1001 Days

Zikethiwe Ngcobo & Chloe White | 2023 | South Africa, United Kingdom | Documentary | 94 minutes | Zulu and English with English subtitles | North American Premiere

GENRE: Documentary (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: Postpartum depression, Women’s issues, Stress, Family

Unemployment, poverty, disease and domestic violence are commonplace in the township of Alexandra in Johannesburg. For young mothers, who often have to raise their children alone, they barely have time for themselves and their babies. A group of women from the Ububele Home Visiting program are working to transform the neighborhood by improving the mental well-being of mothers and their babies.

WITH SHORT FILM ——— Beyond Recall —— Ajay Kumar | 2024 | Canada | Fiction | 11 minutes | English | Director in attendance

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Streaming online November 4-11
(available in Canada)

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I don’t need to ask you to love me because i love myself

Recent short films by Workman Arts artist members

Film still from 3 Seconds In 6 Seconds Out by Christopher Beaulieu.

2024 | CANADA | SHORT FILMS | 60 MINUTES | ENGLISH with open captions

The short film program ‘I don’t need to ask you to love me because I love myself’’ explores many different modes of filmmaking as a means to express emotions related to how we not only exist but thrive in a world filled with challenges, contradictions and conundrums. Featuring artists: Jamila Balde, Christopher Beaulieu, Jeyolyn Christie, Jet Coughlan, Brian Demoskoff, Gabe Gonçalves, Helen Posno, Zan Redcrow, Emily Schooley, Ardene Shapiro, Andrea Thompson and TK Workman.

Followed by Spoken Word & Open Mic | 4:00 PM – 5:30 PM

FEATURED FILMS

Flowery | DIR. TK Workman | Canada | 2024 | 1′ (19 seconds) | ANIMATION
Spotting the Trauma Survivor | DIR. Andrea Thompson | Canada | 2023 | 5′ | EXP / ESSAY
3 seconds in 6 seconds out | DIR. Christopher Beaulieu | Canada | 2022 | 17 | FICTION
the body reclaiming project | DIR. Gabe Gonçalves | Canada | 2024 | 2 | EXP / ANIMATION
The Sweetest Goodbye | DIR. Emily Schooley | Canada | 2023 | 14 | FICTION
Whirling World Walking | DIR. Helen Posno | Canada | 2024 | 2 | EXP / ESSAY
I dont need to ask you to love me because i love myself | DIR. Jet Coughlan | Canada | 2021 | 3 | EXP
Dance Me | DIR. Jamila Balde | Canada | 2023 | 5 | FICTION
Broken | DIR. Brian Demoskoff | Canada | 2023 | 2 | EXP
Teddy | DIR Ardene Shapiro | Canada | 2024 | 2.5 | DOC / ESSAY
a collective loss | DIR Jeyolyn Christi | Canada | 2024 | 2 | DOC / ESSAY
As the Crow Flies | DIR Zan Redcrow | Canada | 2024 | 6 | DOC / ESSAY

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Streaming online November 4-11 (available in Canada)

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PUBLIC SPEAKING THRU COMEDY

MALPENSANDO / 2024 / 60 minutes

Join us Halloween Night and witness 8 weeks of hard work and dedication boiled down to one amazing comedy night! These students will speak from the heart and (hope to) make you laugh till you drop!


Pepe Quiroga, originally from Bolivia, and Felipe Esmeral, hailing from Colombia, are both bilingual stand-up comics and public speaking trainers. Pepe has performed at over 300 shows across Canada, Bolivia, Mexico and Spain, including the Latin Comedy Fest. Felipe debuted at Vancouver’s Festival del Sol and has performed extensively across Ontario, appearing at venues like Backroom Comedy Club and Comedy Bar.


They are part of MalPensando, a comedy school founded in 2014 in Toronto. MalPensando, led by international award-winning comedians, aims to empower individuals from all backgrounds through comedy.

