From Unist'ot'en to Palestine

``INVASION`` by Unist’ot’en Camp (2019, 18 minutes)

In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. INVASION is a short  film about the Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. 

The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.

For more information unistoten.camp

“The Poem We Sang” by Annie Sakkab (2024, 20 minutes)

The Poem We Sang is a 20-minute, black and white and color, experimental documentary that meditates on love and longing – the love of one’s family and the longing for one’s home, contemplated through overcoming the trauma of loss of family home and of forced migration, transforming lifelong regrets into a healing journey of creative catharsis and bearing witness.

The meditation on family love and longing for home centers on an old audio recording in which my uncle Elias was telling my brother how our family had to flee from the bombing in 1948 and run away from our family home at Al Baq’a neighbourhood in Jerusalem, Palestine, without personal belongings, thinking that the family would return home in a week’s time. Years later when my grandmother finally did return to the family home with my uncle just after the 1967 Six-Day-War, her home was occupied by settlers.

The Poem We Sang is at once deeply personal and fiercely nostalgic – a tribute to my Uncle Elias and my family, and an ode to our lost family home in Palestine.” 

– Annie Sakkab, Director, The Poem We Sang

National Day for Truth & Reconciliation Day Screening

Thursday, October 2, 2025
Virtual via Zoom
7-8:30 PM (EDT)

FREE TO ATTEND

ACCESSIBILITY

How To Be Normal & The Oddness Of The Other World

Florian Pochlatko | 2025 | Austria | Fiction | 102 minutes | German and English | Canadian Premiere

KEYWORDS: Social stigma, identity, self-discovery

Freshly released from a psychiatric hospital, 26-year-old Pia moves back to her parents’ house on the outskirts of Vienna – only to discover that she is not the only one whose life has fallen apart. Her parents, Elfie and Klaus, are also finding it hard to keep up with a world that is constantly changing.  Who gets to decide what is normal? How to Be Normal and the Oddness of the Other World is an exploration of identity, family and self-discovery, and a young woman’s search for equilibrium and meaning in a world that is spiraling out of control.

WITH SHORT FILM ——— The Last Day —— Mahmoud Ibrahim | 2024 | Egypt | Documentary | 5 minutes | Arabic

Brothers Ziad and Moody spend their last moments in the family home they’re forced to leave due to a scheduled demolition as part of the city’s development plans. To pass the time while they move the furniture outside, Moody turns on the TV, which soon blares news of Palestinian home demolitions in Sheikh Jarrah, Jerusalem, casting a somber shadow over their already melancholic last day.

Mahmoud Ibrahim, a 24 year old Egyptian filmmaker. He was among the first class of students to graduate from the Higher Institute of Cinema in Alexandria in 2023. He is interested in the relationship between the individual and the city, and the intersection of collective and personal archives. His debut short film “The last day” participated in Berlinale International Film Festival 75 in the Forum Expanded. Mahmoud has worked as a director, producer, cinematographer, editor, and sound designer. He co-founded HandyCam Films, an independent production company that seeks to explore new art spaces and create alternative production methods, away from centralism.

Florian Pochlatko is an Austrian writer, director, and editor. He studied Experimental Media Art before directing at the Film Academy Vienna under Michael Haneke and pursued Critical Studies at the Academy of Fine Arts Vienna in Diedrich Diederichsen‘s class. His acclaimed short film Erdbeerland (2012) received numerous awards and has been a fixture in Austrian cinemas ever since. After working as a visual identity designer for musicians and curating for Cultural institutions, he now returns to his roots with his first narrative feature.

FRIDAY, OCTOBER 31, 2025

Tranzac Club | 292 Brunswick Avenue, Toronto
Box office: 4:30 PM | Film 5:30 PM

Get Tickets
ACCESSIBILITY
CO PRESENTED BY
Toronto After Dark Film Festival
PREVIOUSLY SCREENED AT

Comme entendre à travers une feuille de métal (Like hearing through sheet metal)

Mariane Béliveau | 2024 | Québec/Canada | Documentary | 83 minutes | French with English subtitles

KEYWORDS: Addiction, harm reduction, drug use

Comme entendre à travers une feuille de métal offers a sensitive and intimate look at the complex world of injection drug use, through the experiences of Marianne, M. and Lion: a wander through the rituals of daily life, the interstices of the city, and the confines of memory.

