
Creator: Paul Butler
GENRE: VISUAL ART
TYPE: WORKSHOP
“The Collage Party” serves as a platform for people of all backgrounds and artistic levels to come together in a group setting and experience the benefits of exercising their creativity through collage making. “The Collage Party” is accessible to all. With collage, you respond to images, as opposed to starting with a blank page like with painting and drawing. One does not have to know ‘how to draw a straight line’ with collage. The objective with “The Collage Party” is to provide participants with a platform to express themselves and exercise their creativity in a supportive, social environment.
Currently based in Toronto, Paul Butler is a multi-disciplinary artist with an interest in artist- driven projects that challenge current art world models. His practice includes: hosting “The Collage Party” – a touring experimental studio established 1997; directing the operations of “The Other Gallery” – a nomadic commercial gallery focused on overlooked artists’ practices; founding “The Upper Trading Post” – an invitational website that facilitates artist trading and initiating “Reverse Pedagogy” – a traveling, experimental residency. He has exhibited at the Museum of Contemporary Art, Los Angeles; The Art Gallery of Ontario, Toronto; White Columns, New York City; Creative Growth Art Centre, Oakland and La Maison Rouge, Paris.
The first 25 people who sign up for The Collage Party Zoom event get a collectible Collage Party pencil case with necessary tools to collage with. They are available for free curbside pickup at 651 Dufferin Street between the hours of 10AM-9PM, October 15-25.
This event is primarily acocompanied by music. There will be an intro video which will be ASL interpreted. Interpretation or transcription during the event is available by request; please contact justina_zatzman@workmanarts.com to request.

Lead Artist: Catherine Mellinger / Director: Pazit Cahlon / Illustrator and Content Creator: Nat Janin / Sound Design: Adam Harendorf
GENRE: INSTALLATION, MULTIMEDIA, VISUAL ART
TOPIC: ANXIETY, COMMUNITY, DEPRESSION, FAMILY, TRAUMA
Post-Part is a room within a room installation that draws on the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, Barbara Ehrenreich, the modern collage movement and the RGB innovation of Carnovsky. Post-Part re-imagines a 19th century-style brocade wallpaper pattern incorporating “hidden” illustrations, collage elements and sensor-triggered audio, to bring to life the experience of postpartum mood disorders, including postpartum psychosis. Handheld cellophane filters reveal collage compositions hidden within the wallpaper, and the viewer’s proximity to the wall triggers audio recordings of women’s testimony as well as “cures” prescribed in the 19th and 20th centuries.
Longernin Collective formed to create the installation work, Post-Part. Drawing on combined experiences in illustration, animation, writing, film, collage and art therapy work, the members’ individual works have been exhibited, published and screened to audiences locally and globally.
Longernin Collective would like to acknowledge funding support from the Ontario Arts Council, an agency of the Government of Ontario.

Photos by Franco Pang & Paulina Wiszowata
Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.
Lead artist Catherine Mellinger and Director Pazit Cahlon will be participating in the virtual panel discussion Spectral Spaces: Re-animating Historical Environs through Current Feminist Discourse on October 20, at 12 PM. Click here to book a ticket.

Creator: Hanan Hazime
GENRE: POETRY
TOPIC: ACTIVISM, ANXIETY, BI-POLAR DISORDER(S), BIPOC EXPERIENCE, COMMUNITY, DEPRESSION, DISABILITY, HARM REDUCTION, RACISM, SCHIZOPHRENIA, TRAUMA
TYPE: WORKSHOP
Join multidisciplinary artist and creative writer, Hanan Hazime, for an online poetry workshop and art installation. Instead of psychiatric medicine, participants of “The Mad Poetry Apothecary” will be prescribed creative prompts that encourage mental wellness. Participants will be guided through the creation of mixed-media poetry postcards and given the opportunity to virtually showcase their work. Those who would like to participate in the virtual art installation but cannot attend the online workshops have the option of submitting their poetry postcard via email. All levels of writing and artistic skills are welcome. Folks with lived experience of mental health and/or addiction issues are highly encouraged to contribute their voices to this project.
Click here to view the virtual Mad Poetry installation.
Hanan Hazime is a multidisciplinary artist, creative writer, community arts educator and writing instructor living in Tkaronto/Toronto. She also identifies as a Lebanese-Canadian Muslimah Feminist and Mad Pride Activist. Through her intersectional and interdisciplinary artwork, Hanan aims to push boundaries, question arbitrary binaries, dispel stigmas and shatter stereotypes. Her primary mission as an arts educator is to provide accessible arts education to marginalized communities with a special focus on crafting safe, empowered spaces for Muslims, individuals with mental health challenges, folks with disabilities and BIPOC youth to discover and enhance their writing and art skills.
If you’d like to participate in the workshop over email, please click here to register.
ASL interpretation or live transcription during this event is available by request; please contact justina_zatzman@workmanarts.com if you require these or other services to take part.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.
Hanan Hazime will be participating in the virtual panel discussion Literary Balms: the Healing Properties of Art and Text on October 19, at 4 PM. Click here to book a ticket.

