I don’t need to ask you to love me because i love myself

Recent short films by Workman Arts artist members

Film still from 3 Seconds In 6 Seconds Out by Christopher Beaulieu.

2024 | CANADA | SHORT FILMS | 60 MINUTES | ENGLISH with open captions

The short film program ‘I don’t need to ask you to love me because I love myself’’ explores many different modes of filmmaking as a means to express emotions related to how we not only exist but thrive in a world filled with challenges, contradictions and conundrums. Featuring artists: Jamila Balde, Christopher Beaulieu, Jeyolyn Christie, Jet Coughlan, Brian Demoskoff, Gabe Gonçalves, Helen Posno, Zan Redcrow, Emily Schooley, Ardene Shapiro, Andrea Thompson and TK Workman.

Followed by Spoken Word & Open Mic | 4:00 PM – 5:30 PM

FEATURED FILMS

Flowery | DIR. TK Workman | Canada | 2024 | 1′ (19 seconds) | ANIMATION
Spotting the Trauma Survivor | DIR. Andrea Thompson | Canada | 2023 | 5′ | EXP / ESSAY
3 seconds in 6 seconds out | DIR. Christopher Beaulieu | Canada | 2022 | 17 | FICTION
the body reclaiming project | DIR. Gabe Gonçalves | Canada | 2024 | 2 | EXP / ANIMATION
The Sweetest Goodbye | DIR. Emily Schooley | Canada | 2023 | 14 | FICTION
Whirling World Walking | DIR. Helen Posno | Canada | 2024 | 2 | EXP / ESSAY
I dont need to ask you to love me because i love myself | DIR. Jet Coughlan | Canada | 2021 | 3 | EXP
Dance Me | DIR. Jamila Balde | Canada | 2023 | 5 | FICTION
Broken | DIR. Brian Demoskoff | Canada | 2023 | 2 | EXP
Teddy | DIR Ardene Shapiro | Canada | 2024 | 2.5 | DOC / ESSAY
a collective loss | DIR Jeyolyn Christi | Canada | 2024 | 2 | DOC / ESSAY
As the Crow Flies | DIR Zan Redcrow | Canada | 2024 | 6 | DOC / ESSAY

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Streaming online November 4-11 (available in Canada)

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Drive Back Home

Michael Clowater | 2024 | Canada | Fiction | 100 minutes | English and French with English subtitles | Toronto Premiere

GENRE: Fiction (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: 2SLGBTQIA+ issues, Coming out, Trauma

In the winter of 1970, a small-town plumber from rural New Brunswick must drive his beat-up work truck 1000 miles to Toronto to get his estranged, gay brother out of jail after being arrested for having sex in a public park. The two men are then forced to drive back home together at the behest of their hard-nosed mother before they kill each other. Inspired by a true story.

“Drive Back Home is a story that’s inspired by true events that happened in the 1960s to my grandfather, Ernie Clowater, and his brother, my great uncle, Hedley Clowater. The only time that my grandfather ever left New Brunswick in his life was when he drove up to Montreal to get his brother out of jail for having sex with a man.

However, I could never understand WHY an uneducated plumber who didn’t know anyone outside of New Brunswick would be able to get his brother out of jail for committing an actual crime. What I discovered was that, unofficially, police departments were motivated to get these cases off the books by offering to drop the charges if family members or employers came to vouch for them. By forcing these men to “out” themselves to people that mattered to them, the police were satisfying two needs at once. The first was to relieve themselves of paperwork and the second was to ensure that the people they took so much offense to still had their lives ruined.

If you’re a young black person in 2024 and you want to know what life was like for ordinary black Canadians in the 1960s, you can ask your black grandparents. But if you’re gay, you don’t have gay grandparents to ask. A film like this would have been the only way for him to see that life., I also wanted this to be real and authentic and funny. I wanted the two men to be imperfect and littered with their own personal baggage that we all have. I used western themes and wanted to give it a cinematic feel of a western by using snow and bleak landscape of a Canadian winter in the same way that John Forde or Sergio Leone would use the harsh landscape of a desert."

