ADIEU SAUVAGE

SERGIO GUATAQUIRA SARMIENTO | 2023 | BELGIUM / FRANCE | 92 MINUTES | CACUA, SPANISH AND FRENCH WITH ENGLISH SUBTITLES AND OPEN CAPTIONS

GENRE: DOCUMENTARY (FEATURE) | DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: INDIGENOUS ISSUES | TRAUMA | FAMILY | HEALING

“I’m a descendent of a people who have more or less disappeared, all that’s left are a few indigenous and mixed-race people dotted around the world”. Having arrived in Europe at the age of 19 and lived in Brussels for many years, Colombian Sergio Guataquira Sarmiento carries a complex idea of his identity deep inside of him, because not only is he living in exile, he’s also an Indian, and “being an Indian person in Colombia is a burden, a source of shame, so we tend to lie low and westernise ourselves.” When the filmmaker learns that an epidemic of young indigenous people hanging themselves is raging through the jungle in his home country, he decides to visit the area in person, moved by a desire to investigate this phenomenon, but also to untangle his own confused feelings related to his roots” – ​​Fabien Lemercier (Cineuropa)

 

Screening with Short Film

Love and the Art of Despair | 2023 | Tara Grundmanis | Canada | 9 minutes | English with open captions

Love and the Art of Despair is a profile on Rebeccah Love; a Toronto based filmmaker who perseveres over mental and physical illness to create art.

STREAMING NOW
November 6 - 12, 2023

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KENYA

GISELA DELGADILLO | MEXICO | DOC | 2022 | 89 MINUTES | SPANISH WITH ENGLISH SUBTITLES AND OPEN CAPTIONS | TORONTO PREMIERE

Genre: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
Keywords: TRAUMA | TRANS RIGHTS | MURDER | SEX WORK

Kenya is an intimate portrait of a transgender female sex worker whose fate changes when faced with the transfeminicide of her sex worker partner. I came to this story with the intention of talking about the violence that trans women experience in Mexico, but the struggle in Kenya overcame violence and overcame all the systemic and structural limits that keep these women on the margins of society. Kenya is a film that brings us closer to a world full of darkness, which little by little is filled with light through the actions of the protagonist, her conviction to fight, and her humanity. Kenya is an intimate and powerful portrait that gains dimension and strength as this story progresses, which in its bowels reveals the violence experienced by trans women in Mexico, this being the country with the second most hate crimes due to transphobia in the world.

Screening with Short Film

Nicole | Chadi Bennani | Canada | 2023 | 23 minutes | French with English Subtitles and open captions

In this touching documentary, filmmaker Chadi Bennani accompanies his mother, Dominique, as she sets out to empty Nicole’s apartment, her mother who passed two years prior. Through their discoveries, Dominique and Chadi share their memories of Nicole, as well as their apprehensions of a future without her.

STREAMING NOW
November 6 - 12, 2023

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The Dependents

SOFIA BROCKENSHIRE | CANADA, ARGENTINA | DOC | 2022 | 90 MINUTES | ENGLISH, SPANISH, KOREAN, ENGLISH SUBTITLES | TORONTO PREMIERE

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: IMMIGRATION | TRAUMA | MOBILITY | MUTUAL AID | HEALING

Should we leave our origins behind or can we give them new meaning? This is the question posed by The Dependents, in which the filmmaker combs through decades of diary entries written by her father, a retired immigration officer, interrogating him as he did countless applicants who appeared before his desk in Canadian embassies across the globe. This work is a reflection on the right to mobility for some and not others and the discourses that justify this inequality. Sofia Brockenshire’s film merges the past and present in a bold and sonically rich family portrait about home, displacement, and current forced and voluntary migration movements. — Jason Fox (RIDM, Montreal)

Screening with Short Film

Neighbour Abdi | Douwe Dijkstra | The Netherlands | Doc | 2022 | 29 minutes | Somali and Dutch with English subtitles 

How can you understand a violent past? Somali-born Abdi reenacts his life, marked by war and criminality, with the help of his neighbour and filmmaker Douwe. Through playful reconstructions in a special effects studio, they embark on a candid and investigative journey through a painful history, focusing on the creative process throughout.

