‘In this bold experimental documentary, four artists talk about suicide: the role the recurring thought has played in their life and art, the struggle to understand and overcome the impulse, and the ongoing confrontation with a form of stigma that renders the very concept of suicide as a kind of pariah even among mental health issues and discussions. With a frankness that is both bracing and illuminating, Artist Steve Sanguedolce’s subjects tell their stories, and the filmmaker responds with a striking visual scheme that permits us something rarely attempted in the engagement with this most misunderstood of conditions: a sense of first person understanding.’

– Geoff Pevere 

Film subjects + actors: Marina Black, Maria de Sanctis, Janieta Eyre, Michael Hoolboom, Vivien Kiss, Lulu Hazel Turnbull, Emily Vey Duke.

Filmmaker: Steve Sanguedolce has been an active member of Toronto’s independent film community for over thirty years winning numerous international awards.  He has had retrospectives at the Cinematheque Quebecoise in Montreal, the National Film Board in Toronto as well as the the Arsenal Institute for Film and Video in Germany.  Over the past 15 years he has been hand developing and hand colouring motion picture film to great acclaim.  Much of his time has been spent teaching at local universities, community colleges or conducting independent filmmaking workshops across Canada..  His work incorporates documentary, narrative and experimental genres.  His film work include Blinding (2011), Dead Time (2005), Smack (2000) and Away (1996). He lives Toronto. 

Programmer: Scott Miller Berry, Managing Director and Programmer, Rendezvous with Madness, Toronto, Canada.  Scott has been working at film festivals for 20+ years – previously as Director of the Images Festival and now at Rendezvous. He’s also a film programmer, instructor and mentor. Since 2009 he has presented touring screenings in Jakarta, Singapore, Taipei, Tokyo, Seoul, Kuala Lumpur, Bangalore, Bangkok and Amsterdam, among others. Scott also makes short diary films and is on the Board of the Toronto Media Arts Centre and Long Winter Music + Arts Festival.

Rendezvous With Madness và Hoa Quynh Cinema giới thiệu:

“LAND OF KNOWING NOTHING” (Steve Sanguedolce, 2017, 72 phút)

“Trong bộ phim tài liệu thể nghiệm táo bạo này, bốn nghệ sĩ nói về tự tử: ý nghĩ về việc tái diễn nó đã đóng vai trò như nào trong cuộc sống và trong các thực hành nghệ thuật của họ, những khó khăn để hiểu và vượt qua được cám dỗ của cái chết cũng như cuộc đấu tranh trường kỳ với sự kỳ thị đã khiến khái niệm về tự tử bị bỏ qua như nào trong các cuộc thảo luận về sức khỏe tâm thần. Với sự chân thành mãnh liệt, những nhân vật của tác giả Steve Sanguedolce đã kể lại câu chuyện của mình trong phim. Bằng việc phản hồi lại những câu chuyện đó qua một đường dây hình ảnh ấn tượng, nhà làm phim đem đến cho chúng ta một trải nghiệm mang tính cá nhân hiếm thấy khi đưa người xem trực tiếp tiếp cận với câu chuyện qua một trong những phương diện dễ bị hiểu lầm nhất: cảm thức thấu hiểu từ góc nhìn thứ nhất.” – Geoff Pevere

 – Geoff Pevere

Phim nói tiếng Anh và phụ đề tiếng Việt

Thời gian: 7h30 tối thứ bảy, 9 tháng 12 

Địa điểm: babau AIR, 82A Thợ Nhuộm

Buổi chiếu phim sẽ có sự tham gia góp mặt của tác giả Steve Sanguedolce và giám tuyển chương trình Scott Miller Berry, Giám đốc điều hành và người sáng lập chương trình Rendezvous with Madness, Toronto, Canada.

