Rendezvous Spoken Word and Open Mic

Please join us at our first Rendezvous spoken word and open mic event as part of our Shine ; Together year!

We are excited to feature esteemed writers Ghadeer Elghafri and Kelly Rose Pflug-Back – see their biography and contact details below! The event will also feature open mic from Workman Arts writers each sharing 5 minutes of writing with our audience – sign up for the open mic begins at 1:30 PM and continues until the 12 slots are filled. Tickets are available at the door or in advance – pay what you can and no one turned away!

This event follows the Workman Arts short film program

Any questions please contact info@workmanarts.com.

Ghadeer Elghafri is a Palestinian-Canadian poet from Gaza, born and raised in Dubai, UAE, living in Toronto. She immigrated to Canada 10 years ago from Dubai without her family. She is a Palestinian activist, a feminist, and an advocate of women, children, human rights and social justice.

Since she was 10 years old child, she was writing poetry in her mother language Arabic. What inspired Ghadeer to write is nature, her father, love, longing, nostalgia, diaspora, her homeland Palestine, difficult emotions, hard feelings, trauma, feminism, freedom, liberation, human rights and justice.

Ghadeer is the founder of Toronto Poetry Club. She has organized inclusive and diverse multicultural multilingual open mic poetry nights in Toronto for 8 years. She has published her Arabic and English poetry in newspapers, magazines, exhibitions, including the anthology “Poetry ReRooted: Decolonizing Our Tongues” and in the anthology “To Hear The Birds” 

Ghadeer’s poem “Alhuwiyya (The Identity)” had been published in English in an anthology of “Muslim American Writers at Home” in San Francisco by Freedom Voices Publisher. It was about her 3 different identities contained within her while being in diaspora, relocating in different countries and her nostalgia to her homeland Palestine. She received a grant from The Toronto Arts Council to start a Multilingual Poetry Collective. 

Ghadeer is an Ontario Ambassador, Outreach to Arab speaking community of National Association of Adult Survivors of Child Abuse (NAASCA). She completed her BSc. in Computer Science and MBA at the American University of Sharjah in UAE. Her dream is to have her own house and host her poetry nights, under the name Qahwa Art Café, in its back or front yard in the Summer and in the basement in the Winter. “Qahwa” means coffee in Arabic.

Instagram: gghafri

Kelly Rose Pflug-Back is a writer and creative writing workshop facilitator. Her fiction, poetry, and journalism has appeared recently in publications like The Briarpatch, The Deadlands, and This Magazine, as well as anthologies such as Queer Little Nightmares (Arsenal Pulp, 2022) and Imaginarium: The Best Canadian Speculative Writing (ChiZine, 2012) . Their debut collection of poems, The Hammer of Witches (Caitlin Press/Dagger Editions, 2020), recently placed as a finalist in the upcoming Bisexual Book Awards.

Saturday, November 2, 2024

Tranzac Club | 292 Brunswick Avenue, Toronto
Box office: 1 PM | Open Mic signup opens at 1:30 PM
Spoken Word event starts at 4 PM sharp and runs until 5:30

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We Lost You A Long Time Ago

Opening for Feature Film | Peter Doherty: Stranger in My Own Skin | Katia de Vidas | 2023 | France, United Kingdom | Documentary | 95 minutes | English

This Performance Opens for Film Program: Peter Doherty: Stranger In My Own Skin.

Dance Synopsis
We Lost You A Long Time Ago is a poignant contemporary dance piece by Nicole Descey Dance Projects, running 20-30 minutes, that delves into the emotional turmoil of losing a close friendship. This work explores the unraveling of a bond that once felt familial but disintegrates seemingly without warning or closure, reflecting on the deep, often unspoken grief that accompanies the loss of a friendship. Choreographer Nicole Descey draws from her personal experience of watching a friend struggle with mental health, leading to an inevitable and painful separation. Through intricate, expressive movements, dancers Nicole Decsey, and Melissa MacTavish bring to life the stages of emotional turmoil – such as grief, anger, confusion, and sorrow, offering a raw portrayal of the longing for answers and closure that never comes.

