Poetic Proclamations

Short Films by Workman Arts Members

Keywords: Relationships, trauma, addictions, isolation, terminal mental illness, grief

Featured artists: TK Workman, Gavin Seal, Serena McCarroll, Ace Kazkayasi, Andrea Thompson, Brian Demoskoff, Ishaa Vinod, Zan Redcrow, Emmanuel Teji

Our annual short film program celebrating films by Workman Arts’ member artists! 

“Poetic Proclamations’’ features nine films exploring a wide palette of creations including documentary, fiction, animation, spoken word and 360-degree cinema. An all-encompassing range of poetic, personal and transformational expressions that not only disrupt common narratives around mental health they also embody the connections of what it means to connect, critique and commiserate in a mad world.

SATURDAY, NOVEMBER 1, 2025

Tranzac Club | 292 Brunswick Avenue, Toronto
Box office: 1 PM | Screening at 2 PM

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Comme entendre à travers une feuille de métal (Like hearing through sheet metal)

Mariane Béliveau | 2024 | Québec/Canada | Documentary | 83 minutes | French with English subtitles

KEYWORDS: Addiction, harm reduction, drug use

Comme entendre à travers une feuille de métal offers a sensitive and intimate look at the complex world of injection drug use, through the experiences of Marianne, M. and Lion: a wander through the rituals of daily life, the interstices of the city, and the confines of memory.

Mariane Béliveau is a French documentary filmmaker and sociologist. She has been interested in documentary film since her studies in sociology and has also worked as a social worker. She is the author of two short documentaries, Narratives from Saint Gabriel (2017) and I Usually Sing It in the Shower (2018).

THURSDAY, OCTOBER 30, 2025

Tranzac Club | 292 Brunswick Avenue, Toronto
Box office: 7 PM | Film 8:30 PM

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Shuffle

Benjamin Flaherty | 2025 | United States | Documentary | 81 minutes | English | Canadian Premiere

KEYWORDS: Rehab, insurance fraud, addiction, recovery

Shot over the course of three years, Shuffle follows three individuals whose lives depend not on getting into addiction treatment, but on getting out alive, and in the process, shines a light on the insurance-fueled cycle of rehabilitation fraud spreading across the USA. With the filmmaker serving as narrator, and using his own experience as a roadmap, these personal stories provide an upsetting framework for a more public investigation with the help of an FBI informant, an insurance analyst and the former Director of a Philadelphia-based treatment facility. Shuffle unravels a web of public policy and private interest preying on a desperate population for the sake of profits.

Benjamin Flaherty is an Austin-based filmmaker with a diverse collection of work – from documentary and art films with Lou Reed & Lola Schnabel to commercial spots for major brands. His short form PSA’s have been awarded at Cannes, D&AD, One Show and the Clios. His documentary feature debut, SHUFFLE, won the Jury Award for Best Documentary Feature at SXSW 2025.

SUNDAY, OCTOBER 26, 2025

CAMH Auditorium | 1025 Queen St W, Toronto
Box office: 4 PM | Film: 5 PM

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#skoden

Damien Eagle Bear | 2025 | Canada | Documentary | 76 minutes | English
In partnership with Shkaabe Makwa

KEYWORDS: Internet culture, houselessness, addiction, systemic racism

#skoden tells the story of Pernell Bad Arm, the Blackfoot man behind the infamous “Skoden” meme. What started out as a social media post to bond Indigenous people across Turtle Island over rez slang and relatable uncle material opened our eyes to something much more: a man whose life on the streets became a mockery to some and a figure of Indigenous empowerment to others but was most beloved by those who knew him personally. Damien Eagle Bear’s heartfelt and compassionate documentary humanizes the man behind the image, sharing stories from Pernell’s family and friends about his life and struggles, and serves as an anecdote to a bigger issue — the harsh reality of street life for many Indigenous people living in urban centres across so-called Canada.

WITH SHORT FILM ——— The Fourth World Problems Collective—— Kira Doxator | 2024 | Canada | Fiction | 7 minutes | English

On a cold Toronto night, a tight-knit collective of friends embark on an unusual mission—tapping maple trees in their neighborhood. A simple act becomes a reflection on belonging and tradition.

Kira Doxtator is an Anishinaabe, Oneida, and Dakota filmmaker exploring Indigiqueer identities, land relationships, and Indigenous futurisms through impactful storytelling and industry advocacy.

FEATURING POST-SCREENING DISCUSSION

Niitsitapi, amateur physicist, frybread-eating machine, Damien Eagle Bear is a multifaceted filmmaker from the Kainai First Nation of the Blackfoot Confederacy. His career began with the short experimental documentary Napi, which asks the question of what will happen when the Blackfoot trickster gets behind the camera. Damien has gone on to produce, direct and write short films, web series and documentaries that have played at film festivals across both Canada and the United States.  Damien continues to expand his horizons with work that explores the themes of belonging and Indigenous resiliency.