Thursday, October 31, 2024

Tranzac Club | 292 Brunswick Avenue, Toronto
Box office: 9 PM | Show: 10 PM

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Rhythm of the Night

MUSIC SHOWCASE AND NIGHT MARKET

Join us for an extraordinary evening where live music meets the excitement of a small night market. With Music curated by the local music showcase & promotion group Smoking Room Only and a diverse Night Market featuring Workman Arts members, this unique event brings together the best of both worlds—a dynamic lineup of live music performances alongside an intimate market of handmade goods all in the support of artists living with Mental Illness and Addictions. All tied together by our Host, Toronto’s Good Vibe Guru Branko.

Whether you’re here for the music or for the shopping, there’s something for everyone. The Night Market offers a diverse selection of local artisans selling one-of-a-kind products, from handcrafted jewelry to unique home décor and accessories. the Live Music stage will feature a stellar lineup of artists all from the heart of the GTA.

MUSIC LINEUP

Night Market Vendors

Our mini night market features handmade goods by Workman Arts artists, including:

The Gloomy Angel Shop (Alsa St Rose)
Merle Harley
V Vallières
Good Looks Artistry (Priscilla Williams)
Hana & Hala (Fathima Safna Mohamed Sahileen)
Catnip Bloom (Susana Meza)
Concrete Atelier (Joyce Silva Desmond)

Toronto-based garage rock/synth-pop quartet Neon Bloom is a unique blending of musical styles, creative influences and wonderfully diverse personalities. Combining the talents of veteran musicians/recording artists Jen Simpson (lead vocals), bassist/guitarist Fred Yurichuk, guitarist/keyboardist Simon Chow and drummer/keyboardist Chris Romano, Neon Bloom has already staked a claim as one of the most innovative and energetic live bands on the Toronto scene, by invoking their collective experience as live performers, and a dedicated sense of professionalism and passion for their craft.

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Born out of passion and bound by comradery, Mayraki (pronounced MAY-RAH-KEY) is a hip hop band hailing from Toronto, Ontario, Canada

Anchored by emcee Malik and guitarist Sean TruTav, the band draws on a wide range of influences to create poetically charged, musically sophisticated hip hop

Known for their lively and compelling performance style, Mayraki enlists the talents of skilled musicians to leave a lasting impression on audiences

A hard act to follow and the wrong one to miss, Mayraki is a gem for all who love music.

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Joshua Pascua is a Filipino-Canadian known for his soulful and funky music. Born in Montreal and raised in the Toronto area, where he first discovered his love and passion for music. Growing up, he was heavily influenced by the sounds of classic funk, soul and disco which helped shape his musical style. He’s been gaining attention and a reputation for his energetic and engaging live performances. Joshua has released many records showcasing his dynamic range and versatility as a singer.

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Smoking Room Only (SRO) is a Toronto-based not-for-profit live entertainment group founded with the goal of championing independent musicians local to the GTA. Through their curated showcase series ‘SMOKINGROOMONLY, production support program ‘SRO Presents‘, and live-event media coverage, Smoking Room Only works to expand the visibility and reach of exceptional Canadian talent while bolstering the locally-operated venues most critical to the development of Toronto’s independent music community.

Smoking Room Only is run and operated by Toronto-local artists Aaron Tocheri (@aarontocheri) and Dylan Weller (@dylanwellerphotography) and hosted by enigmatic local emcee Branko Scekic (@brankooo).

Aaron Tocheri is a musician, documentary filmmaker, promoter, and media producer with a career spanning over 17 years in the creative arts. With SRO, his band TREE MUSEUM, and creative production agency 1PROJECT INC., he’s collaborated with countless creatives in Toronto’s music production, live-music, commercial photography, visual arts, design, and film communities.

Dylan Weller is a seasoned live-music photographer, filmmaker, graphic designer, and visual artist whose decades-long body of work showcases some of the most raw, unfiltered, and impassioned moments from Toronto’s independent arts scene. Dylan’s visceral style can be seen dotting the output of countless Canadian musicians and in the 400+ concerts and events for creative communities he’s documented over the years.