STREAMING NOW
November 6 - 12, 2023

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CO-PRESENTED BY
Ontario Arts Council Logo

back home

NISHA PLATZER | 2022 | CANADA / CUBA | 90 MINUTES | ENGLISH WITH OPEN CAPTIONS

GENRE: DOCUMENTARY (FEATURE)
TYPE: FILM | IN-PERSON
KEYWORDS: SUICIDE | TRAUMA | FAMILY | OVERSTIMULATION | ANXIETY

back home follows the filmmaker’s pursuit to get to know her older brother, Josh, twenty years after he took his own life. As she connects with the friends who knew him best as a teen, a complex portrait emerges. Through intimate recollections re-imagined on Super8 and 16mm, and lyrical images hand-processed with plants, seaweed, soil and ashes, back home floats between memory and present time in a fragmented meditation on identity, grief and loss: illuminating the transformative power of healing in community.

DIRECTOR’S STATEMENT

It is my pleasure to share my first feature film, “back home,” with you. I was 11 years old when Josh’s death forever changed our family and shifted my perspective on the value of closeness and the impact broader society can have on a young mind. “Back home”’s unique handmade quality recalls the photochemical processes I found solace in during my teenage years when I took refuge in the high school darkroom. The abstract film images represent the changing chemistry of Josh’s brain, as well as illustrating my physical pain – a manifest form of grief.

Screening with Short Film

White Noise | Tamara Scherbak | Canada | Drama | 2023 | 18 minutes | English with open captions

White Noise follows Ava, who suffers from misophonia – an extreme hyper-sensitivity to sound. When this reaches new terrifying heights, her doctor enrolls her in an experimental trial involving an anechoic chamber: the world’s quietest room.

Opening Night Film
Friday, October 27, 2023

CAMH Auditorium
1025 Queen St W, Toronto
Reception 5 PM | Box office: 5:30 | Film 6:30 PM

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CO-PRESENTED BY

ATTILA

STEPHEN HOSIER | CANADA | DOC | 2023 | 80 MINUTES | ENGLISH | WORLD PREMIERE

GENRE: DOCUMENTARY
TOPICS: FILM | IN-PERSON
KEYWORDS: ISOLATION | ADDICTION | HOMELESSNESS | TRAUMA | ABUSE | SCHIZOPHRENIA

Canadian filmmaker Stephen Hosier focuses the lens of his feature debut uncomfortably close to home as he joins his childhood friend, Richard Csanyi, in investigating the life and death of the latter’s twin brother, Attila. Found dead on a Hamilton rooftop in May 2020, the 28-year-old was expelled from a long-term care residence even as he grappled with addiction and schizophrenia. 

A creative expression of grief and healing, this stirring home-grown film compassionately explores the intersection of personal trauma and the systems that fail those in need, while striving toward a place of forgiveness and understanding. ATTILA is a beautiful portrait honouring one man’s tragedy and the family he left behind, while providing the audience with a valuable window into the extreme systemic obstacles experienced by far too many in Canada and around the world.

Tuesday October 10, 2023 marks the 75th Anniversary of World Mental Health Day. This year’s theme is ‘mental health is a universal human right’. The sentiment aligns with the ambitions of ATTILA, the film. In presenting an authentic and local portrayal of addiction and schizophrenia. We hope to destigmatize these circumstances and create a space for dynamic conversation that lead to change.

Join us after the film screening for a post-film panel discussion moderated by Aisha Jamal (filmmaker and film programmer) featuring Dr. Naheed Dosani (palliative care physician and health justice activist), Chris Summerville (Schizophrenia Society of Canada), Diana Chan McNally (community and crisis worker) and other special guests to be announced.

Hashtags: #RWMFEST #MindtheGaps #ATTILAfilm

Masking is required at all Rendezvous events for everyone’s safety (masks provided) Thank you.

World Mental Health Day
Tuesday, October 10, 2023

Hot Docs Ted Rogers Cinema
506 Bloor St W, Toronto

THIS EVENT HAS PASSED.

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CO-PRESENTED BY

CHAINS & CROWNS

CHAINS & CROWNS

A photograph of the back of a head with bantu knots.

CHAINS & CROWNS
Stéphane Alexis

Chains & Crowns, is a photo-based series of artworks inspired and dedicated to the artist’s mother. This large-scale print depicts the history, politics, science and psychology of Black Hairstyles. The typological series displayed in a grid format encourages the viewer to cross-reference hairstyles and allows the Black and broader communities the opportunity to draw from their personal experiences, whether that be through their own stories or through their community members. The work also comes with information on styles that derive from an array of time periods, cultures and movements ranging from Ancient Egypt (2700 BC – 343 BC) to The Natural Hair Movement (1960 – present). This gives way for the audience to further solidify their understanding through historical text and to question the multi-faceted ways these styles have been utilized and evolved in impact over time.

Stéphane Alexis is an artist based in Ottawa, Canada. His work stems from personal experiences, research, community collaborations and visual expression, all fostering a strong desire to bring a level of understanding to the often overlooked communities. Stéphane’s work seeks to give insight into these communities in which he belongs to.

