Sandpaper Hammock

Performed by Aliyah Aziz | Sonic Art | 40 minutes | English

Keywords: BIPOC, protest & resistance, technology & media

‘Everything has a voice’

Lips pressed against a mic with a determination to be heard, even in fragmented lines, distorting. Two gloved hands wave over a series of objects arranged on a large white table; a VHS player and CRT Monitor, a Cassette Player, three mixers, a camera, a power bar and several charging cells, the crackling electromagnetic static they emit made audible and interruptive. Their wires spill over the edge of the desk, entangled.

‘Sound is something that you can feel beyond your skin’

“Listening Gloves” designed as an instrument to play different pulsing electromagnetic frequencies of curated technological artifacts through touch. In this process of amplification, they tune into sounds as though they are rhythms of a living being.

This is “Sandpaper Hammock”, a solo multimedia performance series where improvised sound compositions are played off of technological artifacts in combination with original poetry recitations. Through sound, a story unfolds, inviting embodied feeling as a vehicle to share in ways that do not center language over sensation.

Static is used as a material of resistance; the electromagnetic frequencies made audible are a sonic reminder of a friction that exists between surface and depth, a disruption of smoothness. During the set, the camera is turned onto the audience and the frequencies generated from a live feed on a CRT are an act of subversion.

This piece disrupts the focus by interrogating the nature of viewership through technology in the performance itself. People are asked to “watch themselves, watching me. Who remembers longer? The static, the screen, or the human being?’

ABOUT THE PERFORMER

Aliyah Aziz is a multidisciplinary storyteller, poet and musician who uses light to talk about shadows, and sound to physically move them through us. She uses disruption as a tool of resistance, embracing glitch and static to channel the friction that exists between the surface and the depth of the technology that we engage with. Her expressions take many forms, from multimedia moving collages of archived material, experimental sound and poetry compositions, interactive media installations, to live performances. I consider my practice to be an exploration of identity and the power that stories hold, from the history of our shadows to the projection of our futures.

THURSDAY, OCTOBER 30TH, 2025

Tranzac Club | 292 Brunswick Ave, Toronto

Performed in the Southern Cross

7:30 – 8:15PM

Box office opens at 6:30 PM | Tickets in Advanced & By Donation at the Door while space allows

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No More News For Nancy

Performed by Keira Marie Forde | Interactive Multi-Disciplinary Performance & Installation | 25 minutes | English

Keywords: Digital Media, news, desensitization, marginalized communities, community care

No More News for Nancy is a spoken word, movement, and sound-based digital performance experiment exploring the connection of 24-hour news in marginalized communities.

Nancy is a young Biracial Gen Z millennial cusp who has a very unhealthy relationship with news. Deemed too empathetic by the “system,” Nancy is placed in TIN (Trapped In News), a government program designed to desensitize people of the global majority to news. Through spoken word, dance, and music, Nancy confronts some serious life questions that she is not sure she is equipped to deal with.

“Why do conspiracy theories exist?”
“What was it like to grow up in the generation that was the birth of the digital age?”
“What is the obsession with 24-hour news?”
“How is access to information harmful vs. helpful?”
“What is it like as a black person to consume news that causes unfathomable pain?”

Was it the Twin Towers? The mad cowers? Or Tori, that girl who has been missing for hours?

Performance includes audience “goodie bags” featuring nostalgic 90s/2000s snacks stress relief treats.

ABOUT THE PERFORMER

Keira Marie Forde (Shey/They) is a multidisciplinary artist and community arts producer who has worked in culturally relevant pedagogy and the arts for over nine years.
Keira’s artistic practice focuses on amplifying stories from youth (under 30) in Toronto. Recent performance credits include NYC’s Richest Man (web series), Suitable Climate with b current at SummerWorks, The Christie Pits Riot with Hogtown Collective, What’s So Funny with Carousel Players, and her original digital work No More News for Nancy with Alberta-based company Major Matt Mason Collective. In 2023–2024, No More News for Nancy underwent further research through the Creative Catalyst Dance Program at Nia Centre for the Arts.