Co-Creator and Curator: Alexandra Caprara / Co-Creator: Raechel Kula
GENRE: INSTALLATION, INTERACTIVE, MULTIMEDIA, POETRY, VISUAL ART
TOPIC: COMMUNITY, SEXUAL VIOLENCE, TRAUMA
ThreadBare is an interactive textile installation that centers the voices of survivors of sexual and domestic violence and abuse. The piece features a collection of poetry and prose submitted by survivors, sewn into clothing and fabric and interwoven within the piece. Audiences are invited to observe and interact with the structure, which responds to movement using lighting and sound. This piece was created to elevate the stories and experiences of survivors through the repurposing of fabric and clothing and aims to foster conversation, reflection and a shared sense of solidarity and hope.
Alexandra Caprara is a multidisciplinary artist and writer from Toronto. She is a graduate from York University’s Theatre and Creative Writing programs and has worked internationally as a designer and director.
Raechel E. Kula is a multi-disciplinary artist with a background in software and information technology. She brings a systems approach to the dramaturgy and design of interactive and performative works for live audiences.
CONTENT WARNINGS
Rape and/or Sexual Violence
Photos by Henry Chang
Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
Join Alexandra Caprara and Raechel Kula on Tues, Oct 20 at 3PM for an Instagram Live event to interact in real-time as they walk you through their artwork and answer your questions. Follow @workmanartsto to get notified when we go live.
ASL Interpreted, Active Listener
An Active Listener will be available Tues, Oct 20 from 3-5pm to support this program.
Your active listener for this program is Kat.
You can connect with Kat by phone (talk or text) at (647) 474-2338 or by email at katrissing@gmail.com.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.
Alexandra Caprara and Raechel Kula will be participating in the virtual panel discussion Literary Balms: the Healing Properties of Art and Text on October 19, at 4 PM. Click here to book a ticket.

Creator: Ivetta Sunyoung Kang
GENRE: INSTALLATION, INTERACTIVE, MEDIA ART, VISUAL ART
TOPIC: ANXIETY, COMMUNITY, DEPRESSION, PSYCHIATRY
Intolerance of Uncertainty is an installation that combines a single-channel video, Instruction to the Ball Measure and the Ball in a fictional setting that resembles the interior of a psychiatrist therapy session. This participatory work asks an audience to sit as “a testee” to assess the levels of their own anxiety. The audience can grab the red ball placed on the table, which also appears in the video, and follow each gesture of the hands interacting with the ball. It is to measure an individual’s anxiety, especially their intolerance of uncertain future events. The Ball physically channels its participant to the imagined realm of psychiatry, unfolding in the video through its tactility.
Ivetta Sunyoung Kang is an interdisciplinary visual and video artist and writer, currently based in Montreal. She studied film directing in South Korea and earned her MFA in Film Production at Concordia University. She has presented short films and videos at film festivals and galleries around the world, including in South Korea, Canada, Germany and the United States. In 2016, Kang was shortlisted for the Simon Blais Award in Canada. She recently published a poetry book entitled Absent Seats and is a co-founding member of the artist collective Quite Ourselves, and the A/V duo CCVX?.
This artist has interactive materials which will be provided in the first 50 RWM swag bag in order to interact with their virtual content. All ticket holders will be invited to receive RWM swag bags available for free curbside pickup during festival hours.
To purchase this work, please visit our online store. To purchase only the interactive item, click here.
Photos by Henry Chang
Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 10AM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.
Ivetta Sunyoung Kang will be participating in the virtual panel discussion Resistant Bodies: The Intersections of Self and Health on October 21, at 1 PM. Click here to book a ticket.

