Indebted to the words and thinking of disability justice educator Mia Mingus, wherever you are is where i want to be offers access intimacy as the un-structuring logic for our collective queer and trans crip futures. Refusing the loudly eugenicist mapping of isolation and disposability upon our disabled queer-trans-crip bodyminds, the multi-disciplinary practices platformed here speak with a loved urgency to the ways in which embodied experiences of access intimacy have the capacity to reconfigure time, space, and relation. Spanning installation to textile to video, the work of these artists proposes the act, experience, and feeling of crip kinship as a means and model of radical future-making.
Sarah–Tai Black (they/them) is an arts curator and critic born and (mostly) raised in Treaty 13 Territory/Toronto whose work aims to center Black, queer, trans, and crip futurities and freedom work. Their curatorial work has been staged at Cambridge Art Galleries (Cambridge, ON), Dunlop Art Gallery (Regina, SK), MOCA (Toronto ON), PAVED Arts (Saskatoon, SK), and A Space Gallery (Toronto, ON).
This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person from October 5 to 31, 2023.
No reservation is necessary. Free and open to all.
October 7, 6 PM
After the opening reception, engage with the artists of wherever you are is where i want to be as they delve into their work and practice.
Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto
October 5 to October 31st, 1 – 6 PM
If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_laurenteugene@workmanarts.com
Visit the Accessibility page for further festival information and wayfinding.
Chains & Crowns, is a photo-based series of artworks inspired and dedicated to the artist’s mother. This large-scale print depicts the history, politics, science and psychology of Black Hairstyles. The typological series displayed in a grid format encourages the viewer to cross-reference hairstyles and allows the Black and broader communities the opportunity to draw from their personal experiences, whether that be through their own stories or through their community members. The work also comes with information on styles that derive from an array of time periods, cultures and movements ranging from Ancient Egypt (2700 BC – 343 BC) to The Natural Hair Movement (1960 – present). This gives way for the audience to further solidify their understanding through historical text and to question the multi-faceted ways these styles have been utilized and evolved in impact over time.
Stéphane Alexis is an artist based in Ottawa, Canada. His work stems from personal experiences, research, community collaborations and visual expression, all fostering a strong desire to bring a level of understanding to the often overlooked communities. Stéphane’s work seeks to give insight into these communities in which he belongs to.
Artist website: stephanealexis.com
Keywords: Activism | Community | Depression | Resilience | Trauma
#RWMFest #MoreThanRebellion
This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.
VENUE:
The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto.
DATES:
October 27 to November 6, 12 – 6 PM.
EXHIBITION OPENING & ARTISTS TALK
October 29, 1-4 PM, Talk at 2:30 PM
After the opening reception, engage with the artists of kind renderings as they delve into their work and practice.
TOURS
Please join us for a guided tour on Thursday, November 3 at 5 PM
ACCESSIBILITY
If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.
Visit the Accessibility page for further festival information and wayfinding.
The things we carry with us is a mixed media installation that explores the life of the artist’s grandmother, who experienced displacement as a child when India was partitioned as the British exited India. What the artist’s grandmother saw or experienced was never discussed but the signs of her trauma remained. The family went through much emotional upheaval as a result and shaped the artist’s anxieties as her grandmother remained the artist’s caregiver for most of her childhood.
The things we carry with us explores coping mechanisms we pick up as children to survive. And, in practice, it can take a very long time to come to terms with our realities and sometimes we never do; we live behind a net seeing and experiencing the world differently, and that becomes the only world we know.
Twinkle Banerjee (she/her) is an Indian-Canadian visual artist, who explores work that deals with social issues such as generational trauma, globalization and human rights. Understanding the pressure put on BIPOC artists for creating trauma-related work, she also tries balancing her work with introspective experiments with a focus on poetic imagery.
Twinkle has exhibited in the USA, Canada, the UK and Armenia, been published in Berlin and featured on CBC. In 2021 her artwork “Characters of Memorial Park” was part of an exhibition and publication at the ICP-New York.
Artist website: twinklebanerjee.com
Keywords: Activism | BIPOC Experience | Bipolar Disorder(s) | Trauma | CPTSD Generational Trauma
#RWMFest #MoreThanRebellion
This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.
VENUE:
The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto.
DATES:
October 27 to November 6, 12 – 6 PM.
EXHIBITION OPENING & ARTISTS TALK
October 29, 1-4 PM, Talk at 2:30 PM
After the opening reception, engage with the artists of kind renderings as they delve into their work and practice.
