Writer/Performer: Pesch Nepoose / Dramaturge/Director: Ed Roy / Producer/Stage Manager/Media Outreach: Jesse Wabegijig
GENRE: THEATRE
TOPIC: ADDICTION, BIPOC EXPERIENCE, DEPRESSION, FAMILY, SUICIDE, TRAUMA, YOUTH
TYPE: PERFORMANCE
The Bridge is a one-woman play that will be staged in front of a live audience. One night, a young indigenous woman is confessing her struggles as she sits on a bridge overlooking a ravine. Her memories come back to life in the evening wind. Kara comes face to face with her addiction, depression and loss of identity.
Pesch Nepoose is a Cree multidisciplinary artist from Edmonton, Alberta, currently residing in Toronto, Ontario. She graduated her fourth and final year at the Centre for Indigenous Theatre in May, 2019. Pesch has many skills and experience as an actor, writer, dancer, singer and stage manager. As a full time actor, she has been a part of many projects including the film By These Presents with Ange Loft, also acting in the short film Hunger which premiered at the ImagineNative Film Festival 2019. Pesch enjoys working with Clay and Paper Theatre, Jumblies Theatre, the Encounters collective and many others. While attending C.I.T. she formed a collective with her two classmates and created the play S.O.S. Saving Our Sovereignty, which was part of the Paprika Festival and Weesageechak Begins to Dance Festival. Pesch was in the Paprika Festival again as a solo artist writing her one woman show currently titled The Bridge. She plans to continue the play with Nightwood Theater’s Write from the Hip program.
CONTENT WARNINGS
Adult Language, Suicide
Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all ticket purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.
Creator: Rochelle R
GENRE: THEATRE
TOPIC: ACTIVISM, ANXIETY, BIPOC EXPERIENCE, COMMUNITY, DEPRESSION, DISABILITY, LGBTQ2S+, PSYCHIATRY, RACISM, TRAUMA
TYPE: PERFORMANCE
Queen Latifah Give Me Strength centers around a woman’s struggle with her identity and her expectations of being disregarded and ignored by the medical industry. Queen Latifah Give Me Strength depicts the frustration, isolation and raving madness that comes with being a Black woman who must rely on medical professionals to stay alive. After an anxiety-filled evening watching the classic 90s film, Set It Off, featuring Queen Latifah, the main character is faced with her strange connection to the celebrity. In a search for answers about her health, she turns to the icon she had once forsaken. Previous version partially developed during Emerging Creators Unit 2020 at Buddies in Bad Times Theatre.
Rochelle R (She/They) is a Canadian-Caribbean multidisciplinary theatre artist, writer, producer and advocate for Black, Queer, Mentally Ill/Disabled communities. Rochelle is passionate about promoting and developing opportunities for Black Artists and encouraging difficult conversations about intersectionality. Rochelle holds a BA in English and Theatre Studies from the University of Guelph and continues to pursue additional training within the GTA and Peel regions. Select companies and programs include b current (Playwriting) bcHUB, Buddies in Bad Times (Play Creation) Emerging Creator’s Unit, Nightwood’s Young Innovator’s Program (Arts Administration/Producing), PIECE OF MINE Arts, dance immersion’s Legacy Leaders Program and more.
CONTENT WARNING
Mature Language, Violence, Loud Sound
Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.
Rochelle Richardson will be participating in the virtual panel discussion Resistant Bodies: The Intersections of Self and Health on October 21, at 1 PM. Click here for more information.
GENRE: DANCE, INSTALLATION, INTERACTIVE, MEDIA ART, MULTIMEDIA, PERFORMANCE ART, POETRY, THEATRE, VISUAL ART
TYPE: EXHIBITION, PERFORMANCE
Re:Building Resilience features 25 installations that examine all facets of mental health issues. This will be our last festival at 651 Dufferin Street before moving to a brand new facility at the Centre for Addiction and Mental Health. What better way to say “good-bye” than to animate all 11,000 square feet with performance art, installations, theatre, dance, film and media art?
Tickets and Viewing Options
Tickets for virtual viewing are pay what you wish. Virtual viewing is available throughout the festival. With your ticket, you will have access to a virtual tour that includes a virtual swag bag with extra features from the 25 projects on offer. All ticket holders will also be invited to receive physical RWM swag bags available for free curbside pickup during festival hours.
Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.
Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.
CreateTruth Productions in Association with Workman Arts / Written by Lorene Stanwick / Directed by Philip McKee
GENRE: THEATRE
TOPIC: FAMILY
TYPE: PERFORMANCE
“A powerful, bold and beautiful piece."
– Judith Thompson, two-time winner of the Governor General's Literary Award for Drama and celebrated Canadian Playwright
Siblings.
They are our friends, our role models and rivals. They define who we are, perhaps more than our parents. We grow up together. They get inside our heads.
What happens when we can’t get them out …?
Rachel runs away with her daughter, arriving unexpectedly at her childhood home. Jade spends more nights in the college art studio than she does in her own bedroom. The sudden reappearance of Josh’s mother forces him to take a hard look at his life. Now, all three of them must confront the truth about their childhood, as its impact on their adult lives is revealed.
Told with honesty – and humour – Broken Branches reveals secrets, lies, family dynamics … and the resilience to survive. Produced by CreateTruth Productions in Association with Workman Arts, the award-winning multi-disciplinary arts and mental health organization, Broken Branches starts a long-overdue conversation, shedding light on an important yet silent issue: sibling abuse.
By making the invisible visible, their stories will forever change the way we see sibling relationships.
585 Dundas Street East
Toronto, Ontario
Wheelchair Accessible Venue
Workman Arts Theatre has stairs up from the street into the building and into the theatre and stairs down to the washrooms.
Written and Directed by Grace Thompson / Talk Like You Theatre / 60 min / Toronto Premiere
GENRE: THEATRE
TOPIC: DEPRESSION, SUICIDE, YOUTH
TYPE: PERFORMANCE
Charlie is looking for happy, Remi is a struggling musician and bartender who has clinical depression, Jinx is a burlesque performer and PHD candidate who works at The Orange Balloon, and Minka, no one knows what Minka does. In This House is a play about four young adults living together in Toronto. It is a look into the epidemic of loneliness and depression among the Millennial generation and the daily struggle to make something of yourself in this city. In This House is a play about a generation, a city and an exact time in our lives. This is a play about how we save each other.
Written and Directed by Grace Thompson
Performed by: Astrid Atherly, Jonathan Sconza, Rosie Callaghan and Ciana Henderson
Stage Manager: Erin Maxfield
Set and Lighting Design: Lisa Van Oorschot
Sound Design: Shannon Farrell
Millennial Mental Health: a two-part conversation
How are young people today talking about suicide? How are Millennials navigating their experiences with mental health and addictions? Join the cast of In this House after the shows on October 12 and October 15 as they discuss the production themes and their experiences navigating between being emerging artists, living on their own for the first time and managing their mental health. This two-part conversation will explore the unique difficulties for young people in Canada, and the communities of support being created as a response.
This is an interactive/moving performance. Once in the venue, audience members with accessibility needs and limited mobility will have the opportunity to sit. We encourage those with mobility issues to contact us in advance to organize access to the venue and ensure they have seating for the performance.
This performance utilizes strobe lighting and a fog machine.
Directed by Claire Burns / Written by Natalie Liconti / 60 min / Toronto Premiere
GENRE: THEATRE
TYPE: PERFORMANCE
In 1964, at the age of 28, a queer dancer named Fred Herko jetéd out the window of his ex-lover’s apartment – naked, and high on speed. The Life and Death of Fred Herko is an interdisciplinary, site-specific performance that sheds light on a footnoted figure in queer history and examines the collateral damage of art.
Through striking sound design, movement and text the piece reimagines the dancer’s infamous last moments and seeks to find utopian potential in his tragic story.
The research and development of this piece has been generously supported by the Ontario Arts Council and the Canada Council for the Arts.
Suggested Dress Code: Party Glam
Director: Claire Burns
Writer: Natalie Liconti
Sound Design: Devon Bate
Lighting Design: Darah Miah
Production Management: Taylor Young
Set and Installation Design: James Knott
Stage Management: Kit Simmons
Irma Villafuerte: Choreographer
Performers: Oliver Price, Daniel Carter, Andrew Cheng and Sochi Fried
Special Thanks to Brian Quirt