Choreographer: Mike 'Piecez' Prosserman / Supporting choreographers / Outside eye: Kosi Eze and Caroline ‘Lady C’ Fraser / Filmmaker: Icy / Photo credit: KTCHN productions
GENRE: DANCE
TOPIC: ANXIETY, COMMUNITY, DEPRESSION, FAMILY, PSYCHIATRY, SCHIZOPHRENIA, TRAUMA
Breathe expresses a journey from spark to growth to breakdown to acceptance. The piece includes a mix of Breakin’, Popping and House dance styles with a focus on Breakin’. This piece is inspired by Breakin’ culture, the artist’s power-infused dance style and his experience battling with anxiety. Breathe is a journey into the height of success and the depth of anxiety. We live in a world filled with high expectations from self and others. Breathe lets audiences know that it’s okay not to feel okay. Breathe highlights Breakin’ as an art form with depth, character and history stemming from the roots of lived experience. Accepting who we are. One day at a time. One breath after another. BREATHE.
Michael ‘Piecez’ Prosserman has been Breakin’ since 1999. Piecez has taught, competed, judged and performed for hundreds of audiences from Asia to Europe to the Canadian Arctic. By high school, he was accepted into Cirque Du Soleil and featured in the motion picture Honey. Piecez is the founder of a grassroots movement that uses hip hop to improve youth mental health called Unity Charity. Piecez is a best-selling author of the new book Building Unity, a university instructor and a mental health advocate. In his solo Breathe, Piecez shares his experiences with mental illness in a leadership role.
CONTENT WARNINGS
Strobe Light
Michael ‘Piecez’ Prosserman and guests will be participating in two virtual Q&A’s:
Saturday, October 17, 8 PM
“Breathe: a dance production + conversation on Mental Health + Community”
Wednesday, October 21, 6 PM
“Breathe: a dance production + conversation on Mental Health + Work”
Please note: virtual tickets are to watch the film (and other content in the Re:Building Resilience Exhibition); for virtual discussions, please register through the Zoom links below.
There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
An Active Listener will be available Sat, Oct 17 from 8-9pm to support this program.
Your active listener for this program is Christeen.
You can connect with Christeen by phone (talk or text) at (289) 779-4114 or by email at christeen.salik@gmail.com.
An Active Listener will be available Wed, Oct 21 from 6-7pm to support this program.
Your active listener for this program is Jamie.
You can connect with Jamie by phone (talk or text) at (647) 365-3382 or by email at gladitudelistens@gmail.com
ASL Interpreted, Open Captions, Active Listener
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.

Creator: James Knott
GENRE: MEDIA ART, MUSICAL, PERFORMANCE ART
TOPIC: ANXIETY, COMMUNITY, DEPRESSION, FAMILY, LGBTQ2S+, PSYCHIATRY
This film adaptation of the award-winning, self-mythologized facade of a rock show incorporates life-sized video projection, original music, gestural choreography and on-the-go stage props to coalesce into a black-box style theatrical spectacle meets dirty diary, exploring the elusive and dichotomous nature of queer identity. With a reliance on the grimy mustard-coloured lights and sequins of 70s glam rock aesthetics, the protagonist travels the mental collapse of a dark night of the soul, searching for purpose in a world that doesn’t care to be purposeful. Themes include rejection, broken promises, wishes on a star, deals with the devil and packing up to leave with no intention of return… leaving behind the ghost of glitter’s past.
James Knott is an emerging, Toronto-based artist, having received a Bachelors of Fine Arts in Integrated Media from OCAD University. Their performance-based practice combines theatre, video and audio art to create immersive and emotionally resonant experiences for the viewer. Explored themes include: paradoxical and queer identity, inner dialogue, mental illness and camp theatrics. Currently their practice looks to house personal narratives and queer experience through poetic re-tellings, self-mythologizing, and auto-iconographic aestheticism.
CONTENT WARNINGS
Strobe Light, Loud Sounds, Nudity, Sexual Content, Self-Harm
James Knott will be participating in a virtual Q&A moderated by Francisco-Fernando Granados on Saturday, October 17, at 7 PM.
Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
ASL Interpreted, Open Captions, Active Listener
An Active Listener will be available Sat, Oct 17 from 7-9pm to support this program.
Your active listener for this program is Christeen.
You can connect with Christeen by phone (talk or text) at (289) 779-4114 or by email at christeen.salik@gmail.com.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.