Mariane Béliveau is a French documentary filmmaker and sociologist. She has been interested in documentary film since her studies in sociology and has also worked as a social worker. She is the author of two short documentaries, Narratives from Saint Gabriel (2017) and I Usually Sing It in the Shower (2018).

POST SCREENING PANEL

Mariane Béliveau is a French documentary filmmaker and sociologist. She has been interested in documentary film since her studies in sociology and has also worked as a social worker. She is the author of two short documentaries, Narratives from Saint Gabriel (2017) and I Usually Sing It in the Shower (2018).

One of our team of Rendezvous with Madness film programmers, Emma Badame, is a Rotten Tomatoes-approved entertainment journalist, the current Managing Editor at That Shelf, and an award-nominated digital marketing strategist for film, television, and not-for-profit arts organizations. Her coverage has appeared in POV, Billboard and Cineplex Magazines, on The Mary Sue, eTalk, Breakfast Television, PopLife, MuchMusic and more. This is her fourth year with the festival.

STREAMING NOVEMBER 3-15 ACROSS ONTARIO

Get Tickets
CO-PRESENTED BY
Breakthrough Film Festival logo
ACCESSIBILITY
PREVIOUSLY SCREENED AT

Paul

Denis Côté | 2025 | Canada | Documentary | 87 minutes | French, English

KEYWORDS: Depression, social anxiety, housework, dominatrix

Denis Côté’s documentary Paul finds its eponymous protagonist figuring out how to take control of his life. Weighing 300 lbs and struggling with depression and social anxiety, the film chronicles Paul’s unconventional path towards turning his life around. Paul finds solace in taking on the role of a “simp” (a man who excessively dotes on someone who doesn’t reciprocate their affection). He spends his days on his hands and knees cleaning the homes of various dominatrices before going home and sharing his experiences with his burgeoning social media audience.

Côté crafts one of the year’s most unconventional explorations of healing, self-improvement, and human connection. Paul emerges as a sweet and inspiring portrait of someone having the bravery to defy social norms in the pursuit of self-fulfillment. With shades of Wim Wenders’ modest masterpiece Perfect Days, Paul suggests mindful commitment to repetitive tasks can strengthen resilience while bringing meaning and satisfaction to everyday life.

Born in 1973 in New Brunswick, Denis Côté has produced and directed films since 1995. His first feature film, Les États Nordiques (2005), received the Golden Leopard Video Award at the Locarno International Film Festival. Vic+Flo ont vu un notre won the Silver Bear for Innovation at the Berlinale in 2013. Hygiène sociale won the Best Director award in the Encounters section at the Berlinale in 2021. In 2024, he received the Albert Tessier Prize, Québec’s highest filmmaking distinction, in recognition of his body of work.

WEDNESDAY, OCTOBER 29, 2025

Tranzac Club | 292 Brunswick Avenue, Toronto
Box office: 6 PM | Film 7 PM

Get Tickets
CO-PRESENTED BY
ACCESSIBILITY
PREVIOUSLY SCREENED AT
Hot Docs logo

Shuffle

Benjamin Flaherty | 2025 | United States | Documentary | 81 minutes | English | Canadian Premiere

KEYWORDS: Rehab, insurance fraud, addiction, recovery

Shot over the course of three years, Shuffle follows three individuals whose lives depend not on getting into addiction treatment, but on getting out alive, and in the process, shines a light on the insurance-fueled cycle of rehabilitation fraud spreading across the USA. With the filmmaker serving as narrator, and using his own experience as a roadmap, these personal stories provide an upsetting framework for a more public investigation with the help of an FBI informant, an insurance analyst and the former Director of a Philadelphia-based treatment facility. Shuffle unravels a web of public policy and private interest preying on a desperate population for the sake of profits.