Accompanied by a live musical track composed and performed by Luc Gaylie, the choreography takes audiences through memories and moments of connection and the chaotic aftermath of a friendship slowly fading, highlighting the complexity of coping with the absence of resolution. In this powerful exploration of mental health, friendship, and the enduring pain of relationships that cannot be mended, We Lost You A Long Time Ago resonates as a moving portrayal of loss, acceptance, and the memories of a bond that can now only be mourned and remembered.

 

Keywords: Grief, Trauma, Loss

Accessibility: Active Listener on-site

ABOUT NICOLE DECSEY DANCE PROJECTS

Nicole Decsey is an emerging artist with a BFA in Performance Dance from Toronto Metropolitan University. She works as a performer, choreographer, and rehearsal director with multiple Toronto and Mississauga based companies such as Frog in Hand, Create Dangerously, Dance : Corps Company, and Human Body Expression. Nicole has trained in Montreal, Vancouver, Toronto and Mississauga with companies such as Transformation Danse, Addo Platform, The Toronto Community Love In, and Toes for Dance. Nicole struggles with body dysmorphia, anxiety and depression and uses her personal experiences to create her work.

Melissa MacTavish is a Toronto based dance artist who graduated from George Brown Dance with a Certificate and Diploma in 2019. Melissa has a deep appreciation for contemporary dance and acrobatics. She has performed with Beats and Intentions for Nuit Blanche and worked for Legends of Horror in 2019, performed works by Hanna Kiel and Syreeta Hector for The Fifths Summer Intensive in 2022, and most recently performed “We Lost You A Long Time Ago” with Nicole Decsey’s Dance Projects in August 2023 and performed “Listen, this will be fun” by Teagan Ariss for The Garage’s 2023 Showing.

As a professional composer and instrumentalist with over 20 years of experience, Luc Gaylie has honed their craft through international tours with St. Michael’s Choir, performances as a member of award-winning band Jammers Waffle House, and a long history of music directing for theatre and dance shows. With a deep passion for creating music that elevates the art of dance, Luc Gaylie is grateful for the opportunity to work with talented choreographer Nicole Decsey and her talented dancers

Friday, November 1, 2024

Tranzac Club | 292 Brunswick Avenue, Toronto
8PM

Ticket Link Redirects to Peter Doherty: Stranger In My Own Skin

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WaaPaKe (Tomorrow)

Dr. Jules Arita Koostachin | 2023 | Canada (Attawapiskat) | Documentary | 80 minutes | English

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Indigenous documentary, Family, Trauma, Addiction

A National Film Board of Canada Production

Dr. Jules Arita Koostachin’s deeply personal documentary WaaPaKe (Tomorrow) asks the difficult question: “Who are we without our pain?”

For generations, the suffering of residential school Survivors has radiated outward, impacting Indigenous families and communities. Children, parents and grandparents have contended with the unspoken trauma, manifested in the lingering effects of colonialism: addiction, emotional abuse and broken relationships.

In her efforts to help the children of Survivors, including herself and her family, Koostachin makes the difficult decision to step in front of the camera and participate in the circle of truth. She is joined in this courageous act of solidarity by members of her immediate family, as well as an array of voices from Indigenous communities across Turtle Island. Moving beyond burying intergenerational trauma, WaaPaKe (Tomorrow) is an invitation to unravel the tangled threads of silence and unite in collective freedom and power.

Shane Belcourt is a four-time CSA-nominated Director, with award-winning narrative and documentary works in both film and TV.  He has directed three narrative feature films, TKARONTO (which was showcased in both the TIFF Indigenous Cinema Retrospective and the UCLA Film & Television Archive traveling exhibition, “Through Indian Eyes: Native American Cinema”); RED ROVER (premiered at the Whistler Film Festival and can be found on Amazon Prime  Currently, Shane is directing the feature documentary NADAAMAAIS which received Telefilm funding and set for release in 2025; and is a co-creator and co-showrunner (with Tasha Hubbard) of a premium narrative mini-series in development with CBC titled, STONECHILD.

OPENING NIGHT FILM

Friday, October 25, 2024
CAMH Auditorium | 1025 Queen St W, Toronto
Reception at 5 PM (all are welcome) with art, snacks and refreshments
Box office: 5:30 PM | Film 6:30 PM

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I don’t need to ask you to love me because i love myself

Recent short films by Workman Arts artist members

Film still from 3 Seconds In 6 Seconds Out by Christopher Beaulieu.