TOURS
Please join us for a guided tour on Thursday, November 3 at 5 PM
ACCESSIBILITY
If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.
Visit the Accessibility page for further festival information and wayfinding.
Inspired by the helplessness of being stuck on a hamster wheel, this series chronicles one’s inner dialogue. Losing It explores the journey of trying to confront your demons after listening to them tell you lies all day long. For the artist, this includes trying out all the self-help tricks in the book with the hope that a light can someday be found at the end of the tunnel. This series was created to find an outlet and a means of articulating the artist’s mental health struggles with room for some humor in the despair.
Boozie is an independent, self-taught artist based in Toronto. She finds inspiration in everyday moments. Her artwork primarily focuses on her experiences as a woman. Being drawn to portraits, many of her works reflect everyday women in different personas.
Artist website: instagram.com/artbyboozie
Keywords: Anxiety | BIPOC Experience | Family | OCD
#RWMFest #MoreThanRebellion
This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.
VENUE:
The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto.
DATES:
October 27 to November 6, 12 – 6 PM.
EXHIBITION OPENING & ARTISTS TALK
October 29, 1-4 PM, Talk at 2:30 PM
After the opening reception, engage with the artists of kind renderings as they delve into their work and practice.
TOURS
Please join us for a guided tour on Thursday, November 3 at 5 PM
ACCESSIBILITY
If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.
Visit the Accessibility page for further festival information and wayfinding.
Cinnamon is a series of paintings which, like the spice, is mundane yet leaves an experience that invigorates the senses and has a magical quality. Ideas for the paintings came from everyday experiences in a suburban setting yet, a fantastical theme is constructed throughout the series.
This reflects the artist’s own sensitivity and yearning for what is beyond daily life, where she experiences flashes of inspiration through living her life. These may be the unexpected consequences of meditative practices of a state of mind that carries over to everyday experiences. Regardless of origin, these visions are triggered by the world around her and they reshape moments into a fresh perspective. The artist’s work aims to share the knowledge gained from these experiences.
Wen Tong was born in Jinan, China, before immigrating to Canada at the age of 2. She received her HBsc from the University of Toronto in 2021, studying Biotechnology and Computer Science, but also took studio art classes at Sheridan College in both painting and printmaking. Wen is an award-winning contemporary artist that creates cinematic oil paintings in the style of magical realism. She has shown in a number of exhibitions across Ontario and has artwork in multiple private and public collections. Wen works from her studio in Oakville, Ontario.
Artist Website: wentongart.com
Keywords: BIPOC Experience | Youth, Teens and/or Children
#RWMFest #MoreThanRebellion
This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.
VENUE:
The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto.
&
Special feature of work from Cinnamon by Wen Tong will be shown in the Tangled Gallery vitrine space at 401 Richmond St W, Suite 124, Toronto
DATES:
October 27 to November 6, 12 – 6 PM.
EXHIBITION OPENING & ARTISTS TALK
October 29, 1-4 PM, Talk at 2:30 PM
After the opening reception, engage with the artists of kind renderings as they delve into their work and practice.
TOURS
Please join us for a guided tour on Thursday, November 3 at 5 PM
ACCESSIBILITY
If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.
Visit the Accessibility page for further festival information and wayfinding.
The collection of poetry and drawings in My left-hand is talking and my right-hand is nurturing, explores the experience of moving past survival mode to let go of false perceptions of self, building the capacity to reclaim a truer sense of identity. It is about the experience of living with inexplicable illness and pain, loss of memory, abuse, love, and loss. It celebrates the beauty of imagination’s power to heal the body, rejuvenate our sense of self, and teach better ways of living.
Everything Jessica Field makes is biased to her lived experience. She creates AI drawings to explore new configurations on what drawing about pure emotion can be about in relation to the greater concept of the human condition. The artist’s drawings act as material that is reinterpreted by an “other”, to compose hundreds of variations as a way of seeing greater possibilities outside the limits of her lived experience. This “other” remains anchored by the artist’s genuine inner emotional life exploring how feelings, unconscious memory and experience is embodied in the gesture of line, in how the exploration into the self can lead to visual expressions that are universally relatable and authentic to lived experience.
The objective of these drawings is to illustrate the complicated space in dealing with the human bias, ignorance, and still manage to connect and understand a divergent perspective. This project shows how empathy and perspective taking bridges these gaps by putting the discussion into the space of universal human experience where we all can relate to each other.