Benjamin Flaherty is an Austin-based filmmaker with a diverse collection of work – from documentary and art films with Lou Reed & Lola Schnabel to commercial spots for major brands. His short form PSA’s have been awarded at Cannes, D&AD, One Show and the Clios. His documentary feature debut, SHUFFLE, won the Jury Award for Best Documentary Feature at SXSW 2025.

POST SCREENING DISCUSSION AND Q&A

Benjamin Flaherty is an Austin-based filmmaker with a diverse collection of work – from documentary and art films with Lou Reed & Lola Schnabel to commercial spots for major brands. His short form PSA’s have been awarded at Cannes, D&AD, One Show and the Clios. His documentary feature debut, SHUFFLE, won the Jury Award for Best Documentary Feature at SXSW 2025.

Geoff Pevere is one of Canada’s leading pop culture commentators and movie critics. The former host of CBC Radio’s groundbreaking Prime Time program, he is also the co-author of the national bestseller Mondo Canuck: A Canadian Pop Culture Odyssey . Currently a movie columnist with the Globe and Mail, he was a movie critic with the Toronto Star for ten years, a TV host with TVOntario and Rogers Television, and a lecturer on film and media. His other books include Toronto on Film and Donald Shebib’s Goin’ Down the Road.

STREAMING NOVEMBER 3-15 ACROSS ONTARIO

Get Tickets
ACCESSIBILITY
CO-PRESENTED BY
PREVIOUS SCREENED AT

Shadowbox (Baksho Bondi)

Tanushree Das & Saumyananda Sahi | 2025 | India | Fiction | 93 minutes | Bengali & Hindi with English subtitles

KEYWORDS: Trauma, family, PTSD

This brand-new feature, directed by Tanushree Das and Saumyananda Sahi, delves into the ramifications of one family’s intense experience with mental health.

It follows Maya, a multitasking mother who lives in Kolkata with her husband, Sundar, and their teenage son, Debu. She juggles three jobs as the family’s primary breadwinner, while also dealing with ostracization and neighbourhood rumours about Sundar, an unemployed ex-soldier suffering from PTSD. Debu is often left as his father’s primary caregiver, and the young man valiantly copes with feelings of affection and embarrassment in the face of his father’s daily struggles. After her husband disappears, Maya must fight to hold her family together in the face of an unexpected murder investigation and an unknown and very uncertain future.

With highly engaging lead performances and a fresh perspective on both trauma and caregiving, Shadowbox is a poignant yet tense film that exposes prejudice and peels back the layers of obligation, love, and the complexities of relationships. 

WITH SHORT FILM ——— Adieu Ugarit —— Samy Benammar | 2025 | Quebec/Canada | Documentary  | 15 minutes

“In 2012, Mohamed had seen his best friend shot dead by an armed militia on the outskirts of Damascus, Syria; the blood spilled in the lake contaminated his memory. Ten years on, the reflections on the Laurentian waters revive Mohamed’s trauma. I ask him if he’d like to dredge up the memories, repair the pain by retreating for a few days to the most distressing calm he can find. He talks about death, immigration and anger. We wonder how and why we should recount this story.” – Samy Benammar

Tanushree Das graduated from the University of Calcutta with a Masters in English Literature, and began her career as a theatre person – directing as well as acting. In 2011 Tanushree graduated from the Film and Television Institute of India, Pune, with a Diploma in Film Editing. Tanushree‘s work as an editor has been screened to critical acclaim in film festivals around the world, including at Berlin, Locarno, Rotterdam, Rome, Pingyao, Hot Docs and Busan.

Born in Bangalore, Saumyananda Sahi studied philosophy at St Stephens College, Delhi before attending the Film and Television Institute of India, Pune. Saumyananda has worked as a cinematographer on a variety of projects, both factual and fiction, which have gone on to screen and win awards at festivals such as Cannes, Berlin, Sundance, Locarno and Rotterdam. He has been nominated for an Asia Pacific Award, Filmfare Award and was selected for the BAFTA Breakthrough India programme in 2022. His recent work includes ‘All That Breathes’ (nominated for an Academy Award) and the Netflix series ‘Black Warrant’.