In 2025, Keira completed a residency on the decolonization of bodies at HAUT in partnership with KRA/RAS in Denmark. In 2024, she produced and choreographed Generation Gentrified for the Paprika Festival, inspired by Toronto’s changing communities. Keira is passionate about professional arts in public spaces and shares that passion in her role as Community Arts Coordinator with Toes for Dance.

SUNDAY, OCTOBER 26TH, 2025

CAMH Lobby | 1025 Queen St W, Toronto

7:30 – 8PM

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Rendezvous with Madness: World Mental Health Day Fundraiser

Rendezvous with Madness: World Mental Health Day Fundraiser

Friday, October 10th, 2025

1025 Queen Street West

Gallery, 1st Floor
Toronto, Ontario

TICKET PRICES

$30 — EARLY BIRD PRICING: Before Friday, October 3rd
$40 — After Friday, October 3rd

Get Tickets

Workman Arts is delighted to invite you to our Rendezvous with Madness World Mental Health Day Fundraiser, an evening to kick off the 33rd year of the festival, happening October 23rd to November 2nd, and raise funds for artists with lived experience. 

Each ticket will get you:

  • 𝗟𝗶𝘃𝗲 𝗱𝗿𝗮𝗴 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 by Storm
  • 𝗦𝗶𝗹𝗲𝗻𝘁 𝗮𝗿𝘁 𝗮𝘂𝗰𝘁𝗶𝗼𝗻 featuring Workman Arts artists
  • 𝗥𝗮𝗳𝗳𝗹𝗲 𝗽𝗿𝗶𝘇𝗲𝘀 with donations from Feels Zine (1 free entry with ticket. $5 per additional ticket.)
  • 𝗙𝗼𝗼𝗱 provided by The Abibiman Project
  • 𝗢𝗽𝗲𝗻 𝗯𝗮𝗿 with non-alcoholic Beverages provided by Burdock Brewery & Grüvi + mocktails
  • 𝗦𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 of 𝙑𝙞𝙡𝙡𝙖𝙜𝙚 𝙆𝙚𝙚𝙥𝙚𝙧 by Karen Chapman + Q&A

All ticket proceeds go directly to the continued support of Rendezvous With Madness Festival operations and programming as well as year round operations within Workman Arts. Every single dollar you contribute to this event helps further provide professional artists with lived experience opportunities within Toronto and beyond.

Capacity for the event is limited. Purchase your early bird tickets by Friday, October 3, 2025.

TICKET PRICES:

  • $30 before Friday, October 3rd
  • $40 after Friday, October 3rd

If you have any questions about the event, please contact our Festival Operations & Production Coordinator, Meek, at misha_bauer@workmanarts.com.

SUPPORTERS

2021 Member Holiday Virtual Gathering

2021 Member Holiday Virtual Gathering

GENRE: MUSICAL, PERFORMANCE ART, VISUAL ART

TOPIC: COMMUNITY, EDUCATION, MUSIC

TYPE: PERFORMANCE, WORKSHOP

Put Thursday, December 16 in your calendar –The Workman Arts staff would love to invite all members to our year-end Holiday Gathering on Thursday, Dec 16th at 6-8PM to celebrate the year 2021 and welcome a new year filled with infinite possibilities and opportunities. 

The night will consist of hands-on zine-making activity, some musical performances, a possible carolling sing-along, and the night will end with a raffle, click the RSVP button to register and receive the link to join. After registering, you will receive a confirmation email containing information about joining the meeting.

Creative Zine-making Workshop
Wanna make a zine?
Join Raymond Helkio for this 30-minute workshop where we’ll each create our own zine. You don’t need any special skills – or even an idea for your zine (but if you have one that’s great!) just show up and we’ll have a great time making something as a group!

Materials: Sheet of paper (any size as long as it’s a rectangular shape), scissors, black marker or pen/pencil.

 

This event is FREE and everyone is welcome. We hope you can join us to enjoy this showcase from home – wherever that may be!

*Please come in your best holiday sweater

  • December 16, 2021 6-8 PM

FREE

BROWSE CURRENT EVENTS

WA Literary Anthology Launch Party

30 NOVEMBER 2025

IN PERSONPARTYVIRTUAL

GREEN GAZING

GREEN GAZING

A laptop in the centre, open to a complicated program. In the foreground there are medical monitors connected to a plant. There is another plant on the right and more in the background. In the far back there is a projection of indiscernible plants.

