Worlds collide in Ajitpal Singh’s bold family drama, Fire in the Mountains.

Vinamrata Rai stars as Chandra, a hard-working wife, mother, and businesswoman, keeping it all together for the sake of her family. In another time and place, Chandra could be the CEO of a thriving company, but her business savvy means little in rural North India, where she must accommodate the conservative patriarchy. Chandra upends the status quo when she fights to build a new road to accommodate her wheelchair-bound son Prakash (Mayank Singh).

Fire in the Mountains is a captivating character study detailing what happens when modern-day values crash up against traditional beliefs. The film examines religion, gender inequity, and industrialization to paint a vivid portrait of a village on the precipice of social upheaval. Singh’s affecting debut film is also a feast for the eyes, featuring immersive production design set against breathtaking Himalayan backdrops.

SCREENING WITH: TERROR FERVOR
Phoebe Parsons / Canada / English / 6 mins
Seven monsters embody reflections of malaise and violence in a world of psychedelic terror.

Keywords: Gender inequality | Labour | Motherhood | Sexism | Trauma

Marianne Joan Elliott-Said (aka Poly Styrene) is a punk rock legend. She entered the music business as
a rebellious teenager with big dreams and then willed those dreams into reality. As the frontwoman for her band X-Ray Spex, Poly Styrene was the first Black woman in the UK to front a successful rock band. She would go on to earn legions of fans by producing defiant songs about consumerism, class, and
racial identity.

Poly Styrene: I Am a Cliché looks at the icon’s life and career from the perspective of her daughter, the film’s co-director, Celeste Bell. Bell uses archival footage, electrifying live performances, and her mother’s diary entries to celebrate Marianne Joan Elliott-Said, and Poly Styrene. Narrated by Oscar-nominee Ruth Negga, this intimate portrait of a punk icon offers a candid look at a reluctant public
figure who struggled with fame while battling mental illness.

SCREENING WITH ABSOLUTE PANIC
TJ McEachran | 2019 | Canada | 1 minute | English
A music video for “Absolute Panic,” a song from R U Experiencing Discomfort?, the debut album by
Vancouver’s punk band, Bedwetters Anonymous made by its bassist/vocalist.

Keywords: Gender | Immigration | Mother & Daughter | Punk rock | Racism

Through words left unsaid to her late mother, director Samaher Alqadi’s next journey is unknown.
That is, until filming collides with a massive outpouring of enraged women filling the streets in response to an escalation of sexual assaults that take place in Tahrir Square on the second anniversary of the revolution. Alqadi utilizes her camera as a form of protection and begins documenting the growing women’s rebellion, not knowing where the story will lead her. When Alqadi becomes pregnant
during filming, she begins to re-examine the societal constructs of her own childhood in Palestine and what it means to be a woman and a mother in the Middle East. As I Want is a crucial, hard-hitting political commentary and an inward journey in which individual emancipation is linked to the collective process of liberation in the Arab world.

JOIN THE CONVERSATION: Q&A
Watch a pre-recorded Q&A with the director of As I Want, Samaher Alqadi and the director of
We Have Not Come Here to Die, Deepa Dhanraj. Conversation moderated by filmmaker and film
programmer Aisha Jamal and available at the same link as the film.

Keywords: Assault | Motherhood | Protest | Revolution | Violence Against Women