Steve Sanguedolce là một thành viên tích cực trong cộng đồng phim độc lập của Toronto trong hơn ba mươi năm và đã giành nhiều giải thưởng quốc tế. Anh đã có các buổi triển lãm tại Cinematheque Quebecoise ở Montreal, National Film Board ở Toronto cũng như Arsenal Institute for Film and Video ở Đức. Trong 15 năm qua, anh đã tự tráng rửa, tô màu bằng tay cho những bộ phim và nhận được sự khen ngợi nồng nhiệt. Anh đã dành nhiều thời gian giảng dạy tại các trường đại học địa phương, trường cao đẳng cộng đồng hoặc tổ chức các khóa học làm phim độc lập trên khắp Canada. Công việc của anh bao gồm các thể loại phim tài liệu, phim truyện và thử nghiệm. Các tác phẩm điện ảnh của anh bao gồm Blinding (2011), Dead Time (2005), Smack (2000) và Away (1996). Anh hiện sống ở Toronto. 

Scott Miller Berry, Giám đốc điều hành và người sáng lập chương trình Rendezvous with Madness, Toronto, Canada. Scott đã và đang làm việc tại các liên hoan phim trong hơn 20 năm – nguyên giám đốc của The Images Festival và hiện làm việc tại Rendezvous. Anh cũng là một film programmer, giảng viên và người hướng dẫn. Kể từ năm 2009, anh đã tổ chức các buổi chiếu phim diễn tại Jakarta, Singapore, Taipei, Tokyo, Seoul, Kuala Lumpur, Bangalore, Bangkok và Amsterdam, và nhiều nơi khác. Scott cũng làm phim ngắn nhật ký và là thành viên Hội đồng Quản trị của Trung tâm Nghệ thuật Truyền thông Toronto và Liên hoan Âm nhạc và Nghệ thuật Long Winter.

GENRE: DOCUMENTARY
TYPE: FILM | IN-PERSON
KEYWORDS:  ISOLATION | ADDICTION | HOMELESSNESS | TRAUMA | ABUSE |  MENTAL HEALTH

Canadian filmmaker Stephen Hosier focuses the lens of his feature debut uncomfortably close to home as he joins his childhood friend, Richard Csanyi, in investigating the life and death of the latter’s twin brother, Attila. Found dead on a Hamilton rooftop in May 2020, the 28-year-old was expelled from a long-term care residence even as he grappled with addiction and schizophrenia. 

A creative expression of grief and healing, this stirring home-grown film compassionately explores the intersection of personal trauma and the systems that fail those in need, while striving toward a place of forgiveness and understanding. ATTILA is a beautiful portrait honouring one man’s tragedy and the family he left behind, while providing the audience with a valuable window into the extreme systemic obstacles experienced by far too many in Canada and around the world.

Tuesday, October 10, 2023 marks the 75th Anniversary of World Mental Health Day. This year’s theme  is ‘mental health is a universal human right’. The sentiment aligns with the ambitions of ATTILA the film. In presenting an authentic and local portrayal of homelessness, addiction and schizophrenia, we hope to destigmatize these circumstances and create a space for dynamic conversation that leads to change. 

Join us after the film screening for a post-film panel discussion moderated by Aisha Jamal (filmmaker and film programmer) featuring Dr. Naheed Dosani (palliative care physician and health justice activist), Chris Summerville (Schizophrenia Society of Canada), Diana Chan McNally (community and crisis worker) and other special guests to be announced.

GENRE: VARIOUS
TYPE: FILM | IN-PERSON
KEYWORKDS: ADDICTION | TRAUMA | MENTAL HEALTH | YOUTH

For the sixth consecutive year, If You Ask Me (IYAM) has supported emerging filmmakers with lived mental health and/or addiction experience to create new short works. This year’s program features shorts by filmmakers from across the Greater Toronto Area (GTA). 

These new films were developed from July – September 2023 under the guidance of Robin Riad, along with IYAM alumni Gladys Lou and Esteban Powell serving as mentors. Over the course of three months, filmmakers strengthened their film production skills in the company of peers and industry guests. Rendezvous With Madness is excited to support the production and exhibition of these distinctly personal creative works. 