GREEN GAZING
Ashley Bowa & Lesley Marshall

Green Gazing is an immersive multimedia installation that includes interactivity, sound, image and biofeedback. In a room of plants, the audience/participants will experience guided movement amidst ambient sound and video rooted in ecological elements. Surround sound and multi walled projections are altered through live manipulation and using bio data gathered  from the plants in the room. The ambient electronic sound and videoscape becomes a co-creation between plant, participant and artist.

Funded by the Ontario Arts Council for research and creation in 2018-2019

Ashley Bowa is an emerging filmmaker, media artist, and arts educator based in Toronto. She is also trained as a yoga, pilates, and outdoor education instructor.

Lesley Marshall / LES666 is an award-winning filmmaker and intermedia artist. Projection art by Lesley has been exhibited at the National Art Centre, Montreal Jazz Fest, and Centre PHI.

 

Keywords: Anxiety | Community

VIRTUAL PATICIPATORY PERFORMANCE
Sun, Nov 7, 2 PM ET
CLOSING DAY

Experience a Green Gazing “Virtual Performance” where the public are invited to engage in a movement class over a virtual meeting space led by Ashley Bowa. Participants can move and see the video response the plants have to the “class”. For this presentation, please create a comfortable space to enjoy the meditation: a comfy chair or a mat on the floor. We invite you to bring nature into your space in whatever way speaks to you (e.g. a houseplant, fallen leaves, a handful of dirt, a bowl of water, etc). You will just need yourself and, if you feel like joining the movements, some space to stretch. A Q&A will follow afterword.

A “Virtual Field Guide” will be available for download to learn more about Green Gazing, investigate indigenous plants of the Toronto area, write down your ecological anxieties, and explore our changing environmental landscape.

Please RSVP below in order to participate in this performance:

Accessibility

If you require ASL interpretation, please reach out to Raine Laurent-Eugene at raine_laurenteugene@workmanarts.com, at least 48 hours before the performance in order for us to ensure that we are able to accommodate. Open captioning will be available.

UNBREAKABLE

UNBREAKABLE

Woman in red in front of wall of graffiti

UNBREAKABLE
Amplify Collective

Amplify Collective loudly and proudly presents the performance experience
UNBREAKABLE.

People in positions of power and their systems of oppression exert intense pressure on historically oppressed individuals and communities. Still we rise! We will not crumble in the face of this Intergenerational Trauma. Instead we continuously challenge racism, sexism, poverty and injustice. United we push back against these oppressive systems, the patriarchy and inequity. The strength that exists within our communities and the weight of injustice is woven within this performance through the use of symbols, body movement, music, distressed textiles and elaborate, wearable sculptures. Individually we endure, but collectively we are UNBREAKABLE.

Together we continue to heal!

Performances by Kayla Ross-Jackson, Caitlin Marzali, KJ McKnight, Matt Eldracher, Sebastian Marzali, Chy Ryan Spain, Scarlet Black, Sze-Yang Ade-Lam, Aryana Malekzadeh, Jaz Fairy J & more!

CREDITS
Curation & Costuming: Allie Amplify
Lighting Designer: Sebastian Marzali
Set Assistant: Jack Comerford
Makeup: Elene Seepe
Hair: Dmitry Komendant

Amplify Collective is a Toronto-based wearable art, performance and advocacy company. They create one-of-a-kind wearable art pieces, as well as host community classes and live experiences. Founder Allie Amplify has an extensive background in fashion, marketing and events. Her designs have lit up the stages of Fashion Art Toronto, the MMVA’s, PRIDE, the ROM and more!

Amplify Collective is a community of individuals with lived mental health and addiction experiences. Despite these challenges they have prevailed and hope to share a message of resilience and growth.

Turn up the volume with Amplify!

 

Keywords: 2SLGBTQIA+ | Activism | BIPOC Experience | Community

OPENING NIGHT & RECEPTION
Reception + The Meaning of Empathy (with panel) + UNBREAKABLE
Starting at 5 PM at CAMH Auditorium

IN PERSON PERFORMANCE
Thurs, Oct 28, 9:30 PM
CAMH Auditorium, 1025 Queen St W

VIRTUAL PERFORMANCE
The recorded live streamed performance is available to view in the In(site) virtual exhibition:

Content Warnings

Loud sounds
Nudity

CO-PRESENTER
The Dance Current Logo
"Performance on opening night."