2024 | CANADA | SHORT FILMS | 60 MINUTES | ENGLISH with open captions

The short film program ‘I don’t need to ask you to love me because I love myself’’ explores many different modes of filmmaking as a means to express emotions related to how we not only exist but thrive in a world filled with challenges, contradictions and conundrums. Featuring artists: Jamila Balde, Christopher Beaulieu, Jeyolyn Christie, Jet Coughlan, Brian Demoskoff, Gabe Gonçalves, Helen Posno, Zan Redcrow, Emily Schooley, Ardene Shapiro, Andrea Thompson and TK Workman.

Followed by Spoken Word & Open Mic | 4:00 PM – 5:30 PM

FEATURED FILMS

Flowery | DIR. TK Workman | Canada | 2024 | 1′ (19 seconds) | ANIMATION
Spotting the Trauma Survivor | DIR. Andrea Thompson | Canada | 2023 | 5′ | EXP / ESSAY
3 seconds in 6 seconds out | DIR. Christopher Beaulieu | Canada | 2022 | 17 | FICTION
the body reclaiming project | DIR. Gabe Gonçalves | Canada | 2024 | 2 | EXP / ANIMATION
The Sweetest Goodbye | DIR. Emily Schooley | Canada | 2023 | 14 | FICTION
Whirling World Walking | DIR. Helen Posno | Canada | 2024 | 2 | EXP / ESSAY
I dont need to ask you to love me because i love myself | DIR. Jet Coughlan | Canada | 2021 | 3 | EXP
Dance Me | DIR. Jamila Balde | Canada | 2023 | 5 | FICTION
Broken | DIR. Brian Demoskoff | Canada | 2023 | 2 | EXP
Teddy | DIR Ardene Shapiro | Canada | 2024 | 2.5 | DOC / ESSAY
a collective loss | DIR Jeyolyn Christi | Canada | 2024 | 2 | DOC / ESSAY
As the Crow Flies | DIR Zan Redcrow | Canada | 2024 | 6 | DOC / ESSAY

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Streaming online November 4-11 (available in Canada)

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Drive Back Home

Michael Clowater | 2024 | Canada | Fiction | 100 minutes | English and French with English subtitles | Toronto Premiere

GENRE: Fiction (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: 2SLGBTQIA+ issues, Coming out, Trauma

In the winter of 1970, a small-town plumber from rural New Brunswick must drive his beat-up work truck 1000 miles to Toronto to get his estranged, gay brother out of jail after being arrested for having sex in a public park. The two men are then forced to drive back home together at the behest of their hard-nosed mother before they kill each other. Inspired by a true story.

“Drive Back Home is a story that’s inspired by true events that happened in the 1960s to my grandfather, Ernie Clowater, and his brother, my great uncle, Hedley Clowater. The only time that my grandfather ever left New Brunswick in his life was when he drove up to Montreal to get his brother out of jail for having sex with a man.

However, I could never understand WHY an uneducated plumber who didn’t know anyone outside of New Brunswick would be able to get his brother out of jail for committing an actual crime. What I discovered was that, unofficially, police departments were motivated to get these cases off the books by offering to drop the charges if family members or employers came to vouch for them. By forcing these men to “out” themselves to people that mattered to them, the police were satisfying two needs at once. The first was to relieve themselves of paperwork and the second was to ensure that the people they took so much offense to still had their lives ruined.

If you’re a young black person in 2024 and you want to know what life was like for ordinary black Canadians in the 1960s, you can ask your black grandparents. But if you’re gay, you don’t have gay grandparents to ask. A film like this would have been the only way for him to see that life., I also wanted this to be real and authentic and funny. I wanted the two men to be imperfect and littered with their own personal baggage that we all have. I used western themes and wanted to give it a cinematic feel of a western by using snow and bleak landscape of a Canadian winter in the same way that John Forde or Sergio Leone would use the harsh landscape of a desert."