Saturday, November 2, 2024

Tranzac Club | 292 Brunswick Avenue, Toronto
8PM – 12AM

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Drive Back Home

Michael Clowater | 2024 | Canada | Fiction | 100 minutes | English and French with English subtitles | Toronto Premiere

GENRE: Fiction (feature)
TYPE: FILM | IN-PERSON
KEYWORDS: 2SLGBTQIA+ issues, Coming out, Trauma

In the winter of 1970, a small-town plumber from rural New Brunswick must drive his beat-up work truck 1000 miles to Toronto to get his estranged, gay brother out of jail after being arrested for having sex in a public park. The two men are then forced to drive back home together at the behest of their hard-nosed mother before they kill each other. Inspired by a true story.

“Drive Back Home is a story that’s inspired by true events that happened in the 1960s to my grandfather, Ernie Clowater, and his brother, my great uncle, Hedley Clowater. The only time that my grandfather ever left New Brunswick in his life was when he drove up to Montreal to get his brother out of jail for having sex with a man.

However, I could never understand WHY an uneducated plumber who didn’t know anyone outside of New Brunswick would be able to get his brother out of jail for committing an actual crime. What I discovered was that, unofficially, police departments were motivated to get these cases off the books by offering to drop the charges if family members or employers came to vouch for them. By forcing these men to “out” themselves to people that mattered to them, the police were satisfying two needs at once. The first was to relieve themselves of paperwork and the second was to ensure that the people they took so much offense to still had their lives ruined.

If you’re a young black person in 2024 and you want to know what life was like for ordinary black Canadians in the 1960s, you can ask your black grandparents. But if you’re gay, you don’t have gay grandparents to ask. A film like this would have been the only way for him to see that life., I also wanted this to be real and authentic and funny. I wanted the two men to be imperfect and littered with their own personal baggage that we all have. I used western themes and wanted to give it a cinematic feel of a western by using snow and bleak landscape of a Canadian winter in the same way that John Forde or Sergio Leone would use the harsh landscape of a desert."

– Michael Clowater

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Streaming online November 4-11
(available in Ontario)

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Rendezvous with Madness: Fundraiser Soirée

Rendezvous with Madness: Fundraiser Soirée

Wednesday, October 23rd, 2024

The Annex Hotel

296 Brunswick Avenue
Toronto, Ontario

Workman Arts is delighted to invite you to our Rendezvous with Madness Fundraiser Soirée, an evening to kick off the 32nd year of the festival and raise funds for artists with lived experience. 

The fundraiser supports our member artists; a collective of over 600 artists with lived experience with mental health and/or addiction. We empower our artists through creation and presentation, offering access to professional development programs, presentation opportunities in and outside of Workman Arts, and studio spaces free of cost. 

Member artists are as different from each other as their artistic practices. They vary in age, ethnicity, education, work experience, goals and aspirations. With your support, our member artists can continue to access our services barrier free, sustaining our commitment to accessibility and uplifting diverse voices in the arts.

We are excited to invite you to this exclusive event! Capacity for the event is limited. To secure your spot for this event, please purchase your ticket(s) by October 10, 2024.

We have partnered with local businesses to curate a vibrant and elegant evening:

  • Experience a Traditional Ethiopian Coffee Ceremony: Hosted by Lalibela Ethiopian Restaurant from Toronto’s East End, taste and learn about coffee in a traditional ceremony that signifies community. Coffee will be served for the duration of the event, with decaf available.
  • Gourmet Catering by Chef Rachel Adjei: Enjoy a selection of delectable canapés crafted by acclaimed Chef Rachel Adjei of The Abibiman Project, with a menu curated specially for the event.
  • Complimentary Drinks: Relish two complimentary beverages (alcoholic & non-alcoholic) from the hotel bar with your ticket purchase — choose from the Annex hotel’s offerings or enjoy an exclusive cocktail created just for this event.

Ticket Price: $150 per person
RSVP by October 10, 2024

Tax receipts will be issued for each ticket purchase for the amount donated to Workman Arts.