IN(SITE)

IN(SITE)

In(site) Logo

A Virtual Exhibition
In-Site, Incite, & Insight

Rather than experience the festival’s exhibition on-site, this year we experience it “in-site” — in a website, in the digital world, in the virtual. The works in the festival this year have been selected with the intention of being experienced virtually.

The artists bring insight to their experiences of the world having changed, how it continues to change and what this change can offer. This includes our growing awareness around mental health, our relationships with both the physical and digital worlds, and how the works can incite us into action. The exhibiting works investigate these themes and more, providing room to engage with the arts in a time when interacting and experiencing work has been significantly impacted. Through these works, we recognize that we are in the moment, in the current, in the site.

Visit the virtual exhibition here:

insite.workmanarts.com

IN THE EXHIBITION:

Blurred grey smoke-like smudges.

SELF // ISOLATION
Chelsea Watson

Top half of an individual in front of a multi-coloured graffiti filled wall. They wear mixed textiles of red where their face is covered with a chain mail piece which reveals their eyes.

UNBREAKABLE
Amplify Collective

Black and white drawing of a thin lined body of a human figure with a bird head and thin neck. One arm is a wing where both arms hold a cane each. There are two cross-hatched rectangles with dots

HYBRID PRECARITY
Leena Raudvee

Collage of a graph on the left and a handwritten letter on the right in the background, with a figure above walking away, and a headless figure holding a headless child below. Overtop of the letter is a diagram of a body part nearly resembling the brain. Overtop of the letter and graph is a portrait of a headless figure wearing a button up shirt. This is layed over a colourful rorschach implying that it is the head of this figure.

SZEPTY/WHISPERS: DIALOGUE

Man making "shush" gesture to bird

COAL MINES AND TREE TOPS
Dani Crosby

A laptop in the centre, open to a complicated program. In the foreground there are medical monitors connected to a plant. There is another plant on the right and more in the background. In the far back there is a projection of indiscernible plants.

GREEN GAZING
Ashley Bowa & Lesley Marshall

Three video stills ontop of blueprints and maps

HOW WE CARED
Saroja Ponnambalam & Rupali Morzaria

This year, the exhibition in the Rendezvous With Madness Festival will be presented virtually which will be accessible throughout the festival from October 28 to November 7. Work including timed events and performances will be accessible through the virtual exhibition site through the link below:

VIRTUAL GUIDED TOUR

Watch the virtual guided tour of the In(site) exhibition held on Sat, Oct 30, 12 PM ET

SPECIAL IN PERSON FEATURES

  • How we cared video installation will be on the ground floor window of 1025 Queen St W, available 24/7.
  • UNBREAKABLE performance will be presented live on opening night, in the CAMH Auditorium at 1025 Queen St W.

ONLINE LIVE EVENTS

  • Green Gazing invites the public to engage in a movement class as a virtual participatory performance on the final day of the festival.

ARTIST TALKS

ACCESSIBILITY

If either online or in-person access is a barrier, please contact Paulina Wiszowata at paulina_wiszowata@workmanarts.com.

Workman Arts will have available the In(site) virtual exhibition displayed and interactable on a monitor in their front office at 1025 Queen St W Suite 2400.
Available during Box Office hours:
Monday – Friday, 10 AM – 4 PM.

Visit the Accessibility page for further festival info.

Spring 2021 Virtual Open House

Spring 2021 Virtual Open House

A grid of images: top left - a choir top right - a group of portraits hanging on a wall; bottom left - a fashion show; bottom right - an audience member clapping.

GENRE: DANCE, INTERACTIVE, MEDIA ART, MUSICAL, PERFORMANCE ART, POETRY, SHORT FILM, THEATRE, VISUAL ART

TOPIC: COMMUNITY, EDUCATION, MUSIC

Put Friday, June 25 in your calendar – we’ll be doing an end of term virtual open house to showcase the work that Workman Artists have been doing throughout the spring term. If you’d like to see what we’ve been up to, click the RSVP button to register and receive the link to join. After registering, you will receive a confirmation email containing information about joining the meeting.