– Michael Clowater

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Streaming online November 4-11
(available in Ontario)

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My Dad’s Tapes

Kurtis Watson | 2023 | Canada | Documentary | 82 minutes | English | Director in attendance

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Family, Suicide, Trauma, Youth

“On August 9, 2006, Leonard Watson dropped off his eight-year-old son Kurtis at summer camp. That’s the last time anyone saw him. No bags packed, no calls, no activity in the bank account, no note: Watson disappeared, leaving his family behind. He was considered missing until 30 days later, when he was found dead by apparent suicide.

Fourteen years later, Kurtis Watson discovers a trove of home videos—hundreds of hours recorded by his father leading up to his death—a discovery that inspires a painstaking search for answers in recorded moments, family testimonials, and conversations with people connected to the event in any way, including the Watson family themselves, who come together for the first time to talk about the weight of this memory in their lives. Discoveries of small details lead to impactful and revelatory moments for them, revealing an ever-present stigma around mental health. My Dad’s Tapes documents the tremendously brave embrace of a reality in which some of our most burning questions may forever be unanswered. To hold each other close is all that matters."

– Hot Docs

Featuring Director Kurtis Watson, Producer Rob Viscardis, family members as well as mental health advocate Valéry Brosseau and moderated by filmmaker and film programmer Mariam Zaidi.

Mariam Zaidi is a filmmaker, film programmer, and arts manager based in Toronto. She has worked on programming teams at the Hot Docs Canadian International Documentary Festival since 2016 and the Toronto Reel Asian International Film Festival since 2020, respectively. Previously, Zaidi was the Executive Director of the Breakthroughs Film Festival. Aside from festival programming, Zaidi has also made short films that have been supported by the National Film Board of Canada, the Ontario Arts Council, the Toronto Arts Council and the CBC. Most recently she worked on the distribution and impact campaigns for the Canadian films, Academy-Award Nominated, To Kill a Tiger (TIFF, 2023) and An Unfinished Journey (Hot Docs, 2024).

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Streaming online November 4-11
(available in Canada)

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LAND OF NOT KNOWING

Steve Sanguedolce, 2017, 16mm/DCP/digital file, 72 minutes, B&W/colour, sound, Canada

‘In this bold experimental documentary, four artists talk about suicide: the role the recurring thought has played in their life and art, the struggle to understand and overcome the impulse, and the ongoing confrontation with a form of stigma that renders the very concept of suicide as a kind of pariah even among mental health issues and discussions. With a frankness that is both bracing and illuminating, Artist Steve Sanguedolce’s subjects tell their stories, and the filmmaker responds with a striking visual scheme that permits us something rarely attempted in the engagement with this most misunderstood of conditions: a sense of first person understanding.’

Geoff Pevere 

Film subjects + actors: Marina Black, Maria de Sanctis, Janieta Eyre, Michael Hoolboom, Vivien Kiss, Lulu Hazel Turnbull, Emily Vey Duke.

Filmmaker: Steve Sanguedolce has been an active member of Toronto’s independent film community for over thirty years winning numerous international awards.  He has had retrospectives at the Cinematheque Quebecoise in Montreal, the National Film Board in Toronto as well as the the Arsenal Institute for Film and Video in Germany.  Over the past 15 years he has been hand developing and hand colouring motion picture film to great acclaim.  Much of his time has been spent teaching at local universities, community colleges or conducting independent filmmaking workshops across Canada..  His work incorporates documentary, narrative and experimental genres.  His film work include Blinding (2011), Dead Time (2005), Smack (2000) and Away (1996). He lives Toronto. 

Programmer: Scott Miller Berry, Managing Director and Programmer, Rendezvous with Madness, Toronto, Canada.  Scott has been working at film festivals for 20+ years – previously as Director of the Images Festival and now at Rendezvous. He’s also a film programmer, instructor and mentor. Since 2009 he has presented touring screenings in Jakarta, Singapore, Taipei, Tokyo, Seoul, Kuala Lumpur, Bangalore, Bangkok and Amsterdam, among others. Scott also makes short diary films and is on the Board of the Toronto Media Arts Centre and Long Winter Music + Arts Festival.


