This Performance Opens for Film Program: Peter Doherty: Stranger In My Own Skin.

Dance Synopsis
We Lost You A Long Time Ago is a poignant contemporary dance piece by Nicole Descey Dance Projects, running 20-30 minutes, that delves into the emotional turmoil of losing a close friendship. This work explores the unraveling of a bond that once felt familial but disintegrates seemingly without warning or closure, reflecting on the deep, often unspoken grief that accompanies the loss of a friendship. Choreographer Nicole Descey draws from her personal experience of watching a friend struggle with mental health, leading to an inevitable and painful separation. Through intricate, expressive movements, dancers Nicole Decsey, and Melissa MacTavish bring to life the stages of emotional turmoil – such as grief, anger, confusion, and sorrow, offering a raw portrayal of the longing for answers and closure that never comes.

Accompanied by a live musical track composed and performed by Luc Gaylie, the choreography takes audiences through memories and moments of connection and the chaotic aftermath of a friendship slowly fading, highlighting the complexity of coping with the absence of resolution. In this powerful exploration of mental health, friendship, and the enduring pain of relationships that cannot be mended, We Lost You A Long Time Ago resonates as a moving portrayal of loss, acceptance, and the memories of a bond that can now only be mourned and remembered.

Keywords: Grief, Trauma, Loss

Accessibility: Active Listener on-site

To celebrate the Canadian premiere of the German film BLUE SKY WHITE CLOUDS at Rendezvous With Madness, join us for an insightful talk about filmmaking featuring accomplished director Astrid Menzel.

The film BLUE SKY WHITE CLOUDS is streaming across Canada from November 6 – 12. You do not have to watch the film before attending the seminar but it is encouraged. The film page is found here Tickets to watch the film online are purchased through a donation of $0 -20. 

SEMINAR – Behind the Scenes Insights on Directing the Award-Winning Documentary BLUE SKY WHITE CLOUDS

Filmmaker Astrid Menzel explores the process of directing a feature film, dissecting her latest documentary BLUE SKY WHITE CLOUDS. Participants of this seminar will walk away with a deeper understanding of various aspects of film direction, production and techniques as well as uncover personal insights about the highs and lows of the process, including:

Topics Covered

• Different aspects and challenges of filming one’s own family.
• How to turn subjective thoughts and struggles into a dramaturgical outline of an intensive and personal documentary.
• The mix of materials and techniques used during the editing of the film.
• Open Q&A

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: AGING | DEMENTIA | GRIEF | FAMILY

German filmmaker Astrid Menzel makes her feature-length documentary debut with this incredibly personal and moving story of loss, love, and legacy. Following the death of her beloved grandfather E.O., the director and her brother embark on a 10-day canoe trip through the North of Germany with their widowed 86-year-old grandmother–a woman slowly succumbing to progressive dementia. Looking for some semblance of control at a time when grief seems insurmountable and change never-ending, a determined Menzel invites her grandmother to become a part of the planning and organization, looking for ways to connect with and involve her simultaneously. Eventually, the unlikely trio set out on a unique, emotional and unflinchingly honest journey that helps all three uncover different and changing perspectives on their existing relationships. With some distance and time come a little patience, unexpected joy and sorrow, and a brand new understanding of exactly what being there for someone you care about truly means.

Streams (online only) with Short Film:

White Noise | Tamara Scherbak | Canada | Drama | 2023 | 18 minutes | English with open captions

White Noise follows Ava, who suffers from misophonia – an extreme hyper-sensitivity to sound. When this reaches new terrifying heights, her doctor enrolls her in an experimental trial involving an anechoic chamber: the world’s quietest room.

PANEL

After the film enjoy a conversation with the film’s director Astrid Menzel; moderated by Jutta Brendemuehl from the Goethe Institut, Toronto.