If you have any questions about the event, please contact our Executive Artistic Director, Amadeo Ventura, at amadeo_ventura@workmanarts.com.

SUPPORTERS

GAZA DIARIES

GAZA DIARIES

Film still from Home Movies Gaza by Basma Alsharif. Courtesy the artist.

Thursday February 29, 2024

  • Doors 6:30PM; Introduction + films 7:00PM; discussion 8:30-9:15PM
  • FREE ENTRY
Arrell Family Foundation Auditorium

Centre for Addiction and Mental Health (CAMH) 1025 Queen Street West, 2nd floor
Toronto, Ontario

GAZA DIARIES - Short Film Program

Following up on the successful online screening and facilitated storytelling with Emily Jacir’s documentary “Letter to a Friend” on November 27 there was strong interest by Workman Arts’ staff to hold a followup event to again hold space for difficult discussions about current events and the mental health impacts of violence, of discrimination and the constant stream of news and how the information out of Palestine affects us as artists, as mental health workers and how these issues impact the Workman Arts membership and the public. 

Ma mère, David et moi

Taysir Batniji / 2012 / Palestine / 15 minutes

The narrative thread in Taysir Batniji’s video is a telephone conversation between the artist located in France and his mother located in Gaza. Starting from this intimate, fragmented, difficult and sometimes indistinct exchange, the artist questions the resonance of words like displacement, in-between and exile. Through a triple point of view, Ma mère, David et moi explores how to look at one’s home from elsewhere and how to establish connections by combining narration, souvenirs, impressions, the personal stories and news coverage.

Home Movies Gaza

Basma Alsharif / 2013 / Palestine/France / 24 minutes

Home Movies Gaza introduces us to the Gaza Strip as a microcosm for the failure of civilization. In an attempt to describe the everyday of a place that struggles for the most basic of human rights, this video claims a perspective from within the domestic spaces of a territory that is complicated, derelict, and altogether impossible to separate from its political identity.

Scenes of the Occupation from Gaza

Mustafa Abu Ali / 1973 / Palestine / 14 minutes

A rare film by Mustafa Abu Ali, one of the founders of the Palestine Film Unit, the first filmic arm of the Palestinian revolution. Shot by a French news team, the footage was edited by Mustafa in Lebanon to produce one of the earliest films on the occupied territory in Gaza. Scenes of the Occupation from Gaza employs experimental editing techniques to produce a cinematically and politically subversive film. The film won the prize as best film at the Damascus Film Festival in 1973 and was the only film produced by the Palestine Cinema Group, which in 1974 became the Palestine Cinema Institute.

Electrical Gaza

Rosalind Nashashibi / 2015 / Palestine/UK / 18 minutes

In Electrical Gaza, Rosalind Nashashibi combines her footage of Gaza, and the fixer, drivers and translator who were her constant company alongside animated scenes. She presents Gaza as under a spell; isolated, suspended in time, difficult to access and highly charged. She shows us Gaza as she experienced it in the quiet pause before the onslaught of Israeli bombardment in the summer of 2014.

Gaza Diary

Taysir Batniji / 2010 / Palestine / 5 minutes

“Every time I return to Gaza, feelings of frustration, sadness and anxiety come over me, especially in the first days. So much had changed for the worse in my absence ! As my city gradually deteriorated, I was torn between my desire to stay (to hold on to it) and to leave…Being born in Gaza, as well as other reasons I cannot explain, certainly nurtures my fascination with the place. I want to record my daily life the way others keep a journal."

– T.B.

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Discussion to follow with Dr. Anas Al-Kassem

Trauma and bariatric surgeon practicing in Canada. Dr. Al-Kassem received his MD in Damascus and completed general surgery training at University of Ottawa. He is the co-founder of UOSSM, the Union of Medical Care and Relief Organizations and is active in many humanitarian organizations and was in Gaza as part of a medical convoy in December 2023.