SATURDAY, OCTOBER 25, 2025

CAMH Auditorium | 1025 Queen St W, Toronto
Box office: 7:30 PM | Film: 8:30 PM

Get Tickets
ACCESSIBILITY
CO-PRESENTED BY
PREVIOUSLY SCREENED AT

The Secret of Me

Grace Hughes-Hallett | 2025 | United Kingdom | Documentary | 80 minutes | English | SA

KEYWORDS: Intersex, medical ethics, gender

‘After demanding his medical records, Jim discovers that like many intersex people, a gender presentation, carried out through invasive operations,  was constructed for him in childhood. It is common practice for intersex children to never be told the truth of what happened to them. We follow the aftermath of these invasive interventions, supported by fraudulent research and celebrated by doctors, though the real results show a very different story. As Jim makes very clear, this is not a transgender story. It’s one that highlights the problem of a binary understanding of gender, asking us to consider the continued medicalisation of our bodies and our identities, and questions who it is that tells us who we are.’ – Sheffield Doc Festival

Grace Hughes-Hallett is a director from London, highly acclaimed for producing and originating Three Identical Strangers, which won the Sundance Special Jury Award for Storytelling, a Grierson, and was BAFTA and Emmy-nominated. She has directed documentaries that examine a wide range of powerful stories: from the lives of ultra-orthodox women in Israel, to the relationship between the British royal family and the press, to the world of high fashion. In 2023, Hughes-Hallett ventured into podcasting, creating, writing and presenting the hit series Dangerous Memories for Tortoise Media. The Secret of Me is her feature documentary directorial debut.

SATURDAY, OCTOBER 25, 2025

CAMH Auditorium | 1025 Queen St W, Toronto
Box office: 5 PM | Film 6 PM

Get Tickets
ACCESSIBILITY
CO-PRESENTED BY
PREVIOUSLY SCREENED AT

Writing Hawa

Najiba Noori, Rasul Noori | 2024 | Afghanistan, Qatar, France, Netherlands | Documentary | 84 minutes | Farsi with English subtitles

KEYWORDS: Activism, Family, Trauma, Youth, Feminism

Writing Hawa is the story of three generations of Hazara women from the same family in Afghanistan. With unique access, director Najiba Noori films her mother Hawa and her niece Zahra in their aspirations to emancipate themselves from patriarchal traditions. Forty years after her arranged marriage as a child, Hawa finally begins an independent life and begins studies to become literate. But with the return of the Taliban to power, her dreams, along with those of her daughter and granddaughter, are shattered as they face new daunting struggles

WITH SHORT FILM ——— Hatch—— Panta Mosleh, Alireza Kazemipour | 2024 | Canada | Fiction | 10 minutes

Naaji, An Afghan refugee boy hides with his mother inside a moving water tanker trying to cross the border to safety. Losing his mother in the process, Naaji forever tries to find a way to relive his last memory of her.

Najiba NOORI was born in 1995 in Bamiyan, Afghanistan. She began working for media organizations as a volunteer when she was just 15. She has reported for various organizations and agencies, including the AFP, Huffington Post, MSF, FMIC, NRC and UN Women in Afghanistan. She participated in the Close-Up program 2020-2021 and at the IDFA Academy in 2022. She joined AFP as a video journalist in 2019. In 2021, she was obliged to leave her country when the Taliban took power in Afghanistan, and now lives in France. Writing Hawa is her first documentary.