Jessica Field works with installation, video and performance to create AI systems to show the impact of our environment on mental health and how individual histories and temperaments influence the ways that we live our lives. Jessica has exhibited in Sweden, Switzerland, Austria and Canada. She has shown in Electrohype 2008, the Montreal Museum of Fine Art, Oboro, Optica, the Museum Tingely and at Kunsthaus Graz.
Jessica teaches as a full-time sessional at Toronto Metropolitan University; she received her AOCAD at the Ontario College of Art and Design, Toronto, Ontario and her MFA at Concordia University in Montreal, Quebec.
Artist website: jessicafield.ca
Credits
Coding Visual Layout Algorithm: Meera Balendran
Book Designer: Lisa Kiss Design
Video and Editing: Empty Cup Media
Images, Poetry, and Artificial Life Algorithms: Jessica Field
Content Warnings
This artwork contains content that may be triggering to some individuals.
Keywords: Anxiety | Grief | Psychiatry | Trauma
#RWMFest #MoreThanRebellion
This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.
VENUE:
The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto.
DATES:
October 27 to November 6, 12 – 6 PM.
TOURS
Please join us for a guided tour on Thursday, November 3 at 5 PM
ACCESSIBILITY
If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.
Visit the Accessibility page for further festival information and wayfinding.
Multitude of Fish – Ascension Tales is an animation that tells the story of fish ascending into the heavens, symbolizing spirits being uplifted. This animation was created by hand drawing each frame. The images were derived from the artist’s mental wellness journey, specifically the healing of past trauma and depression.
For the past few years, Jenny Chen has worked with the recurring image of water and fish to symbolize the flow of energy. This larger body of work titled, Multitude of Fish, exists in mediums such as drawing, painting, clay sculptures, installation and animation. The fish moves organically through its surrounding space, leading the viewer on different journeys. These spaces are reminiscent of the inner realm while taking inspiration from outer landscapes.
Jenny Chen is a visual artist living in Toronto. She makes art to process the world around her while raising questions about existentialism and spirituality. Her work uses symbols to create mystical environments inspiring viewers to wonder about life beyond the material world. She graduated from OCAD University with a major in Drawing and Painting and a minor in Illustration. Since then, Jenny has worked mainly in watercolour, pen and clay. Her exhibition history includes the Small Arms Inspections Building, Toronto Media Arts Centre and Living Arts Centre. She has received grants for her work from the Ontario Arts Council.
Artist website: jennychen.me
Keywords: Anxiety | BIPOC Experience | Community| Trauma
#RWMFest #MoreThanRebellion
This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.
VENUE:
The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto.
DATES:
October 27 to November 6, 12 – 6 PM.
EXHIBITION OPENING & ARTISTS TALK
October 29, 1-4 PM, Talk at 2:30 PM
After the opening reception, engage with the artists of kind renderings as they delve into their work and practice.
TOURS
Please join us for a guided tour on Thursday, November 3 at 5 PM
ACCESSIBILITY
If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.
Visit the Accessibility page for further festival information and wayfinding.
Kindness is not an act of weakness. It is an act that resists societal expectations of doing and saying nothing. This form of rebellion is evident in this year’s Rendezvous With Madness visual art exhibition whereby the six exhibiting artists address within their work personal experiences that challenge what mental health and wellness looks like. Action is apparent through frameworks of compassion, thought-provoking imagery and considerate storytelling.
This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.
VENUE
Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto
GALLERY HOURS
October 27 to November 6, 12 – 6 PM
EXHIBITION OPENING & ARTISTS TALK
October 29, 1-4 PM, Talk at 2:30 PM
After the opening reception, engage with the artists of kind renderings as they delve into their work and practice.
TOURS
Please join us for a guided tour on Thursday, November 3 at 5 PM
ACCESSIBILITY
If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_laurenteugene@workmanarts.com
Visit the Accessibility page for further festival information and wayfinding.
Sylvia Frey, Visual Artist, Toronto
Sylvia Frey is a Mad, Queer, BIPOC Visual Artist based in Toronto. Her artwork explores the intersection of Madness, Healing, and Art. She is an interdisciplinary artist, working in the mediums of painting, drawing, writing, and performance. Most currently, she has started to explore film and photography. Her artwork can be found in various private collections in North America and Europe.