Rendezvous With Madness và Hoa Quynh Cinema giới thiệu:

“LAND OF KNOWING NOTHING” (Steve Sanguedolce, 2017, 72 phút)

“Trong bộ phim tài liệu thể nghiệm táo bạo này, bốn nghệ sĩ nói về tự tử: ý nghĩ về việc tái diễn nó đã đóng vai trò như nào trong cuộc sống và trong các thực hành nghệ thuật của họ, những khó khăn để hiểu và vượt qua được cám dỗ của cái chết cũng như cuộc đấu tranh trường kỳ với sự kỳ thị đã khiến khái niệm về tự tử bị bỏ qua như nào trong các cuộc thảo luận về sức khỏe tâm thần. Với sự chân thành mãnh liệt, những nhân vật của tác giả Steve Sanguedolce đã kể lại câu chuyện của mình trong phim. Bằng việc phản hồi lại những câu chuyện đó qua một đường dây hình ảnh ấn tượng, nhà làm phim đem đến cho chúng ta một trải nghiệm mang tính cá nhân hiếm thấy khi đưa người xem trực tiếp tiếp cận với câu chuyện qua một trong những phương diện dễ bị hiểu lầm nhất: cảm thức thấu hiểu từ góc nhìn thứ nhất.” – Geoff Pevere

 – Geoff Pevere

Phim nói tiếng Anh và phụ đề tiếng Việt

Thời gian: 7h30 tối thứ bảy, 9 tháng 12 

Địa điểm: babau AIR, 82A Thợ Nhuộm

Buổi chiếu phim sẽ có sự tham gia góp mặt của tác giả Steve Sanguedolce và giám tuyển chương trình Scott Miller Berry, Giám đốc điều hành và người sáng lập chương trình Rendezvous with Madness, Toronto, Canada.

Steve Sanguedolce là một thành viên tích cực trong cộng đồng phim độc lập của Toronto trong hơn ba mươi năm và đã giành nhiều giải thưởng quốc tế. Anh đã có các buổi triển lãm tại Cinematheque Quebecoise ở Montreal, National Film Board ở Toronto cũng như Arsenal Institute for Film and Video ở Đức. Trong 15 năm qua, anh đã tự tráng rửa, tô màu bằng tay cho những bộ phim và nhận được sự khen ngợi nồng nhiệt. Anh đã dành nhiều thời gian giảng dạy tại các trường đại học địa phương, trường cao đẳng cộng đồng hoặc tổ chức các khóa học làm phim độc lập trên khắp Canada. Công việc của anh bao gồm các thể loại phim tài liệu, phim truyện và thử nghiệm. Các tác phẩm điện ảnh của anh bao gồm Blinding (2011), Dead Time (2005), Smack (2000) và Away (1996). Anh hiện sống ở Toronto. 

Scott Miller Berry, Giám đốc điều hành và người sáng lập chương trình Rendezvous with Madness, Toronto, Canada. Scott đã và đang làm việc tại các liên hoan phim trong hơn 20 năm – nguyên giám đốc của The Images Festival và hiện làm việc tại Rendezvous. Anh cũng là một film programmer, giảng viên và người hướng dẫn. Kể từ năm 2009, anh đã tổ chức các buổi chiếu phim diễn tại Jakarta, Singapore, Taipei, Tokyo, Seoul, Kuala Lumpur, Bangalore, Bangkok và Amsterdam, và nhiều nơi khác. Scott cũng làm phim ngắn nhật ký và là thành viên Hội đồng Quản trị của Trung tâm Nghệ thuật Truyền thông Toronto và Liên hoan Âm nhạc và Nghệ thuật Long Winter.

Saturday, December 9th, 2023

19:30 (+GMT 7), babau AIR,
82A Thợ Nhuộm street
Hà Nội, Việt Nam

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ATTILA

Stephen Hosier | 2023 | Canada | 80 minutes | English with open captions | World Premiere

GENRE: DOCUMENTARY
TYPE: FILM | IN-PERSON
KEYWORDS:  ISOLATION | ADDICTION | HOMELESSNESS | TRAUMA | ABUSE |  MENTAL HEALTH

Canadian filmmaker Stephen Hosier focuses the lens of his feature debut uncomfortably close to home as he joins his childhood friend, Richard Csanyi, in investigating the life and death of the latter’s twin brother, Attila. Found dead on a Hamilton rooftop in May 2020, the 28-year-old was expelled from a long-term care residence even as he grappled with addiction and schizophrenia. 