Equipment rentals and facilities were generously provided by our community sponsor, Trinity Square Video.

JOIN THE CONVERSATION: FILMMAKING NOW

The world has changed substantially since If You Ask Me started. This year’s cohort of filmmakers adapted their practices to ever-changing social realities. Join the in-person panel discussion to learn how each artist developed their films.

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: TRAUMA | HEALING | ILLNESS | FAMILIES | MENTAL HEALTH

It’s never easy to talk about mortality with our loved ones. It’s even harder between a physician mother who excels at hiding her emotions under rationality and a daughter who spent her childhood solving math problems next to the morgue. They avoid conversation about mortality and related feelings at all costs – until the mother becomes a cancer patient and the daughter becomes her caregiver.

Screening with Short Film

Uproot | Queena Liu | Canada | Doc | 2023 | 11 minutes English and Cantonese with English subtitles 

“Ten years ago, my dad was diagnosed with bipolar disorder in his forties and spent two years in and out of a psychiatric hospital. This film documents my first time having an open and honest conversation with my family about his diagnosis that I never could as a child and explores how mental health care in immigrant communities is often complicated by a cultural and generational divide. Even as I gain a new perspective on my family’s silent struggles, putting together my interpretation of their stories, I still feel the need to hide myself behind the camera.”

GENRE: DOCUMENTARY (FEATURE) | DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: INDIGENOUS ISSUES | TRAUMA | FAMILY | HEALING

“I’m a descendent of a people who have more or less disappeared, all that’s left are a few indigenous and mixed-race people dotted around the world”. Having arrived in Europe at the age of 19 and lived in Brussels for many years, Colombian Sergio Guataquira Sarmiento carries a complex idea of his identity deep inside of him, because not only is he living in exile, he’s also an Indian, and “being an Indian person in Colombia is a burden, a source of shame, so we tend to lie low and westernise ourselves.” When the filmmaker learns that an epidemic of young indigenous people hanging themselves is raging through the jungle in his home country, he decides to visit the area in person, moved by a desire to investigate this phenomenon, but also to untangle his own confused feelings related to his roots” – ​​Fabien Lemercier (Cineuropa)

Screening with Short Film

Love and the Art of Despair | 2023 | Tara Grundmanis | Canada | 9 minutes | English with open captions

Love and the Art of Despair is a profile on Rebeccah Love; a Toronto based filmmaker who perseveres over mental and physical illness to create art.

Genre: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
Keywords: TRAUMA | TRANS RIGHTS | MURDER | SEX WORK

Kenya is an intimate portrait of a transgender female sex worker whose fate changes when faced with the transfeminicide of her sex worker partner. I came to this story with the intention of talking about the violence that trans women experience in Mexico, but the struggle in Kenya overcame violence and overcame all the systemic and structural limits that keep these women on the margins of society. Kenya is a film that brings us closer to a world full of darkness, which little by little is filled with light through the actions of the protagonist, her conviction to fight, and her humanity. Kenya is an intimate and powerful portrait that gains dimension and strength as this story progresses, which in its bowels reveals the violence experienced by trans women in Mexico, this being the country with the second most hate crimes due to transphobia in the world.

Screening with Short Film

Nicole | Chadi Bennani | Canada | 2023 | 23 minutes | French with English Subtitles and open captions

In this touching documentary, filmmaker Chadi Bennani accompanies his mother, Dominique, as she sets out to empty Nicole’s apartment, her mother who passed two years prior. Through their discoveries, Dominique and Chadi share their memories of Nicole, as well as their apprehensions of a future without her.