Esmond Lee, Visual Artist, Researcher, and Architect, Toronto
Esmond Lee is an artist, researcher, and architect based in Scarborough. Lee explores long-term, intergenerational experiences of migration in peripheral spaces. He holds a Master of Architecture and is pursuing a Doctorate in Critical Human Geography. Lee draws from these seemingly diverging backgrounds to examine identity, belonging, and nuanced cultural and political borders in the built environment. Recent works include installations for Nuit Blanche Toronto, developed during his time as the Doris McCarthy Artist-in-Residence, and at Malvern Town Centre for CONTACT Photography Festival. Lee’s current projects include two photobooks: ‘Below the City’, recognized by the Burtynsky Grant, and one for Woodside Square Library as the TPL Artist-in-Residence.
Laura Shintani, Visual Artist, Toronto
Laura Shintani is a multimedia multidisciplinary artist who’s curiosity leans into learning, leadership and making friends with the interior monologue of the mind. Having a Japanese-Canadian ancestry, she directs themselves to create work that re-connects a disconnected past to the present. She lives with and embraces neurodiversity.
Her work has been shown at the Royal Ontario Museum, Campbell House Museum, Tangled Arts + Disability and Workman Arts. She helps to facilitate CAMH’s client “Art Cart” through Workman Arts and has received grants from and has been on juries for the Ontario Arts Council. Her most recent skill is trying her hand at taiko drumming!
Rather than experience the festival’s exhibition on-site, this year we experience it “in-site” — in a website, in the digital world, in the virtual. The works in the festival this year have been selected with the intention of being experienced virtually.
The artists bring insight to their experiences of the world having changed, how it continues to change and what this change can offer. This includes our growing awareness around mental health, our relationships with both the physical and digital worlds, and how the works can incite us into action. The exhibiting works investigate these themes and more, providing room to engage with the arts in a time when interacting and experiencing work has been significantly impacted. Through these works, we recognize that we are in the moment, in the current, in the site.
Visit the virtual exhibition here:
This year, the exhibition in the Rendezvous With Madness Festival will be presented virtually which will be accessible throughout the festival from October 28 to November 7. Work including timed events and performances will be accessible through the virtual exhibition site through the link below:
VIRTUAL GUIDED TOUR
Watch the virtual guided tour of the In(site) exhibition held on Sat, Oct 30, 12 PM ET
SPECIAL IN PERSON FEATURES
ONLINE LIVE EVENTS
ARTIST TALKS
ACCESSIBILITY
If either online or in-person access is a barrier, please contact Paulina Wiszowata at paulina_wiszowata@workmanarts.com.
Workman Arts will have available the In(site) virtual exhibition displayed and interactable on a monitor in their front office at 1025 Queen St W Suite 2400.
Available during Box Office hours:
Monday – Friday, 10 AM – 4 PM.
Visit the Accessibility page for further festival info.
Community Arts Space 2021
Project led by David Constantino Salazar
In collaboration with participants from Workman Arts
Established in 2016, Community Arts Space (CAS) is the Gardiner’s incubator for arts-based projects that build community through clay making. As part of CAS2021, artist David Constantino Salazar presents Forever (Bird-Botanicals) in partnership with members of Workman Arts, a Toronto-based arts organization that promotes a greater understanding of mental health and addiction.
Inspired by folk tales and allegories passed on from his grandparents in Ecuador, Salazar uses the symbol of the bird to explore themes of hope, freedom, and growth while reflecting on personal tragedy and collective trauma. Salazar asks us to meditate on the concept of human resilience, an idea especially pertinent as we begin to recover from the impact of the global pandemic.
Salazar created over 200 birds during a two-month residency at the Gardiner. While the clay was still soft, he threw the birds at a wall, evoking a physical, mental, and spiritual rupture, and at the same time preserving their beauty and energy. As the title suggests, the birds endure, albeit in a new form. Salazar encourages us all to approach traumas as opportunities for transformation, adaptation, and renewal, while remaining sensitive to how these experiences change and challenge us.
Appearing alongside Salazar’s work are birds made by participants from Workman Arts who took part in online workshops lead by the artist in July 2021. In contrast to Salazar’s birds, displayed on the gallery walls, the birds created by the Workman Arts participants gather on the ground. The space between these two groupings creates an uncomfortable tension that we are encouraged to sit with rather than ignore.
Additional birds made by community members and Gardiner visitors in a series of hands-on workshops are on view throughout the Museum.
David Constantino Salazar is a Toronto-based sculptor with a Master of Fine Arts degree from OCAD University. He has exhibited widely, including at Carnival, Rio de Janeiro (2012); the Spadina Museum, Nuit Blanche, Toronto (2015); and the first presentation of Forever (Bird-Botanicals) at the third International Biennial of Asunción in Paraguay (March 2020).
Supporting Sponsors
Susan Crocker & John Hunkin