STREAMING NOVEMBER 3-15 ACROSS ONTARIO

Get Tickets
CO-PRESENTED BY
ACCESSIBILITY
PREVIOUSLY SCREENED AT

Village Keeper

Karen Chapman | 2024 | Canada | Fiction | 83 minutes | English

KEYWORDS: Black mental health, trauma, income inequality, racism

Village Keeper follows a family grappling with secrets that upholds domestic abuse and unresolved rage. After life’s precarious scale tips her fortune back into poverty, Jean relocates her children with their grandmother to the community housing project where she grew up. Jean lives in constant fear of everything that could go wrong, going to great lengths to shelter her children, so when a spree of violence comes to her doorstep, she secretly cleans an abandoned crime scene, which unknowingly leads her on a path that exposes generational chains of silence, self-discovery and finally putting herself first.

SCREENING FOLLOWING OUR 2025 Rendezvous with Madness Festival Fundraiser.

Interested in attending? Each fundraiser ticket includes access to this screening.

GET YOUR TICKETS HERE

POST-SCREENING PANEL AND Q&A

KAREN CHAPMAN (Writer/Director/Producer) At the service of every story, award-winning filmmaker Karen Chapman strives to center work that is grounded in storytelling and impact. Chapman holds a Bachelor of Fine Arts from Emily Carr University and is an alumnus of the Norman Jewison’s Canadian Film Centre’s – Director’s Lab, the Banff Centre for the Arts, Women in the Director’s Chair, and the CaribbeanTales Incubator Pitch Winner, HotDocs Accelerator, The TIFF Talent Lab, TIFF Accelerator and Every Story Accelerator. She is also a recipient of the 2023 Micki Moore Fellowship. 

Her Canadian Film Centre’s thesis film, Measure, premiered at the Toronto International Film Festival in 2019 and won the International Hollywood Foreign Press and Residency Award at the 2020 Golden Globe Awards as well as the CineFilm’s Best Overall Film, and Best Directing in 2020 at the Women in Film and Television – Toronto Showcase. Chapman’s Quiet Minds Silent Streets premiered at the 2022, Toronto International Film Festival and received the award for best Documentary at the Canadian Film Festival along with winning Best Mental Health, Non-Fiction Film at the Yorkton Film Festival and a Silver Medal at the 2024 Anthem Awards.

Registered Social Worker, Psychotherapist, Mediator, and Workplace Mental Health & Sexual Violence Consultant

Nada Johnson is a highly respected Registered Social Worker and Psychotherapist (MSW, RSW), Family and Workplace Mediator, EMDR-trained Therapist, Certified Racial Trauma Clinician, and Workplace Mental Health and Sexual Violence Consultant at Nada Johnson Consulting & Counselling Services.

With nearly a decade of experience, Nada has established herself as a leader renowned for her deep expertise and compassionate approach across private practice, corporate, and community sectors. She provides virtual clinical counselling across Canada to women coping with the impacts of childhood trauma, racism and discrimination, and low self-esteem. She also provides group facilitation and organizational consulting locally and globally, helping individuals and institutions address trauma, gender inequality, and inequities, racial equity, and mental well-being with insight and integrity.

A passionate advocate for trauma-informed and culturally responsive care, on an individual and group facilitation level, Nada works collaboratively with clients to uncover their strengths and navigate life’s challenges. Her holistic approach recognizes the interconnectedness of race, culture, faith, identity, and lived experience in shaping mental health and resilience.

Nada earned a Master’s in Social Work from York University, an Honours Bachelor of Arts (with Distinction) in Sociology and Women’s and Gender Studies from the University of Toronto, and a Family Mediation Certificate from Herzing College. She has also earned advanced certificates in Diversity & Inclusion from Seneca Polytechnic and Minnesota State University.

She is proud to serve as a panelist for The Village Keepers panel discussion, contributing her professional insight on Black mental health, trauma, income inequality, and resilience—topics that reflect both her expertise and her unwavering commitment to community healing.

Keisha Greene is a Registered Psychotherapist and Clinical Supervisor based in Toronto, Canada, and is currently an adjunct professor and sessional lecturer at the University of Toronto in the Applied Psychology and Human Development Program in the Ontario Institute for Studies in Education department.  Keisha has been a practicing clinician for over 10 years with BIPOC+ populations and has experience working with clients in community mental health, outpatient mental health and private practice.  Keisha’s research interests are in understanding how racialized individuals can be best served in the therapeutic process so that they achieve their desired outcomes.