ADDITIONAL ACCESSIBILITY INFORMATION

Building and venue are wheelchair accessible. 

Enter on Queen Street main doors, just east of Ossington, elevators from main lobby to 2nd floor or take stairs at the rear of the lobby up one flight of stairs.

Films presented with English subtitles and/or captions; introductions and discussion will use microphones. 

Active listener available during and after program

Fully accessible and gender neutral washroom just outside Auditorium, additional washrooms nearby.Fixed chair seating plus moveable chairs (various sizes), mats and cushions available.

Behind the Scenes Insights on Directing the
Award-Winning Documentary BLUE SKY WHITE CLOUDS

To celebrate the Canadian premiere of the German film BLUE SKY WHITE CLOUDS at Rendezvous With Madness, join us for an insightful talk about filmmaking featuring accomplished director Astrid Menzel.

The film BLUE SKY WHITE CLOUDS is streaming across Canada from November 6 – 12. You do not have to watch the film before attending the seminar but it is encouraged. The film page is found here Tickets to watch the film online are purchased through a donation of $0 -20. 

SEMINAR – Behind the Scenes Insights on Directing the Award-Winning Documentary BLUE SKY WHITE CLOUDS

Filmmaker Astrid Menzel explores the process of directing a feature film, dissecting her latest documentary BLUE SKY WHITE CLOUDS. Participants of this seminar will walk away with a deeper understanding of various aspects of film direction, production and techniques as well as uncover personal insights about the highs and lows of the process, including:

Topics Covered

  • Different aspects and challenges of filming one’s own family.
  • How to turn subjective thoughts and struggles into a dramaturgical outline of an intensive and personal documentary.
  • The mix of materials and techniques used during the editing of the film.
  • Open Q&A
Monday, November 13, 2023

5:30 – 7:00 PM
Artscape Youngplace
180 Shaw Street, Toronto, Unit 302

The cost of this seminar is free 
Capacity is 20

STREAMING NOW
November 6 - 12, 2023
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ATTILA

Stephen Hosier | 2023 | Canada | 80 minutes | English with open captions | World Premiere

GENRE: DOCUMENTARY
TYPE: FILM | IN-PERSON
KEYWORDS:  ISOLATION | ADDICTION | HOMELESSNESS | TRAUMA | ABUSE |  MENTAL HEALTH

Canadian filmmaker Stephen Hosier focuses the lens of his feature debut uncomfortably close to home as he joins his childhood friend, Richard Csanyi, in investigating the life and death of the latter’s twin brother, Attila. Found dead on a Hamilton rooftop in May 2020, the 28-year-old was expelled from a long-term care residence even as he grappled with addiction and schizophrenia. 

A creative expression of grief and healing, this stirring home-grown film compassionately explores the intersection of personal trauma and the systems that fail those in need, while striving toward a place of forgiveness and understanding. ATTILA is a beautiful portrait honouring one man’s tragedy and the family he left behind, while providing the audience with a valuable window into the extreme systemic obstacles experienced by far too many in Canada and around the world.

Tuesday, October 10, 2023 marks the 75th Anniversary of World Mental Health Day. This year’s theme  is ‘mental health is a universal human right’. The sentiment aligns with the ambitions of ATTILA the film. In presenting an authentic and local portrayal of homelessness, addiction and schizophrenia, we hope to destigmatize these circumstances and create a space for dynamic conversation that leads to change. 

Join us after the film screening for a post-film panel discussion moderated by Aisha Jamal (filmmaker and film programmer) featuring Dr. Naheed Dosani (palliative care physician and health justice activist), Chris Summerville (Schizophrenia Society of Canada), Diana Chan McNally (community and crisis worker) and other special guests to be announced.

Pre-Festival Event
Tuesday, October 10, 2023

This film is unavailable for streaming.