– Michael Clowater

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Streaming online November 4-11
(available in Ontario)

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My Dad’s Tapes

Kurtis Watson | 2023 | Canada | Documentary | 82 minutes | English | Director in attendance

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Family, Suicide, Trauma, Youth

“On August 9, 2006, Leonard Watson dropped off his eight-year-old son Kurtis at summer camp. That’s the last time anyone saw him. No bags packed, no calls, no activity in the bank account, no note: Watson disappeared, leaving his family behind. He was considered missing until 30 days later, when he was found dead by apparent suicide.

Fourteen years later, Kurtis Watson discovers a trove of home videos—hundreds of hours recorded by his father leading up to his death—a discovery that inspires a painstaking search for answers in recorded moments, family testimonials, and conversations with people connected to the event in any way, including the Watson family themselves, who come together for the first time to talk about the weight of this memory in their lives. Discoveries of small details lead to impactful and revelatory moments for them, revealing an ever-present stigma around mental health. My Dad’s Tapes documents the tremendously brave embrace of a reality in which some of our most burning questions may forever be unanswered. To hold each other close is all that matters."

– Hot Docs

Featuring Director Kurtis Watson, Producer Rob Viscardis, family members as well as mental health advocate Valéry Brosseau and moderated by filmmaker and film programmer Mariam Zaidi.

Mariam Zaidi is a filmmaker, film programmer, and arts manager based in Toronto. She has worked on programming teams at the Hot Docs Canadian International Documentary Festival since 2016 and the Toronto Reel Asian International Film Festival since 2020, respectively. Previously, Zaidi was the Executive Director of the Breakthroughs Film Festival. Aside from festival programming, Zaidi has also made short films that have been supported by the National Film Board of Canada, the Ontario Arts Council, the Toronto Arts Council and the CBC. Most recently she worked on the distribution and impact campaigns for the Canadian films, Academy-Award Nominated, To Kill a Tiger (TIFF, 2023) and An Unfinished Journey (Hot Docs, 2024).

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Streaming online November 4-11
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Gaza Ghetto: Portrait of a Palestinian Family

Update from Workman Arts regarding October 10 World Mental Health Day

Our previously scheduled event for World Mental Health Day next Thursday has been cancelled. Thank you to our panelists and audiences for your understanding. We are looking forward to seeing you at the 32nd Rendezvous With Madness Festival, October 25-November 3.
Please contact <info@workmanarts.com> with any questions.

Pierre Björklund, Per-Åke Holmquist & Joan Mandell | Palestine / Sweden | Documentary | 1984 | 80 minutes | Arabic with English subtitles | Presented on 16mm film

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON

Purportedly the first documentary feature film made in Gaza, Gaza Ghetto: Portrait of a Palestinian Family highlights the historical precedents of war, dispossession and military control that influence a family’s daily life in the Jabalia refugee camp. Intimate scenes – a child is born, a grandmother dies – are inter-cut with visits to the architects of the Israeli military occupation. 

Gaza Ghetto follows the El-Adel family: Itidhal and Mustafa and their many children, including Ra’ida Abdullah, Samar, Shuroug, Riham and Ayed. We see the family’s humdrum daily routines: waking up grumpy, getting dressed for school, brushing their hair, and attending morning prayer at the UNRWA Jabalia Girls’ Preparatory School. The film provides historical context through archival footage from 1948 when the original Israeli invasion of Palestine displaced some 150,000 people, and 1967, when the Six-Day War resulted in the Israeli occupation of Gaza and the West Bank and the displacement of a further 300,000 people. We see scenes of the Al-Ahli Arab Hospital in Gaza City, where Mustafa works as a healthcare provider alongside an inadequate international response—the United Nations and Quaker volunteers distributing meager rations—and the grueling daily grind endured by the working-age men and women of the camp, who leave the camp before dawn each day and spend several hours commuting to Tel Aviv or Jaffa to then spend hours, and sometimes entire fruitless days, soliciting jobs in an informal day-labor market.

Discussion to follow with mental health / health care workers/supporters on the theme of workplace mental health to connect to the 2024 World Mental Health Day theme. Participants include Mohamed Abdelhack, Sarah Abusarar, Rayan Anton and Dr. Yipeng Ge.

Mohamed Abdelhack is a Postdoctoral Fellow at CAMH studying neural dynamics of psychiatric disorders using machine learning. He is also the founder of Arabs in Neuroscience, a grassroots organization that aims to improve education in Arab countries and create a network for Arabic-speaking neuroscientists. He is a recipient of Canada Brain Starts Award and The Neuro – Irv & Helga Cooper Foundation Open Science Prize. He originates from Alexandria, Egypt and has international experience working in Japan, the United States, and South Africa.