Schedule

5:00-5:10 Land Acknowledgement/Welcome
5:10-5:15 Performance Art Salon
5:15-5:35 Improv
5:35-5:50 First Person Documentary
5:50-6:10 Find your Voice
6:10- 6:20 The Exploration & Expression of Body/Space
6:20- 6:30 Bruised Years Choir – performance by Julie Crann & Ethelrida Zabala-Laxa
6:30- 7:00 Reclaiming Our Mother Tongues & Write Out of Your Comfort Zone
7:00- 8:00 Self Stories Theatre

 

This event is FREE and everyone is welcome. We hope you can join us to enjoy this showcase from home – wherever that may be! In case the Zoom event reaches capacity, we will also live stream this event on the Workman Arts Facebook page.

We also have a virtual Gallery on Flickr https://www.flickr.com/photos/193283975@N06/galleries/72157719479293760/

  • June 25, 2021 5-8:45 PM

Event on Zoom

FREE

BROWSE CURRENT EVENTS

WA Literary Anthology Launch Party

30 NOVEMBER 2025

IN PERSONPARTYVIRTUAL

Jo, Don't Go There

Jo, Don't Go There

a note from Oliver Jane, Creator of Jo Don’t Go There

Sometimes the “show must not go on” and that’s ok.

When I made the decision to not move forward with my piece Jo Don’t Go There in Rendezvous with Madness 2020, I was encouraged by my friend and contact at Workman Arts to write a short reflection for all of you in lieu of the show. Here you will find some rambling, musing, and reflecting. Thank you for taking a brief moment to reflect with me.

When I agreed to move forward with the project several months ago, I was excited by the challenge of transferring my live performance pieces to video web content. Unfortunately, I found that meeting the demands of a precarious/always changing pandemic environment made completing the project difficult. I am an artist that lives with chronic pain, Rheumatoid Arthritis, PTSD symptoms, and OCD symptoms. The greatest lesson I have learned from managing all of these is that I should not go beyond my limits. Unfortunately, working in solo-isolation and not having funding to adequately compensate others to do the much-needed-tasks to make this project show-ready was bringing me close to my limits.

Since I made the choice to pause the show, the phrase “the show must go on” has been echoing through my mind. Upon reflecting on the nagging presence of this phrase within my mind, I recall that I have, almost exclusively, operated within creative environments where that sentence is espoused. I have worked in so many creative environments where the expectation to see a show to its completion is demanded of artists, producers, and production teams: no matter the cost. My years training to be an artist and working professionally have been colored by watching many friends and colleagues sacrifice their physical and mental health to see work to its completion. For many years I have wondered if creative communities should let go of the phrase “the show much go on” and refrain from normalizing the practice of sacrificing physical and mental wellness amongst artists. What I have witnessed in theatre schools and amongst theatre makers has made me consciously attempt to avoid working myself beyond my limits so that I do not worsen my already-sometimes-very-challenging health.

So I say once again, to comfort myself and to encourage those who find themselves also facing projects, businesses, and plans that need to be put on pause, closed, or canceled as a result of the pandemic: “the show must not go on” and that’s ok.

I’d like to offer gratitude to the team who has assisted me during this process. Though the show will not be viewed in this festival, I am continuing the reflect on and develop the body of work I have made thus far. I feel I must offer my deep gratitude to all those who gave me their time and talents.

  • I am grateful for the opportunity to collaborate with my older brother, a very skilled video editor, who has been a cherished peer, mentor, and teacher (of art and life) for these last several months.
  • I am grateful to the handful of talented musician friends who were willing to do some work on this project for free, for very low fees, or for barter.
  • I am grateful to Workman Arts for supporting me as I adjusted the show to the changes brought about by the pandemic. This is my second experience working with Workman Arts, and I cannot emphasize enough how much I appreciate the work Kelly, Scott, Cara, Paulina, and the rest of the team working behind the scenes at Workman Arts do to make this really special festival happen. And during a pandemic, no less!
  • Finally, I am grateful for organizations like Workman Arts that are actively striving to foster greater diversity of representation within the Ontario and Toronto creative community. I hope you all will continue to support and patronize Workman Arts even after the festival has passed.