Artist website:  stephanealexis.com

Keywords: Activism | Community | Depression | Resilience | Trauma

#RWMFest #MoreThanRebellion

This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.

VENUE:

The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto. 

 

DATES:

October 27 to November 6, 12 – 6 PM.

 

EXHIBITION OPENING & ARTISTS TALK

October 29, 1-4 PM, Talk at 2:30 PM

After the opening reception, engage with the artists of kind renderings as they delve into their work and  practice.

TOURS

Please join us for a guided tour on Thursday, November 3 at 5 PM 

ACCESSIBILITY

If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.

 

Visit the Accessibility page for further festival information and wayfinding.

THE THINGS WE CARRY WITH US

THE THINGS WE CARRY WITH US

The things we carry with us size 2 (1)

THE THINGS WE CARRY WITH US
Twinkle Banerjee

The things we carry with us is a mixed media installation that explores the life of the artist’s grandmother, who experienced displacement as a child when India was partitioned as the British exited India. What the artist’s grandmother saw or experienced was never discussed but the signs of her trauma remained. The family went through much emotional upheaval as a result and shaped the artist’s anxieties as her grandmother remained the artist’s caregiver for most of her childhood.

The things we carry with us explores coping mechanisms we pick up as children to survive. And, in practice, it can take a very long time to come to terms with our realities and sometimes we never do; we live behind a net seeing and experiencing the world differently, and that becomes the only world we know.

Twinkle Banerjee (she/her) is an Indian-Canadian visual artist, who explores work that deals with social issues such as generational trauma, globalization and human rights. Understanding the pressure put on BIPOC artists for creating trauma-related work, she also tries balancing her work with introspective experiments with a focus on poetic imagery.

Twinkle has exhibited in the USA, Canada, the UK and Armenia, been published in Berlin and featured on CBC. In 2021 her artwork “Characters of Memorial Park” was part of an exhibition and publication at the ICP-New York.

Artist website:  twinklebanerjee.com

Keywords: Activism | BIPOC Experience | Bipolar Disorder(s) | Trauma | CPTSD Generational Trauma

#RWMFest #MoreThanRebellion

This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.

VENUE:

The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto. 

 

DATES:

October 27 to November 6, 12 – 6 PM.

 

EXHIBITION OPENING & ARTISTS TALK

October 29, 1-4 PM, Talk at 2:30 PM

After the opening reception, engage with the artists of kind renderings as they delve into their work and  practice.

TOURS

Please join us for a guided tour on Thursday, November 3 at 5 PM 

ACCESSIBILITY

If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.

 

Visit the Accessibility page for further festival information and wayfinding.

MY LEFT-HAND IS TALKING AND MY RIGHT-HAND IS NURTURING

MY LEFT-HAND IS TALKING AND MY RIGHT-HAND IS NURTURING

Charcoal drawings of curled bodies surounded by words.

MY LEFT-HAND IS TALKING AND MY RIGHT-HAND IS NURTURING
Jessica Field

The collection of poetry and drawings in My left-hand is talking and my right-hand is nurturing, explores the experience of moving past survival mode to let go of false perceptions of self, building the capacity to reclaim a truer sense of identity. It is about the experience of living with inexplicable illness and pain, loss of memory, abuse, love, and loss. It celebrates the beauty of imagination’s power to heal the body, rejuvenate our sense of self, and teach better ways of living.

Everything Jessica Field makes is biased to her lived experience. She creates AI drawings to explore new configurations on what drawing about pure emotion can be about in relation to the greater concept of the human condition. The artist’s drawings act as material that is reinterpreted by an “other”, to compose hundreds of variations as a way of seeing greater possibilities outside the limits of her lived experience. This “other” remains anchored by the artist’s genuine inner emotional life exploring how feelings, unconscious memory and experience is embodied in the gesture of line, in how the exploration into the self can lead to visual expressions that are universally relatable and authentic to lived experience.

The objective of these drawings is to illustrate the complicated space in dealing with the human bias, ignorance, and still manage to connect and understand a divergent perspective. This project shows how empathy and perspective taking bridges these gaps by putting the discussion into the space of universal human experience where we all can relate to each other.

Jessica Field works with installation, video and performance to create AI systems to show the impact of our environment on mental health and how individual histories and temperaments influence the ways that we live our lives. Jessica has exhibited in Sweden, Switzerland, Austria and Canada. She has shown in Electrohype 2008, the Montreal Museum of Fine Art, Oboro, Optica, the Museum Tingely and at Kunsthaus Graz. 