Rayan Anton MSW, RSW is a Palestinian Social Worker and Psychotherapist. He is a first-generation immigrant from occupied Palestine, and moved here at a young age with his family in hopes of finding a life free of danger and oppression. He works largely with the Arab community and also the 2SLGBTQ community here in Toronto. He is the co-founder of Meem Toronto – a social group for queer and trans people from the Arabic-speaking region.

Dr. Yipeng Ge is a primary care physician and public health practitioner based on the traditional, unceded and unsurrendered territory of the Algonquin Anishinaabeg. In his clinical practice, he works in family medicine practice and refugee health at a community health centre. He has worked on and studied the structural and colonial determinants of health in both the settler colonial contexts of so-called Canada and occupied Palestine. Having witnessed the atrocities in Gaza firsthand as a humanitarian medical volunteer, Dr. Ge leverages his direct experiences to raise awareness and educate the Canadian public about global injustices.

Special thanks to Sebastian DiTrolio for providing the 16mm film print.

THIS EVENT HAS BEEN CANCELLED

EMOTIONS IN MOTION

EMOTIONS IN MOTION

Image: Film still from SEASON OF GOODBYES, Philippa Ndisi-Herrmann.

Thursday, April 25,
7-8:30 PM

The Guild Cinema

3405 Central Ave NE
Albuquerque, NM

ONLINE

MAY 4-18, 2024

EMOTIONS IN MOTION

A program of recent short films presented at Toronto’s Rendezvous With Madness Festival, connecting personal stories and deep sentiments through magical flickering frames and dancing pixels. Emotions in Motion is an attempt to create a space for emotional filmmaking and an experiment in centering cathartic approaches to storytelling.

Sitting in the dark is a communal invitation to connect our relationship to grief, loss and wellness with these five creators’ unique expressions of grief, of struggles and of survival. Bring your heart and mind to this program that aims to anchor us for an hour-long voyage of emotion-full cinematic splendors. 

TRT 62 minutes

XO RAD MAGICAL

Christopher Gilbert Grant / 2019 / Canada / 1:40

XO Rad Magical is a personal lyrical poem about the daily struggle of living with schizophrenia. This psychedelic and hypnotic animated film shows that there is beauty in the brains of those who are at war with themselves. Provided courtesy National Film Board of Canada / Office national du film du Canada.

NICOLE

Chadi Bennani / 2023 / Canada / 22:30

In this short documentary, filmmaker Chadi Bennani accompanies his mother, Dominique, as she sets out to empty Nicole’s apartment, her mother who passed away two years prior. Through their discoveries, Dominique and Chadi share their memories of Nicole, as well as apprehensions of a future without her. Provided courtesy Les Films du 3 Mars.

SEASON OF GOODBYES

Philippa Ndisi-Herrmann / 2018 / Kenya / 14:30

An intimate portrait grappling with love and loss that takes us on an essayistic journey of mourning, paying homage to the dearly departed.  “A Season of Goodbyes, I wrote beneath a photograph I had taken of dry sunflowers strewn on my kitchen counter; their petals like hair flaying, their seeds like tears scattered; the windswept hair of four adolescent sisters, their tears frozen in time, as the last image of their father fades as the distance from the town they can no longer call a home widens. Beneath that photograph, A Season of Goodbyes, I wrote.”- P.N.-H. Provided courtesy the artist.

JOE BUFFALO

Amar Chebib / 2022 / Canada / 15:30

Joe Buffalo is a Cree skateboarding legend. He’s also a survivor of Canada’s notorious  genocidal residential school system. Following a traumatic childhood and decades of addiction, Joe must face his inner demons to realize his dreams. Provided courtesy the artist.

