Illustration: Jenny Chen

IN THE EXHIBITION:

a garland for patty by Chelsey Campbell (Laser-engraved Moriki Kozo, Oguni Kakishibugami, and Chiri Kozo tissue on heritage washi paper) 2022

a garland for patty
Chelsey Campbell

Manjas as Mobility Aids by Harmeet Rehal (black milk crates, old saris and dupattas, rope) 2023

Manjas as Mobility Aids
Harmeet Rehal

nadyes _ you come back by Logan MacDonald (Installation) 2022-ongoing

nadyes/you come back
Logan MacDonald

Used Pillowcases and Used Medical Supplies

Pillow Fight
Alex Dolores Salerno

m. patchwork monoceros - waiting in line at the corvid cafe (draft)

In Praise of Voice Notes and Penguin Pebbling (part of Mourning Microcosmmutes)
m. patchwork monoceros

ARTIST TALK

ABOUT THE EXHIBITION

Indebted to the words and thinking of disability justice educator Mia Mingus, wherever you are is where i want to be offers access intimacy as the un-structuring logic for our collective queer and trans crip futures. Refusing the loudly eugenicist mapping of isolation and disposability upon our disabled queer-trans-crip bodyminds, the multi-disciplinary practices platformed here speak with a loved urgency to the ways in which embodied experiences of access intimacy have the capacity to reconfigure time, space, and relation. Spanning installation to textile to video, the work of these artists proposes the act, experience, and feeling of crip kinship as a means and model of radical future-making.

ABOUT THE CURATOR

SarahTai Black (they/them) is an arts curator and critic born and (mostly) raised in Treaty 13 Territory/Toronto whose work aims to center Black, queer, trans, and crip futurities and freedom work. Their curatorial work has been staged at Cambridge Art Galleries (Cambridge, ON), Dunlop Art Gallery (Regina, SK), MOCA (Toronto ON), PAVED Arts (Saskatoon, SK), and A Space Gallery (Toronto, ON).

CHAINS & CROWNS

CHAINS & CROWNS

A photograph of the back of a head with bantu knots.

CHAINS & CROWNS
Stéphane Alexis

Chains & Crowns, is a photo-based series of artworks inspired and dedicated to the artist’s mother. This large-scale print depicts the history, politics, science and psychology of Black Hairstyles. The typological series displayed in a grid format encourages the viewer to cross-reference hairstyles and allows the Black and broader communities the opportunity to draw from their personal experiences, whether that be through their own stories or through their community members. The work also comes with information on styles that derive from an array of time periods, cultures and movements ranging from Ancient Egypt (2700 BC – 343 BC) to The Natural Hair Movement (1960 – present). This gives way for the audience to further solidify their understanding through historical text and to question the multi-faceted ways these styles have been utilized and evolved in impact over time.

Stéphane Alexis is an artist based in Ottawa, Canada. His work stems from personal experiences, research, community collaborations and visual expression, all fostering a strong desire to bring a level of understanding to the often overlooked communities. Stéphane’s work seeks to give insight into these communities in which he belongs to.

Artist website:  stephanealexis.com

Keywords: Activism | Community | Depression | Resilience | Trauma

#RWMFest #MoreThanRebellion

This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.

VENUE:

The exhibition is held at Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto. 

 

DATES:

October 27 to November 6, 12 – 6 PM.

 

EXHIBITION OPENING & ARTISTS TALK

October 29, 1-4 PM, Talk at 2:30 PM

After the opening reception, engage with the artists of kind renderings as they delve into their work and  practice.

TOURS

Please join us for a guided tour on Thursday, November 3 at 5 PM 

ACCESSIBILITY

If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_lauenteguene@workmanarts.com.

 

Visit the Accessibility page for further festival information and wayfinding.