Lindsay Monture is Mohawk, turtle clan from Six Nations of the Grand River Territory. A graduate of York University’s Film and Media Studies program, Lindsay has worked in the media arts sector for over 15 years. Throughout her career she has followed her passion for the arts, culture, language and education. Her desire to work with Indigenous communities has been enriched through opportunities to work with non-profit organizations such as; Kaha:wi Dance Theatre, Native Earth Performing Arts, Maoriland Film Festival, Revolutions Per Minute, Woodland Cultural Centre and Indigenous Climate Action. Lindsay is currently the Artistic Director for the imagineNATIVE Film + Media Arts Festival.

OPENING NIGHT FILM

Thursday, October 23, 2025
Reception at 5 PM (all are welcome) with art, snacks and refreshments
Box office: 6 PM | Film 7 PM

Reception: WA OFFSITE | 32 Lisgar St, 2nd Floor
Screening: CAMH Auditorium | 1025 Queen St W, Toronto

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Rendezvous Spoken Word and Open Mic

Please join us at our first Rendezvous spoken word and open mic event as part of our Shine ; Together year!

We are excited to feature esteemed writers Ghadeer Elghafri and Kelly Rose Pflug-Back – see their biography and contact details below! The event will also feature open mic from Workman Arts writers each sharing 5 minutes of writing with our audience – sign up for the open mic begins at 1:30 PM and continues until the 12 slots are filled. Tickets are available at the door or in advance – pay what you can and no one turned away!

This event follows the Workman Arts short film program

Any questions please contact info@workmanarts.com.

Ghadeer Elghafri is a Palestinian-Canadian poet from Gaza, born and raised in Dubai, UAE, living in Toronto. She immigrated to Canada 10 years ago from Dubai without her family. She is a Palestinian activist, a feminist, and an advocate of women, children, human rights and social justice.

Since she was 10 years old child, she was writing poetry in her mother language Arabic. What inspired Ghadeer to write is nature, her father, love, longing, nostalgia, diaspora, her homeland Palestine, difficult emotions, hard feelings, trauma, feminism, freedom, liberation, human rights and justice.

Ghadeer is the founder of Toronto Poetry Club. She has organized inclusive and diverse multicultural multilingual open mic poetry nights in Toronto for 8 years. She has published her Arabic and English poetry in newspapers, magazines, exhibitions, including the anthology “Poetry ReRooted: Decolonizing Our Tongues” and in the anthology “To Hear The Birds” 

Ghadeer’s poem “Alhuwiyya (The Identity)” had been published in English in an anthology of “Muslim American Writers at Home” in San Francisco by Freedom Voices Publisher. It was about her 3 different identities contained within her while being in diaspora, relocating in different countries and her nostalgia to her homeland Palestine. She received a grant from The Toronto Arts Council to start a Multilingual Poetry Collective. 

Ghadeer is an Ontario Ambassador, Outreach to Arab speaking community of National Association of Adult Survivors of Child Abuse (NAASCA). She completed her BSc. in Computer Science and MBA at the American University of Sharjah in UAE. Her dream is to have her own house and host her poetry nights, under the name Qahwa Art Café, in its back or front yard in the Summer and in the basement in the Winter. “Qahwa” means coffee in Arabic.

Instagram: gghafri

Kelly Rose Pflug-Back is a writer and creative writing workshop facilitator. Her fiction, poetry, and journalism has appeared recently in publications like The Briarpatch, The Deadlands, and This Magazine, as well as anthologies such as Queer Little Nightmares (Arsenal Pulp, 2022) and Imaginarium: The Best Canadian Speculative Writing (ChiZine, 2012) . Their debut collection of poems, The Hammer of Witches (Caitlin Press/Dagger Editions, 2020), recently placed as a finalist in the upcoming Bisexual Book Awards.

Saturday, November 2, 2024

Tranzac Club | 292 Brunswick Avenue, Toronto
Box office: 1 PM | Open Mic signup opens at 1:30 PM
Spoken Word event starts at 4 PM sharp and runs until 5:30

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THE INFERNAL GROVE User Group

The Infernal Grove is an unsystematic structural analysis of drug use, addiction and recovery (and not necessarily in that order). This free online user group is an unstructured meeting where people are encouraged to talk about their relationships with drugs/alcohol and sobriety.

All are welcome. No particular topic, except the ones participants wish to bring to the virtual table. 

User Groups are informal meetings where participants share their experiences and perspectives on drugs/alcohol, addiction/sobriety and everything in between. All are welcome to join the conversation. This month, we’ll open with a short presentation on the sensibilities and principles that have animated our work so far, and how we hope the project will unfold going forward.

Join us for this special edition of User Group as part of the Rendezvous with Madness Festival!

For more information about The Infernal Grove please visit www.theinfernalgrove.com

The Infernal Grove is an unsystematic structural analysis of drug use, addiction and recovery (not necessarily in that order). It is anti-carceral, anti-prohibition and seeks to amplify the voices of radical harm-reductionists and their coalitions. It recognizes the value of the sacred while rejecting all forms of piety. It posits wonder and the land as spaces of enchantment, as not an antidote to but an extension of the space opened up by drugs.

It’s based on the artists’ lived experience of drug use and the consequent interventions of state and medical establishments, which included both involuntary hospitalization and outpatient rehabilitation.