NEUROTRANSMITTING

Theo J. Cuthand / 2021 / Canada / 7:30

TJ Cuthand and his mother Ruth Cuthand have a candid conversation about TJ’s last hospitalization for Bipolar Disorder in 2007. While TJ only knew his manic episode from the inside, Ruth had to deal with caregiving decisions and trying to find help. While they reminisce, they also have to reckon with the feelings of animosity that arose between them during these challenging events. Provided courtesy Vtape Distribution

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LAND OF NOT KNOWING

Steve Sanguedolce, 2017, 16mm/DCP/digital file, 72 minutes, B&W/colour, sound, Canada

‘In this bold experimental documentary, four artists talk about suicide: the role the recurring thought has played in their life and art, the struggle to understand and overcome the impulse, and the ongoing confrontation with a form of stigma that renders the very concept of suicide as a kind of pariah even among mental health issues and discussions. With a frankness that is both bracing and illuminating, Artist Steve Sanguedolce’s subjects tell their stories, and the filmmaker responds with a striking visual scheme that permits us something rarely attempted in the engagement with this most misunderstood of conditions: a sense of first person understanding.’

Geoff Pevere 

Film subjects + actors: Marina Black, Maria de Sanctis, Janieta Eyre, Michael Hoolboom, Vivien Kiss, Lulu Hazel Turnbull, Emily Vey Duke.

Filmmaker: Steve Sanguedolce has been an active member of Toronto’s independent film community for over thirty years winning numerous international awards.  He has had retrospectives at the Cinematheque Quebecoise in Montreal, the National Film Board in Toronto as well as the the Arsenal Institute for Film and Video in Germany.  Over the past 15 years he has been hand developing and hand colouring motion picture film to great acclaim.  Much of his time has been spent teaching at local universities, community colleges or conducting independent filmmaking workshops across Canada..  His work incorporates documentary, narrative and experimental genres.  His film work include Blinding (2011), Dead Time (2005), Smack (2000) and Away (1996). He lives Toronto. 

Programmer: Scott Miller Berry, Managing Director and Programmer, Rendezvous with Madness, Toronto, Canada.  Scott has been working at film festivals for 20+ years – previously as Director of the Images Festival and now at Rendezvous. He’s also a film programmer, instructor and mentor. Since 2009 he has presented touring screenings in Jakarta, Singapore, Taipei, Tokyo, Seoul, Kuala Lumpur, Bangalore, Bangkok and Amsterdam, among others. Scott also makes short diary films and is on the Board of the Toronto Media Arts Centre and Long Winter Music + Arts Festival.


Rendezvous With Madness và Hoa Quynh Cinema giới thiệu:

“LAND OF KNOWING NOTHING” (Steve Sanguedolce, 2017, 72 phút)

“Trong bộ phim tài liệu thể nghiệm táo bạo này, bốn nghệ sĩ nói về tự tử: ý nghĩ về việc tái diễn nó đã đóng vai trò như nào trong cuộc sống và trong các thực hành nghệ thuật của họ, những khó khăn để hiểu và vượt qua được cám dỗ của cái chết cũng như cuộc đấu tranh trường kỳ với sự kỳ thị đã khiến khái niệm về tự tử bị bỏ qua như nào trong các cuộc thảo luận về sức khỏe tâm thần. Với sự chân thành mãnh liệt, những nhân vật của tác giả Steve Sanguedolce đã kể lại câu chuyện của mình trong phim. Bằng việc phản hồi lại những câu chuyện đó qua một đường dây hình ảnh ấn tượng, nhà làm phim đem đến cho chúng ta một trải nghiệm mang tính cá nhân hiếm thấy khi đưa người xem trực tiếp tiếp cận với câu chuyện qua một trong những phương diện dễ bị hiểu lầm nhất: cảm thức thấu hiểu từ góc nhìn thứ nhất.” – Geoff Pevere

 – Geoff Pevere

Phim nói tiếng Anh và phụ đề tiếng Việt

Thời gian: 7h30 tối thứ bảy, 9 tháng 12 

Địa điểm: babau AIR, 82A Thợ Nhuộm

Buổi chiếu phim sẽ có sự tham gia góp mặt của tác giả Steve Sanguedolce và giám tuyển chương trình Scott Miller Berry, Giám đốc điều hành và người sáng lập chương trình Rendezvous with Madness, Toronto, Canada.