GENRE: DOCUMENTARY (FEATURE), DOCUMENTARY (SHORT)
TYPE: FILM | IN-PERSON
KEYWORDS: IMMIGRATION | TRAUMA | MOBILITY | MUTUAL AID | HEALING

Should we leave our origins behind or can we give them new meaning? This is the question posed by The Dependents, in which the filmmaker combs through decades of diary entries written by her father, a retired immigration officer, interrogating him as he did countless applicants who appeared before his desk in Canadian embassies across the globe. This work is a reflection on the right to mobility for some and not others and the discourses that justify this inequality. Sofia Brockenshire’s film merges the past and present in a bold and sonically rich family portrait about home, displacement, and current forced and voluntary migration movements. — Jason Fox (RIDM, Montreal)

Screening with Short Film

Neighbour Abdi | Douwe Dijkstra | The Netherlands | Doc | 2022 | 29 minutes | Somali and Dutch with English subtitles 

How can you understand a violent past? Somali-born Abdi reenacts his life, marked by war and criminality, with the help of his neighbour and filmmaker Douwe. Through playful reconstructions in a special effects studio, they embark on a candid and investigative journey through a painful history, focusing on the creative process throughout.

GENRE: DOCUMENTARY (FEATURE)
TYPE: FILM | IN-PERSON
KEYWORDS: SUICIDE | TRAUMA | FAMILY | OVERSTIMULATION | ANXIETY

back home follows the filmmaker’s pursuit to get to know her older brother, Josh, twenty years after he took his own life. As she connects with the friends who knew him best as a teen, a complex portrait emerges. Through intimate recollections re-imagined on Super8 and 16mm, and lyrical images hand-processed with plants, seaweed, soil and ashes, back home floats between memory and present time in a fragmented meditation on identity, grief and loss: illuminating the transformative power of healing in community.

DIRECTOR’S STATEMENT

It is my pleasure to share my first feature film, “back home,” with you. I was 11 years old when Josh’s death forever changed our family and shifted my perspective on the value of closeness and the impact broader society can have on a young mind. “Back home”’s unique handmade quality recalls the photochemical processes I found solace in during my teenage years when I took refuge in the high school darkroom. The abstract film images represent the changing chemistry of Josh’s brain, as well as illustrating my physical pain – a manifest form of grief.

Screening with Short Film

White Noise | Tamara Scherbak | Canada | Drama | 2023 | 18 minutes | English with open captions

White Noise follows Ava, who suffers from misophonia – an extreme hyper-sensitivity to sound. When this reaches new terrifying heights, her doctor enrolls her in an experimental trial involving an anechoic chamber: the world’s quietest room.

GENRE: DOCUMENTARY
TOPICS: FILM | IN-PERSON
KEYWORDS: ISOLATION | ADDICTION | HOMELESSNESS | TRAUMA | ABUSE | SCHIZOPHRENIA

Canadian filmmaker Stephen Hosier focuses the lens of his feature debut uncomfortably close to home as he joins his childhood friend, Richard Csanyi, in investigating the life and death of the latter’s twin brother, Attila. Found dead on a Hamilton rooftop in May 2020, the 28-year-old was expelled from a long-term care residence even as he grappled with addiction and schizophrenia. 

A creative expression of grief and healing, this stirring home-grown film compassionately explores the intersection of personal trauma and the systems that fail those in need, while striving toward a place of forgiveness and understanding. ATTILA is a beautiful portrait honouring one man’s tragedy and the family he left behind, while providing the audience with a valuable window into the extreme systemic obstacles experienced by far too many in Canada and around the world.

Tuesday October 10, 2023 marks the 75th Anniversary of World Mental Health Day. This year’s theme is ‘mental health is a universal human right’. The sentiment aligns with the ambitions of ATTILA, the film. In presenting an authentic and local portrayal of addiction and schizophrenia. We hope to destigmatize these circumstances and create a space for dynamic conversation that lead to change.

Join us after the film screening for a post-film panel discussion moderated by Aisha Jamal (filmmaker and film programmer) featuring Dr. Naheed Dosani (palliative care physician and health justice activist), Chris Summerville (Schizophrenia Society of Canada), Diana Chan McNally (community and crisis worker) and other special guests to be announced.

Hashtags: #RWMFEST #MindtheGaps #ATTILAfilm

Masking is required at all Rendezvous events for everyone’s safety (masks provided) Thank you.