A Voice Through The Melt, a multi-disciplinary piece incorporating spoken word and music, is a collaboration between musician Anda Zeng and writer Natalie Wee. In this performance piece spanning 11 to 12 minutes, the collaborating artists open new pathways for entering belonging, mental health, selfhood, and grief.
Individually, Anda’s cinematic songwriting allows for an embodied engagement with feeling, whereas Natalie’s written words create a cerebral experience guided by the reader’s input. In this crossover collaboration, Anda’s voice and harp create a sonic resonance with excerpts from Natalie’s new poetry collection, Beast at Every Threshold, performed in spoken word style. This creative call and response not only allows audiences to engage the work in a new way but also explores new interdisciplinary possibilities.
Natalie Wee (she/her) is a queer creator whose work explores themes of race, gender, queerness and nationhood. She is deeply informed by grassroots communities. She has written two poetry collections: Our Bodies & Other Fine Machines (San Press, 2021) and Beast At Every Threshold (Arsenal Pulp Press, 2022). Born in Singapore to Malaysian parents, Natalie is currently a settler in Tkaronto.
Learn more at natalieweewrites.com.
Anda Zeng (she/her) writes cinematic night songs for the daydreamer. Her years of creating impressionistic blends of harp, piano, dreamy vocals, and visceral lyrics culminated in the release of her debut EP, Night Dress, produced by Jonathan Wu. At once soothing and wounding, Night Dress lures listeners through the small hours into dawn, through the thicket of our illusory selves into our vulnerable human core. Anda is also a vocalist, harpist, and songwriter for the band Tiger Balme.
Natalie Wee: Spoken Word Artist
Anda Zeng: Singer and Musician
Keywords: Anxiety | BIPOC experience | Community | Depression | Grief