Jessica teaches as a full-time sessional at Toronto Metropolitan University; she received her AOCAD at the Ontario College of Art and Design, Toronto, Ontario and her MFA at Concordia University in Montreal, Quebec.

Artist website:  jessicafield.ca

Credits

Coding Visual Layout Algorithm: Meera Balendran
Book Designer: Lisa Kiss Design
Video and Editing: Empty Cup Media
Images, Poetry, and Artificial Life Algorithms: Jessica Field

Content Warnings

This artwork contains content that may be triggering to some individuals.

Keywords: Anxiety | Grief | Psychiatry | Trauma

#RWMFest #MoreThanRebellion

This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.

VENUE:

The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto. 

 

DATES:

October 27 to November 6, 12 – 6 PM.

 

TOURS

Please join us for a guided tour on Thursday, November 3 at 5 PM 

ACCESSIBILITY

If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.

 

Visit the Accessibility page for further festival information and wayfinding.

MULTITUDE OF FISH - ASCENSION TALES

MULTITUDE OF FISH - ASCENSION TALES

Black and white line drawings of multiple linked fish swimming above waves of black lines.

MULTITUDE OF FISH – ASCENSION TALES
Jenny Chen

Multitude of Fish – Ascension Tales is an animation that tells the story of fish ascending into the heavens, symbolizing spirits being uplifted. This animation was created by hand drawing each frame. The images were derived from the artist’s mental wellness journey, specifically the healing of past trauma and depression.

For the past few years, Jenny Chen has worked with the recurring image of water and fish to symbolize the flow of energy. This larger body of work titled, Multitude of Fish, exists in mediums such as drawing, painting, clay sculptures, installation and animation. The fish moves organically through its surrounding space, leading the viewer on different journeys. These spaces are reminiscent of the inner realm while taking inspiration from outer landscapes.

Jenny Chen is a visual artist living in Toronto. She makes art to process the world around her while raising questions about existentialism and spirituality. Her work uses symbols to create mystical environments inspiring viewers to wonder about life beyond the material world. She graduated from OCAD University with a major in Drawing and Painting and a minor in Illustration. Since then, Jenny has worked mainly in watercolour, pen and clay. Her exhibition history includes the Small Arms Inspections Building, Toronto Media Arts Centre and Living Arts Centre. She has received grants for her work from the Ontario Arts Council.

Artist website:  jennychen.me

Keywords: Anxiety | BIPOC Experience | Community| Trauma

#RWMFest #MoreThanRebellion

This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.

VENUE:

The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto. 

 

DATES:

October 27 to November 6, 12 – 6 PM.

 

EXHIBITION OPENING & ARTISTS TALK

October 29, 1-4 PM, Talk at 2:30 PM

After the opening reception, engage with the artists of kind renderings as they delve into their work and  practice.

TOURS

Please join us for a guided tour on Thursday, November 3 at 5 PM 

ACCESSIBILITY

If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.

 

Visit the Accessibility page for further festival information and wayfinding.

Streaming across Canada October 27th to November 6th

BIGGER THAN TRAUMA
Vedrana Pribacic | 2022 | Croatia | 90 minutes | Croatian with English subtitles

Rendezvous With Madness is pleased to present the extraordinary documentary film Bigger Than Trauma directed by Vedrana Pribacic available for streaming across Canada from October 27th to November 6th 

The brutal Croatian War of Independence came to an end in 1995, but survivors of the conflict continue to feel its devastating effects almost 30 years later. Justice has been slow in coming–if it comes at all–and institutional supports are few and far between, particularly for women who continue to live side-by-side with the very men who captured, tortured and raped them. 

Vedrana Pribacic’s Bigger Than Trauma is an intimate portrait of a group of Serbian and Croatian women who join a groundbreaking and unconventional therapy group to break their long-held silences, share their individual experiences and empower them to begin the long road to healing. However, their journey is not without its fair share of obstacles of pain revisited, cultural friction and resentment. In this tender setting, his documentary gives voice to the oft-forgotten and ignored victims of war for their own self-determination after trauma. 

Screening with
Yaren and the Sun | 2021 | Joren Slaets, Renate Raman | Belgium | 19 minutes | Dutch with English subtitles 

Yaren’s mother died when she was six. Her friend Kato’s father died a year ago. Yet the atmosphere in a therapeutic summer camp is far from mournful when one of the supervisors dances with a girl to the lively song “La Bamba.” It’s fine to have fun, the children learn—it can coexist with sadness.

Keywords: Women’s Issues | Trauma | War | Mutual Aid | Healing
Genre: Documentary (feature) Documentary (short)
#RWMFEST #MoreThanRebellion