Friday, November 1, 2024

Time: 6 – 7:30 PM (ET)
Workshop Length:  1.5 hrs
ONLINE – Free and open to all

Bionico's Bachata (La Bachata de Bionico)

Yoel Morales | 2024 | Dominican Republic | Experimental Fiction | 80 minutes | Spanish with English subtitles

GENRE: Experimental Fiction (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Rehabilitation, Addiction, Recovery, Hybrid film

Bionico (Manuel Raposo) and his closest pal Calvita (El Napo) live their lives on the wild side, driven by their insatiable desire to get high, no matter the cost. Early on in the film, Bionico decides to turn his life around. He’s a romantic at heart, and he wants to clean up his act before the love of his life La Flaca (Ana Minier) completes rehab. To begin this new phase of life, he must find a job, buy an engagement ring, and find a nicer place to live. But making life-changing plans is easier said than done, as Bionico struggles to detox while facing an endless parade of temptations.

WITH SHORT FILM ——— CHRYSTALLID —— Esteban Powell | 2023 | Canada, Mexico | Experimental documentary | 7 minutes | Spanish with English subtitles

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Streaming online November 4-11 (available in Canada)

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Peter Doherty: Stranger in My Own Skin

Katia de Vidas | 2023 | France, United Kingdom | Documentary | 95 minutes | English

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Addiction, Recovery, Music, Documentary

Opening Performance: Contemporary Dance | We Lost You A Long Time Ago | Nicole Decsey Dance Projects | 2023 | 25 minutes

“‘As the lead singer of The Libertines and Babyshambles, Pete Doherty became the most iconic singer and rock n’ roll poet of his generation. First came the music, then came the success, but then came the drugs. At the peak of his career Doherty was best known for his dual relationship with Kate Moss and the tabloid press and for the turbulent episodes that followed in the wake of his very explicit heroin use. And it is this abuse that Peter Doherty: Stranger in My Own Skin finally faces. Over a ten-year period, director Katia DeVidas – now Doherty’s wife – follows the musician as he attempts to overcome his addiction and relapses. Her unique access to Doherty provides a relentless insight into an addict’s struggle to overcome his demons without losing himself and his undeniable artistic genius in the process."

– CPH:DOX

STREAMING NOW

Streaming online November 4-11
(available in Canada)

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Ink, Blood and Socks (Ink, blod och strumpor)

Johan Ribe | 2023 | Sweden | Documentary | 68 minutes | Swedish with English subtitles | Canadian Premiere | Director in attendance

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Homelessness, Addiction, Graffiti, Punk

Hanna Finn’s talent and charisma were undeniable from an early age. By the time she reached preschool, her creativity and sharp sense of humour were on full display. Now a young adult known as Psykos, she exists on the fringes, describing her life as one in a “parallel society.”  Ribe’s documentary Ink, Blood and Socks chronicles Psykos’ struggles with addiction and her journey toward recovery. Keywords:  Homelessness, Addiction, Graffiti, Punk

WITH SHORT FILM ——— Off Suit —— Lou Estores & Brian Demoskoff | 2018 | Canada | Documentary | 3 minutes | English | Directors in attendance

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Streaming online November 4-11
(available in Canada)

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WaaPaKe (Tomorrow)

Dr. Jules Arita Koostachin | 2023 | Canada (Attawapiskat) | Documentary | 80 minutes | English

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Indigenous documentary, Family, Trauma, Addiction

A National Film Board of Canada Production

Dr. Jules Arita Koostachin’s deeply personal documentary WaaPaKe (Tomorrow) asks the difficult question: “Who are we without our pain?”

For generations, the suffering of residential school Survivors has radiated outward, impacting Indigenous families and communities. Children, parents and grandparents have contended with the unspoken trauma, manifested in the lingering effects of colonialism: addiction, emotional abuse and broken relationships.

In her efforts to help the children of Survivors, including herself and her family, Koostachin makes the difficult decision to step in front of the camera and participate in the circle of truth. She is joined in this courageous act of solidarity by members of her immediate family, as well as an array of voices from Indigenous communities across Turtle Island. Moving beyond burying intergenerational trauma, WaaPaKe (Tomorrow) is an invitation to unravel the tangled threads of silence and unite in collective freedom and power.

Shane Belcourt is a four-time CSA-nominated Director, with award-winning narrative and documentary works in both film and TV.  He has directed three narrative feature films, TKARONTO (which was showcased in both the TIFF Indigenous Cinema Retrospective and the UCLA Film & Television Archive traveling exhibition, “Through Indian Eyes: Native American Cinema”); RED ROVER (premiered at the Whistler Film Festival and can be found on Amazon Prime  Currently, Shane is directing the feature documentary NADAAMAAIS which received Telefilm funding and set for release in 2025; and is a co-creator and co-showrunner (with Tasha Hubbard) of a premium narrative mini-series in development with CBC titled, STONECHILD.

OPENING NIGHT FILM

Friday, October 25, 2024
CAMH Auditorium | 1025 Queen St W, Toronto
Reception at 5 PM (all are welcome) with art, snacks and refreshments
Box office: 5:30 PM | Film 6:30 PM

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Online worldwide for free

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