Steve Sanguedolce là một thành viên tích cực trong cộng đồng phim độc lập của Toronto trong hơn ba mươi năm và đã giành nhiều giải thưởng quốc tế. Anh đã có các buổi triển lãm tại Cinematheque Quebecoise ở Montreal, National Film Board ở Toronto cũng như Arsenal Institute for Film and Video ở Đức. Trong 15 năm qua, anh đã tự tráng rửa, tô màu bằng tay cho những bộ phim và nhận được sự khen ngợi nồng nhiệt. Anh đã dành nhiều thời gian giảng dạy tại các trường đại học địa phương, trường cao đẳng cộng đồng hoặc tổ chức các khóa học làm phim độc lập trên khắp Canada. Công việc của anh bao gồm các thể loại phim tài liệu, phim truyện và thử nghiệm. Các tác phẩm điện ảnh của anh bao gồm Blinding (2011), Dead Time (2005), Smack (2000) và Away (1996). Anh hiện sống ở Toronto. 

Scott Miller Berry, Giám đốc điều hành và người sáng lập chương trình Rendezvous with Madness, Toronto, Canada. Scott đã và đang làm việc tại các liên hoan phim trong hơn 20 năm – nguyên giám đốc của The Images Festival và hiện làm việc tại Rendezvous. Anh cũng là một film programmer, giảng viên và người hướng dẫn. Kể từ năm 2009, anh đã tổ chức các buổi chiếu phim diễn tại Jakarta, Singapore, Taipei, Tokyo, Seoul, Kuala Lumpur, Bangalore, Bangkok và Amsterdam, và nhiều nơi khác. Scott cũng làm phim ngắn nhật ký và là thành viên Hội đồng Quản trị của Trung tâm Nghệ thuật Truyền thông Toronto và Liên hoan Âm nhạc và Nghệ thuật Long Winter.

Saturday, December 9th, 2023

19:30 (+GMT 7), babau AIR,
82A Thợ Nhuộm street
Hà Nội, Việt Nam

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ATTILA

Stephen Hosier | 2023 | Canada | 80 minutes | English with open captions | World Premiere

GENRE: DOCUMENTARY
TYPE: FILM | IN-PERSON
KEYWORDS:  ISOLATION | ADDICTION | HOMELESSNESS | TRAUMA | ABUSE |  MENTAL HEALTH

Canadian filmmaker Stephen Hosier focuses the lens of his feature debut uncomfortably close to home as he joins his childhood friend, Richard Csanyi, in investigating the life and death of the latter’s twin brother, Attila. Found dead on a Hamilton rooftop in May 2020, the 28-year-old was expelled from a long-term care residence even as he grappled with addiction and schizophrenia. 

A creative expression of grief and healing, this stirring home-grown film compassionately explores the intersection of personal trauma and the systems that fail those in need, while striving toward a place of forgiveness and understanding. ATTILA is a beautiful portrait honouring one man’s tragedy and the family he left behind, while providing the audience with a valuable window into the extreme systemic obstacles experienced by far too many in Canada and around the world.

Tuesday, October 10, 2023 marks the 75th Anniversary of World Mental Health Day. This year’s theme  is ‘mental health is a universal human right’. The sentiment aligns with the ambitions of ATTILA the film. In presenting an authentic and local portrayal of homelessness, addiction and schizophrenia, we hope to destigmatize these circumstances and create a space for dynamic conversation that leads to change. 

Join us after the film screening for a post-film panel discussion moderated by Aisha Jamal (filmmaker and film programmer) featuring Dr. Naheed Dosani (palliative care physician and health justice activist), Chris Summerville (Schizophrenia Society of Canada), Diana Chan McNally (community and crisis worker) and other special guests to be announced.

Pre-Festival Event
Tuesday, October 10, 2023

This film is unavailable for streaming.

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BECAUSE WE HAVE EACH OTHER

SARI BRAITHWAITE | AUSTRALIA | DOCUMENTARY | 2022 | 89 MINUTES | ENGLISH WITH OPEN CAPTIONS

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: NEURODIVERGENCY | SIGN LANGUAGE | FAMILY

Janet Sharrock and Buddha Barnes are in dire need of a holiday, but the universe has other plans. Together, along with the couple’s five adult children, they form a blended, neurodiverse family. Their exhausted and cash-strapped family must routinely navigate financial hardships in addition to the challenges that neurodivergent individuals face day-to-day. Their modest lives aren’t society’s ideal, but they never stop fighting to make it work.

Because We Have Each Other tells a tender tale about seven people overcoming adversity by putting their unwavering love and support for one another above all else. Australian filmmaker Sari Braithwaite’s documentary paints an intimate portrait of working-class struggle. Braithwaite places an achingly revealing spotlight on the forces that strengthen and weaken family bonds. Because We Have Each Other delivers a heartfelt and inspiring tale about how unconditional love and acceptance help people find resilience in the face of life’s greatest challenges.