A creative expression of grief and healing, this stirring home-grown film compassionately explores the intersection of personal trauma and the systems that fail those in need, while striving toward a place of forgiveness and understanding. ATTILA is a beautiful portrait honouring one man’s tragedy and the family he left behind, while providing the audience with a valuable window into the extreme systemic obstacles experienced by far too many in Canada and around the world.

Tuesday, October 10, 2023 marks the 75th Anniversary of World Mental Health Day. This year’s theme  is ‘mental health is a universal human right’. The sentiment aligns with the ambitions of ATTILA the film. In presenting an authentic and local portrayal of homelessness, addiction and schizophrenia, we hope to destigmatize these circumstances and create a space for dynamic conversation that leads to change. 

Join us after the film screening for a post-film panel discussion moderated by Aisha Jamal (filmmaker and film programmer) featuring Dr. Naheed Dosani (palliative care physician and health justice activist), Chris Summerville (Schizophrenia Society of Canada), Diana Chan McNally (community and crisis worker) and other special guests to be announced.

Pre-Festival Event
Tuesday, October 10, 2023

This film is unavailable for streaming.

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IF YOU ASK ME

OLIVIA (AUTUMN) RENNIE, CONSTANT YEN, THE NOISE WITCH, ASHLI AGATE, ALEX FLORAS-MATIC, JAY GEERTS, CARLA SIERRA SUAREZ, SAM GUEVARA, AYSIA TSE, ROBIN RIAD

2023 | CANADA | 60 MINUTES | WORLD PREMIERE | ENGLISH

GENRE: VARIOUS
TYPE: FILM | IN-PERSON
KEYWORKDS: ADDICTION | TRAUMA | MENTAL HEALTH | YOUTH

For the sixth consecutive year, If You Ask Me (IYAM) has supported emerging filmmakers with lived mental health and/or addiction experience to create new short works. This year’s program features shorts by filmmakers from across the Greater Toronto Area (GTA). 

These new films were developed from July – September 2023 under the guidance of Robin Riad, along with IYAM alumni Gladys Lou and Esteban Powell serving as mentors. Over the course of three months, filmmakers strengthened their film production skills in the company of peers and industry guests. Rendezvous With Madness is excited to support the production and exhibition of these distinctly personal creative works. 

Equipment rentals and facilities were generously provided by our community sponsor, Trinity Square Video.

 

JOIN THE CONVERSATION: FILMMAKING NOW

The world has changed substantially since If You Ask Me started. This year’s cohort of filmmakers adapted their practices to ever-changing social realities. Join the in-person panel discussion to learn how each artist developed their films.

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November 6 - 19, 2023

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DEAR MOTHER, I MEANT TO WRITE ABOUT DEATH
(我们在黑夜的海上)

SIYI CHEN | CHINA, UNITED STATES | DOC | 2022 | 64 MINUTES | MANDARIN WITH ENGLISH SUBTITLES | CANADIAN PREMIERE

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: TRAUMA | HEALING | ILLNESS | FAMILIES | MENTAL HEALTH

It’s never easy to talk about mortality with our loved ones. It’s even harder between a physician mother who excels at hiding her emotions under rationality and a daughter who spent her childhood solving math problems next to the morgue. They avoid conversation about mortality and related feelings at all costs – until the mother becomes a cancer patient and the daughter becomes her caregiver.

Screening with Short Film

Uproot | Queena Liu | Canada | Doc | 2023 | 11 minutes English and Cantonese with English subtitles 

“Ten years ago, my dad was diagnosed with bipolar disorder in his forties and spent two years in and out of a psychiatric hospital. This film documents my first time having an open and honest conversation with my family about his diagnosis that I never could as a child and explores how mental health care in immigrant communities is often complicated by a cultural and generational divide. Even as I gain a new perspective on my family’s silent struggles, putting together my interpretation of their stories, I still feel the need to hide myself behind the camera.”

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November 6 - 12, 2023

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