ALSO OF INTEREST

kind renderings

kind renderings

RWM 2022 Kind Renderings

AN IN-PERSON EXHIBITION

Kindness is not an act of weakness. It is an act that resists societal expectations of doing and saying nothing. This form of rebellion is evident in this year’s Rendezvous With Madness visual art exhibition whereby the six exhibiting artists address within their work personal experiences that challenge what mental health and wellness looks like. Action is apparent through frameworks of compassion, thought-provoking imagery and considerate storytelling.

IN THE EXHIBITION:

A photograph of the back of a head with bantu knots.

CHAINS & CROWNS
Stéphane Alexis

An inverted photo with black background and white swirls of hairs

THE THINGS WE CARRY WITH US
Twinkle Banerjee

Pink cream background with four fem presenting people at the bottom of the page. All four have an image of a naked human running on a hamster wheel. The four figures are looking tired, on their devices and pensive.

LOSING IT
Boozie

Black and white line drawings of multiple linked fish swimming above waves of black lines.

MULTITUDE OF FISH - ACENSION TALES
Jenny Chen

Charcoal drawings of curled bodies surounded by words.

MY LEFT-HAND IS TALKING AND
MY RIGHT-HAND IS NURTURING
Jessica Field

Painted portrait of a park parking lot with a bright light in the blue sky and an ice cream truck with an adult and child waiting for their treats.

CINNAMON
Wen Tong

This year, the exhibition in the Rendezvous With Madness Festival will be presented in-person throughout the festival from October 27 to November 6.

VENUE

Workman Arts Offsite Gallery, Artscape Youngplace, 180 Shaw Street, Unit 302, Toronto 

 

GALLERY HOURS

October 27 to November 6, 12 – 6 PM

 

EXHIBITION OPENING & ARTISTS TALK

October 29, 1-4 PM, Talk at 2:30 PM

After the opening reception, engage with the artists of kind renderings as they delve into their work and  practice.

TOURS

Please join us for a guided tour on Thursday, November 3 at 5 PM 

ACCESSIBILITY

If in-person access is a barrier, please contact Raine Laurent-Eugene at raine_laurenteugene@workmanarts.com

 

Visit the Accessibility page for further festival information and wayfinding.

WORKMAN ARTS MEMBER ARTISTS JURY:

 

Sylvia Frey, Visual Artist, Toronto

Sylvia Frey is a Mad, Queer, BIPOC Visual Artist based in Toronto.  Her artwork explores the intersection of Madness, Healing, and Art.  She is an interdisciplinary artist, working in the mediums of painting, drawing, writing, and performance.  Most currently, she has started to explore film and photography.  Her artwork can be found in various private collections in North America and Europe.

 

Esmond Lee, Visual Artist, Researcher, and Architect, Toronto

Esmond Lee is an artist, researcher, and architect based in Scarborough. Lee explores long-term, intergenerational experiences of migration in peripheral spaces. He holds a Master of Architecture and is pursuing a Doctorate in Critical Human Geography. Lee draws from these seemingly diverging backgrounds to examine identity, belonging, and nuanced cultural and political borders in the built environment. Recent works include installations for Nuit Blanche Toronto, developed during his time as the Doris McCarthy Artist-in-Residence, and at Malvern Town Centre for CONTACT Photography Festival. Lee’s current projects include two photobooks: ‘Below the City’, recognized by the Burtynsky Grant, and one for Woodside Square Library as the TPL Artist-in-Residence. 

 

Laura Shintani, Visual Artist, Toronto

Laura Shintani is a multimedia multidisciplinary artist who’s curiosity leans into learning, leadership and making friends with the interior monologue of the mind. Having a Japanese-Canadian ancestry, she directs themselves to create work that re-connects a disconnected past to the present. She lives with and embraces neurodiversity.

Her work has been shown at the Royal Ontario Museum, Campbell House Museum, Tangled Arts + Disability and Workman Arts. She helps to facilitate CAMH’s client “Art Cart” through Workman Arts and has received grants from and has been on juries for the Ontario Arts Council. Her most recent skill is trying her hand at taiko drumming!