 

Screening with Short Film

Regard Silence | Santiago Zermeño | Mexico | Doc | 2022 | 29 minutes | Spanish with English subtitles with open captions

Regard Silence shows several deaf people participating in a poetry workshop. Their attempts to express themselves are alternated in the film with individual interviews about being a deaf person communicating in a hearing world. How does it affect one’s sense of self-worth to learn sign language after years of lip reading? – IDFA

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November 6 - 12, 2023

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IF YOU ASK ME

OLIVIA (AUTUMN) RENNIE, CONSTANT YEN, THE NOISE WITCH, ASHLI AGATE, ALEX FLORAS-MATIC, JAY GEERTS, CARLA SIERRA SUAREZ, SAM GUEVARA, AYSIA TSE, ROBIN RIAD

2023 | CANADA | 60 MINUTES | WORLD PREMIERE | ENGLISH

GENRE: VARIOUS
TYPE: FILM | IN-PERSON
KEYWORKDS: ADDICTION | TRAUMA | MENTAL HEALTH | YOUTH

For the sixth consecutive year, If You Ask Me (IYAM) has supported emerging filmmakers with lived mental health and/or addiction experience to create new short works. This year’s program features shorts by filmmakers from across the Greater Toronto Area (GTA). 

These new films were developed from July – September 2023 under the guidance of Robin Riad, along with IYAM alumni Gladys Lou and Esteban Powell serving as mentors. Over the course of three months, filmmakers strengthened their film production skills in the company of peers and industry guests. Rendezvous With Madness is excited to support the production and exhibition of these distinctly personal creative works. 

Equipment rentals and facilities were generously provided by our community sponsor, Trinity Square Video.

 

JOIN THE CONVERSATION: FILMMAKING NOW

The world has changed substantially since If You Ask Me started. This year’s cohort of filmmakers adapted their practices to ever-changing social realities. Join the in-person panel discussion to learn how each artist developed their films.

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November 6 - 19, 2023

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WHAT’S EATING MY MIND & KATANGA NATION

NOELLA LUKA | KENYA, SOUTH AFRICA | DOC | 2022 | 35 MINUTES | ENGLISH, SWAHILI, LUO, KAMBA WITH ENGLISH SUBTITLES | CANADIAN PREMIERE

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: BIPOLAR DISORDER | SCHIZOPHRENIA | MISSING PERSON | FAMILY | UNORTHODOX TREATMENT

Noella Luka’s riveting autobiographical documentary deftly explores the grief of dreams diverted by a bipolar diagnosis and the vulnerability of searching for the right support and community while navigating new and difficult life changes. Her plans to live and work in film abroad are cut short by her initial hospitalization, and she returns home to Kenya where mental health issues remain strictly taboo. Once there, she decides to document and dig into the how and why of her condition, running up against tradition, prejudice, and uncertainty, which makes even discussing the subject of illness uncomfortable for both family and friends. With a lack of references to guide them, those close to her are truly unsure of what this shift in circumstance really means. Undaunted, Luka looks for further understanding and a sense of community in a mental health support group, where she befriends newly diagnosed schizophrenic Nick–a man who recently returned home from Colombia after putting an end to his quest to become a Catholic priest. Through Nick, viewers are given a unique and disturbing opportunity to observe how certain mental illnesses are still viewed and treated, even in the 21st century. In exploring their unique situations, Luka gives voice to all those navigating the often uncharted waters of mental health–for those both with and without support systems in place–and offers a truly inspiring story of hope, change and possibility.

Screening with Short Film

Katanga Nation | Beza Hailu Lemma, Hiwot Admasu Getaneh | Ethiopia, South Africa | Doc | 2022 | 26 minutes | Amharic with English Subtitles 

Enkehone, naive but ambitious and from rural Ethiopia, lives in a hostel in the bustling neighborhood of Katanga. His host, Amele, lives in the back room of the dorms she rents out. As the path to his dreams unfold in uncertainty, Enkehone witnesses the raw, chaotic, and captivating life of his host family and their community in the last days of Katanga before it is engulfed by the monstrous construction of Addis Ababa.

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November 6 - 12, 2023

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