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LIKE A FISH ON THE MOON / ZAN, MARD, BACHE / زن، مرد، بچه

DORNAZ HAJIHA | IRAN | DRAMA | 2022 | 78 MINUTES | FARSI WITH ENGLISH SUBTITLES | TORONTO PREMIERE

GENRE: FICTION (FEATURE)
TYPE: FILM | IN-PERSON
KEYWORDS: FAMILY | YOUTH | MUTISM

درناز حاجیها | ایران | درام | ۲۰۲۲ | ۷۸ دقیقه | فارسی با زیرنویس انگلیسی | اولین نمایش تورنتو

(ژانر: داستانی (بلند

نوع رویداد: فیلم، حضوری

کلید واژه: خانواده، جوانان، نا گویایی/اللی

A transfixing and brooding, unafraid film where there are no winners. But there are truths to be had.”–Robert Daniels

Ilya is a normal, healthy four-and-a-half year-old boy. He goes to daycare and enjoys playing. He comes from a stable background with loving parents. But for reasons known only to himself, he has stopped talking. Contrary to what you might expect, Dornaz Hajiha’s superbly-acted film zeroes in on the boy’s parents, Haleh and Amir (Sepidar Tari and Shahdiyar Shakiba). In the first scene, a psychologist probes their relationship and recommends that they reverse roles, that is, Amir should take over responsibility for getting Ilya dressed, feeding him, and the thousand other little things that his wife routinely does for their son. He grudgingly agrees. But it’s Haleh who really struggles with the new arrangement. She feels helpless and redundant. And Ilya still isn’t talking.

In her spare, empathetic first feature film, Hajiha establishes authenticity; it’s almost as if we are watching an observational documentary. As the distressed parents consult one specialist after another, all to no avail, their own mental health suffers and the marriage cracks apart, leading to a devastating climax. 

– The Cinematheque (Vancouver)

فیلمی متحول کننده و غم انگیز که در آن هیچ کس پیروز نیست، فقط حقایقی هستند که آشکار می شوند’

رابرت دنیلز

ایلیا پسری چهار و نیم ساله است. عادی و سالم. او به مهد کودک می رود و از بازی کردن لذت می برد.از خانواده ای حامی و

والدینی مهربان برخوردار است. اما به دالیلی که فقط خودش میداند، دیگر حرف نمیزند. بر خالف آنچه انتظار می رود، درناز حاجیها در فیلم خود به والدین ایلیا می پردازد، هاله و امیر ) با بازیگری درخشان سپیدار طاری و شهدیار شکیبا(. در اولین صحنه فیلم، روانشناسی رابطه ی آنها را زیر سوال می برد و به آنها توصیه می کند که نقش خود را با یکدیگر عوض کنند. یعنی امیر مسئولیت پوشاندن لباس ایلیا، غذا دادن به او و هزار یک مسئولیت دیگری را که همسرش به طور معمول برای پسرشان انجام می دهد را به عهده بگیرد. او با اکراه موافقت می کند. اما این هاله است که با وضعیت جدید دست و پنجه نرم می کند. او احساس درماندگی و بیهودگی می کند و ایلیا کماکان صحبت نمی کند.

.درناز حاجیها در اولین فیلم بلند خود، با دقت، حساسیت و همدلی دنیایی را خلق می کند که همانند فیلم های مستند مشاهده گر است

 والدین  مضطرب در پی پاسخ به مشکل فرزندشان بی نتیجه به متخصصین متعدد مراجعه می‌کنند و در نهایت  سلامت روان و ازدواجشان با نابسامانی و مصیبت روبرو می‌شود.

FEATURED PANELISTS

Aref Mohammadi, Documentary Filmmaker
Dr. Abbas Azadian, Psychiatrist
Dr. Guita Movallali, Psychologist, Audiologist
Roxana Zadbehgan, Speech Therapist
Afie Mardukhi, Moderator (I2CRC)

Sunday, November 5, 2023

CAMH Auditorium
1025 Queen St W, Toronto
Reception 3:30 PM | Film 5 PM
Reception tickets: ($20 includes film) Afie- 416-388-9314 (or at the door)

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CO-PRESENTED BY
Intercultural Iranian Canadian Resource Centre