Victor Stiff is a Toronto-based entertainment journalist and member of the Toronto Film Critics Association. He is the News Editor and Senior Critic at ThatShelf.com and host of UFO Movie Club on YouTube. Victor has contributed to the Canadian Academy, POV Magazine, Global News, The Playlist, Screen Rant, We Got This Covered, In the Seats, and Sordid Cinema. Victor received the TFCA’s 2019 Emerging Critic award and served as a jury member at the 49th Festival du nouveau cinéma. He’s currently a programmer for the Rendezvous With Madness Festival.

WORLD MENTAL HEALTH DAY SCREENING

Friday, October 10, 2025
CAMH Auditorium | 1025 Queen St W, Toronto
Box office: 6 PM | Film 7 PM

Get Tickets
ACCESSIBILITY
PREVIOUSLY SCREENED AT

Love, Harold

Alan Zweig | 2025 | Canada | Documentary | 90 minutes | English | Ontario Premiere

KEYWORDS: Suicide, grief, love, community

Award-winning Canadian documentarian Alan Zweig explores the nature of grief and helplessness after an old friend commits suicide. Zweig sits down with numerous friends and acquaintances also dealing with the loss of loved ones by their own hand. Their stories are as varied as the people they’ve lost, and their honesty and candour about their unimaginable experiences make an often taboo subject feel tangible and shared like never before. Their pain is palpable, but so too is their resilience. Love, Harold is a cinematic love letter to those we’ve lost but also a tribute to those left behind to pick up the pieces.

WITH SHORT FILM ——— Ghost—— Stephanie Quilliams | 2025 | Canada | Animated short | 3 minutes | English

Loss is universal, it’s something everyone encounters in some form. Ghost is a journey through some of the different ways one can cope – both healthy and unhealthy. Director Stephanie Quilliams has transformed the pain of losing her sister to suicide into a unique artistic endeavour by animating her sister’s ashes. 

Stephanie Quilliams an animator, puppeteer, director, and performance and multimedia artist. Steph has had her work shown internationally and has collaborated with artists both in Canada and America. Stephanie’s art often pushes boundaries and buttons. Through her most recent work Ghost, Steph takes a departure from her often humorous and bawdy themes to examine the concept of loss and how to cope with it.

POST SCREENING PANEL AND Q&A

 Alan Zweig is a Toronto documentary filmmaker known for using film to explore his own life. His first film was the cult classic Vinyl, which was listed by Pitchfork as one of the best music documentaries ever made. Other films include Hurt, I, Curmudgeon, There Is a House Here and Fifteen Reasons to Live. His films have won the Platform and Best Canadian Feature Awards at TIFF, a Genie and a Canadian Screen Award.

Alex is a survivor of suicide loss. After the suicide of his sister he started volunteering in the suicide loss program at the Distress Centres of Greater Toronto. After a period of volunteering in the that program (Survivor Support Program) he transitioned to the role of Program Manager. In that role he has developed innovative programming and training materials focussing on suicide loss. 

One of our team of Rendezvous with Madness film programmers, Emma Badame, is a Rotten Tomatoes-approved entertainment journalist, the current Managing Editor at That Shelf, and an award-nominated digital marketing strategist for film, television, and not-for-profit arts organizations. Her coverage has appeared in POV, Billboard and Cineplex Magazines, on The Mary Sue, eTalk, Breakfast Television, PopLife, MuchMusic and more. This is her fourth year with the festival.

CENTREPIECE FILM

Friday, October 24, 2025
CAMH Auditorium | 1025 Queen St W, Toronto
Box office: 5:15 PM | Film 6:15 PM

Post-screening discussion with director Alan Zweig

Get Tickets
ACCESSIBILITY
CO-PRESENTED BY
PREVIOUSLY SCREENED AT