Creator: Rochelle R
GENRE: THEATRE
TOPIC: ACTIVISM, ANXIETY, BIPOC EXPERIENCE, COMMUNITY, DEPRESSION, DISABILITY, LGBTQ2S+, PSYCHIATRY, RACISM, TRAUMA
TYPE: PERFORMANCE
Queen Latifah Give Me Strength centers around a woman’s struggle with her identity and her expectations of being disregarded and ignored by the medical industry. Queen Latifah Give Me Strength depicts the frustration, isolation and raving madness that comes with being a Black woman who must rely on medical professionals to stay alive. After an anxiety-filled evening watching the classic 90s film, Set It Off, featuring Queen Latifah, the main character is faced with her strange connection to the celebrity. In a search for answers about her health, she turns to the icon she had once forsaken. Previous version partially developed during Emerging Creators Unit 2020 at Buddies in Bad Times Theatre.
Rochelle R (She/They) is a Canadian-Caribbean multidisciplinary theatre artist, writer, producer and advocate for Black, Queer, Mentally Ill/Disabled communities. Rochelle is passionate about promoting and developing opportunities for Black Artists and encouraging difficult conversations about intersectionality. Rochelle holds a BA in English and Theatre Studies from the University of Guelph and continues to pursue additional training within the GTA and Peel regions. Select companies and programs include b current (Playwriting) bcHUB, Buddies in Bad Times (Play Creation) Emerging Creator’s Unit, Nightwood’s Young Innovator’s Program (Arts Administration/Producing), PIECE OF MINE Arts, dance immersion’s Legacy Leaders Program and more.
CONTENT WARNING
Mature Language, Violence, Loud Sound
Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.
Rochelle Richardson will be participating in the virtual panel discussion Resistant Bodies: The Intersections of Self and Health on October 21, at 1 PM. Click here for more information.

Choreography: Sophie Dow in collaboration with interpreters / Interpreters: Sophie Dow, Shannon Flaicher, Maria Lucia Llano, Paige Sayles, Tyra Temple-Smith / Stage Manager: Connie Oreamuno / Projections: Connie Oreamuno & Clayton Lormand / Sound: Sophie Dow / Costumes: Sophie Dow & Clayton Lormand
GENRE: DANCE
Mountain Duets is a ceremony illustrated through dance, music and multimedia. We follow an individual that falls into a chaotic haze, losing sight of balance and stillness. This solo mover is a symbol of both our independent and collective consciousness. They are a representation of all we go through on micro and macro scales; a testament to the cycles of the building, tearing down and rebuilding of humanity. From the dark place, the soloist calls upon the ancestors and wisdom of Turtle Island to journey together through traditional teachings, reminding us of our deeply rooted strength, resilience and reciprocity to each other and to Mother Earth.
Winnipeg-born Sophie Dow is an emerging dance and music artist, inspired by interdisciplinary collaboration and her Métis-Assiniboine and settler roots. An avid adventurer, Sophie has a passion for busking, yoga and traveling on top of holding a specialized honours degree in Dance Performance and Choreography from York University. Currently Sophie is part of the Paprika Festival’s Indigenous Arts Program, preparing for adelheid’s re:research and is an Artistic Associate of Chimera Dance Theatre. She writes music, performs and busks regularly throughout Ontario with her band The Honeycomb Flyers and is a practicing licensed Holistic Practitioner of Traditional Thai Massage.
CONTENT WARNING
Fog/Haze, Loud Sound
Photos by Henry Chang
Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.

Sophie Dow will be participating in the virtual panel discussion Resistant Bodies: The Intersections of Self and Health on October 21, at 1 PM. Click here to book a ticket.
Fabienne Godet / 2018 / French with English Subtitles / France / 117 min / Toronto Premiere
GENRE: FICTION
TYPE: FILM
Group therapy sessions. Community meals. Heartfelt conversations. This life is foreign to Margot (Julie Moulier), a thirty something woman from a wealthy French family. Margot lives with addiction and she’s just enrolled in a rehab facility in a remote French countryside. It’s quaint and dreamlike in the country which is the complete opposite of Margot’s fevered mental state. Her repressed feelings make Margot reluctant to open up to strangers. She doesn’t believe in the community approach to recovery. What might happen if she actually let go of her fears and allowed others in? Margot’s character offers audiences an intimate examination of the deep-rooted psychological causes of addiction. Our Wonderful Lives gives us a nuanced and refreshing look into community based recovery and the significance of something as simple as friendship.
(En Français)
GENRE: FICTION
SUJET: TOXICOMANIE, COMMUNAUTÉ, AMITIÉ, THÉRAPIE DE GROUPE, RÉADAPTATION
TYPE: FILM
Séances de thérapie de groupe. Repas communautaires. Conversations sincères. Cette vie est étrangère à Margot (Julie Moulier), une femme d’une trentaine d’années issue d’une famille bourgeoise française. Margot est toxicomane et elle vient de s’inscrire dans un centre de réadaptation situé dans une campagne française isolée. La vie y est douce et onirique, tout à l’inverse de la fièvre mentale de Margot. Ses sentiments refoulés empêchent Margot de s’ouvrir aux autres patients. Elle ne croit pas à la réadaptation à base communautaire. Que pourrait-il arriver si elle abandonnait ses peurs et s’ouvrait à autrui? Le personnage de Margot offre au public un examen intime des causes psychologiques profondes de la dépendance. Nos Vies formidables nous donne un regard nuancé et rafraîchissant sur la réadaptation à base communautaire et la signification de quelque chose d’aussi simple que l’amitié.