care workers/supporters on the theme of workplace mental health to connect to the 2024 World Mental Health Day theme. Participants include Mohamed Abdelhack, Sarah Abusarar, Rayan Anton and Dr. Yipeng Ge.

Mohamed Abdelhack is a Postdoctoral Fellow at CAMH studying neural dynamics of psychiatric disorders using machine learning. He is also the founder of Arabs in Neuroscience, a grassroots organization that aims to improve education in Arab countries and create a network for Arabic-speaking neuroscientists. He is a recipient of Canada Brain Starts Award and The Neuro – Irv & Helga Cooper Foundation Open Science Prize. He originates from Alexandria, Egypt and has international experience working in Japan, the United States, and South Africa.

Rayan Anton MSW, RSW is a Palestinian Social Worker and Psychotherapist. He is a first-generation immigrant from occupied Palestine, and moved here at a young age with his family in hopes of finding a life free of danger and oppression. He works largely with the Arab community and also the 2SLGBTQ community here in Toronto. He is the co-founder of Meem Toronto – a social group for queer and trans people from the Arabic-speaking region.

Dr. Yipeng Ge is a primary care physician and public health practitioner based on the traditional, unceded and unsurrendered territory of the Algonquin Anishinaabeg. In his clinical practice, he works in family medicine practice and refugee health at a community health centre. He has worked on and studied the structural and colonial determinants of health in both the settler colonial contexts of so-called Canada and occupied Palestine. Having witnessed the atrocities in Gaza firsthand as a humanitarian medical volunteer, Dr. Ge leverages his direct experiences to raise awareness and educate the Canadian public about global injustices.

Special thanks to Sebastian DiTrolio for providing the 16mm film print.

THIS EVENT HAS BEEN CANCELLED

EMOTIONS IN MOTION

EMOTIONS IN MOTION

Image: Film still from SEASON OF GOODBYES, Philippa Ndisi-Herrmann.

Thursday, April 25,
7-8:30 PM

The Guild Cinema

3405 Central Ave NE
Albuquerque, NM

ONLINE

MAY 4-18, 2024

EMOTIONS IN MOTION

A program of recent short films presented at Toronto’s Rendezvous With Madness Festival, connecting personal stories and deep sentiments through magical flickering frames and dancing pixels. Emotions in Motion is an attempt to create a space for emotional filmmaking and an experiment in centering cathartic approaches to storytelling.

Sitting in the dark is a communal invitation to connect our relationship to grief, loss and wellness with these five creators’ unique expressions of grief, of struggles and of survival. Bring your heart and mind to this program that aims to anchor us for an hour-long voyage of emotion-full cinematic splendors. 

TRT 62 minutes

XO RAD MAGICAL

Christopher Gilbert Grant / 2019 / Canada / 1:40

XO Rad Magical is a personal lyrical poem about the daily struggle of living with schizophrenia. This psychedelic and hypnotic animated film shows that there is beauty in the brains of those who are at war with themselves. Provided courtesy National Film Board of Canada / Office national du film du Canada.

NICOLE

Chadi Bennani / 2023 / Canada / 22:30

In this short documentary, filmmaker Chadi Bennani accompanies his mother, Dominique, as she sets out to empty Nicole’s apartment, her mother who passed away two years prior. Through their discoveries, Dominique and Chadi share their memories of Nicole, as well as apprehensions of a future without her. Provided courtesy Les Films du 3 Mars.

SEASON OF GOODBYES

Philippa Ndisi-Herrmann / 2018 / Kenya / 14:30

An intimate portrait grappling with love and loss that takes us on an essayistic journey of mourning, paying homage to the dearly departed.  “A Season of Goodbyes, I wrote beneath a photograph I had taken of dry sunflowers strewn on my kitchen counter; their petals like hair flaying, their seeds like tears scattered; the windswept hair of four adolescent sisters, their tears frozen in time, as the last image of their father fades as the distance from the town they can no longer call a home widens. Beneath that photograph, A Season of Goodbyes, I wrote.”- P.N.-H. Provided courtesy the artist.

JOE BUFFALO

Amar Chebib / 2022 / Canada / 15:30

Joe Buffalo is a Cree skateboarding legend. He’s also a survivor of Canada’s notorious  genocidal residential school system. Following a traumatic childhood and decades of addiction, Joe must face his inner demons to realize his dreams. Provided courtesy the artist.

NEUROTRANSMITTING

Theo J. Cuthand / 2021 / Canada / 7:30

TJ Cuthand and his mother Ruth Cuthand have a candid conversation about TJ’s last hospitalization for Bipolar Disorder in 2007. While TJ only knew his manic episode from the inside, Ruth had to deal with caregiving decisions and trying to find help. While they reminisce, they also have to reckon with the feelings of animosity that arose between them during these challenging events. Provided courtesy Vtape Distribution

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