I hope you enjoy the rest of the festival, you remember to stay safe, you do what you can to support and aid the most vulnerable in our communities, you donate to groups and organizations that are trying to address the already existing racial and economic inequality within North America that has been exacerbated by the pandemic, and you all focus your energies on taking care of your immunity and your mental health while the world faces global crisis. I know I will!

I send love and gratitude to you all.

-Oliver Jane

goat(h)owl theatre / Lead Artist, Performer, Creator, Writer: Oliver Jane / Collaborator, Performer: Leah Pritchard / Collaborator, Performer: Jillian Rees-Brown / Video Collaborator, Editor: Jon Jorgensen

Enter the mind of Jo, a nonbinary trauma survivor, video artist and clown. Meet Jo’s consciousness embodied: their performative imaginary friend Oli Oli Ennui, a snarky clown who doesn’t take all this modern art stuff too seriously. If you know Jo’s personal story (hailing from NYC, navigating OCD and PTSD while occupying space in Toronto during the pandemic), do you know Jo? If you hear Oli sing punk-injected cabaret, do you know their soul? Experience Jo’s multimedia happening: a video series, music playlists, Instagram uploads, photo exhibition and a live installation performance at 651 Dufferin Street. This collection of fragments resonates in permanent refrain: Do you know me now?

Founded by Maria Wodzinska and Oliver Jane in 2017, goat(h)owl generates collaboratively devised experiences. Grounded in the body, at the core of every piece is a question. We take flight through our investigation of the thematic territory, of our position to the question, and of our will-to-know. We attempt to affirm the unknowable with proposals — playing in-front-of/with/around an audience. We want to shake up sedimented modalities of meaning and truth-telling with our moving ensemble. We point the eye to the kaleidoscope of forms created. Do we invite the audience to make meaning? Yes. Do we make meaning? Come and see.

CONTENT WARNINGS

Loud Sounds, Mature Language, Nudity, Rape and/or Sexual Violence, Sexual Content, Suicide

Apocalypse In Your Bedroom

Apocalypse In Your Bedroom

THIS PROJECT IS PART OF THE RE:BUILDING RESILIENCE EXHIBITION.

A photo collage depicting a person, positioned on their back, hanging off the bed in a darkened room. One of their hands points to flaming words “the Apocalypse in Your Bedroom” above them.

Creator: James Knott

This film adaptation of the award-winning, self-mythologized facade of a rock show incorporates life-sized video projection, original music, gestural choreography and on-the-go stage props to coalesce into a black-box style theatrical spectacle meets dirty diary, exploring the elusive and dichotomous nature of queer identity. With a reliance on the grimy mustard-coloured lights and sequins of 70s glam rock aesthetics, the protagonist travels the mental collapse of a dark night of the soul, searching for purpose in a world that doesn’t care to be purposeful. Themes include rejection, broken promises, wishes on a star, deals with the devil and packing up to leave with no intention of return… leaving behind the ghost of glitter’s past.

James Knott is an emerging, Toronto-based artist, having received a Bachelors of Fine Arts in Integrated Media from OCAD University. Their performance-based practice combines theatre, video and audio art to create immersive and emotionally resonant experiences for the viewer. Explored themes include: paradoxical and queer identity, inner dialogue, mental illness and camp theatrics. Currently their practice looks to house personal narratives and queer experience through poetic re-tellings, self-mythologizing, and auto-iconographic aestheticism.

CONTENT WARNINGS

Strobe Light, Loud Sounds, Nudity, Sexual Content, Self-Harm

JOIN THE CONVERSATION: Q&A with James Knott

James Knott will be participating in a virtual Q&A moderated by Francisco-Fernando Granados on Saturday, October 17, at 7 PM.

JAMES
KNOTT
ARTIST
FRANCISCO-FERNANDO
GRANADOS
MODERATOR

Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.

JOIN THE CONVERSATION
Online Q&A on ZOOM
  • Sat, Oct 17, 7PM
ACCESSIBILITY

ASL Interpreted, Open Captions, Active Listener

An Active Listener will be available Sat, Oct 17 from 7-9pm to support this program.
Your active listener for this program is Christeen.
You can connect with Christeen by phone (talk or text) at (289) 779-4114 or by email at christeen.salik@gmail.com.

Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.

ALSO OF INTEREST