Ectoplasms

Ectoplasms

THIS PROJECT IS PART OF THE RE:BUILDING RESILIENCE EXHIBITION.

Abstract image of blurry, fluid, white shapes on a dark background.

Creator: Megan Moore

Ectoplasm would leak from psychic mediums during photography sessions as a manifestation of the spirit entering the physical world. Expulsion often caused great pain to the psychic mediums creating it. At times the substance was solid and would take the shape of a face or body parts, while at other times it was fluid and contained imagery of spirits or memories. Ectoplasms is a multi-channel video installation that depicts the decay and dripping of photographs. The images initially seem static, but they begin to move around the viewer in ways that defy gravity and orientation. As the viewer tries to place the imagery, they grapple with its disappearance.

Megan Moore is a Montreal-based media artist. Through the manipulation of personal and public archives, her immersive photo and video installations offer reflections on memory, grief and the photographic medium. Megan has exhibited in Canada (FOFA Gallery, Orillia Museum of Art and History, Toronto Media Arts Centre) and Europe (Maison de la Photographie, France, Ulster Museum, UK.) In 2015 she won the Montreal Emerging Photographer award. Megan holds a BFA in Photography from Concordia University and an MFA in Studio Arts from the University of Guelph.

Images of the Ectoplasms installation in Re:Building Resilience:

Photos by Henry Chang

Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.

ACCESSIBILITY

Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.

Megan Moore will be participating in the virtual panel discussion Spectral Spaces: Re-animating Historical Environs through Current Feminist Discourse on October 20, at 12 PM. Click here to book a ticket.

Intolerance of Uncertainty

Intolerance of Uncertainty

THIS PROJECT IS PART OF THE RE:BUILDING RESILIENCE EXHIBITION.

Two still frames from the video “Instruction to the Ball Measure” with the following captions: “The ball measure is designed to assess the intolerance of uncertainty “ and “A ball is a particle”.

Creator: Ivetta Sunyoung Kang

Intolerance of Uncertainty is an installation that combines a single-channel video, Instruction to the Ball Measure and the Ball in a fictional setting that resembles the interior of a psychiatrist therapy session. This participatory work asks an audience to sit as “a testee” to assess the levels of their own anxiety. The audience can grab the red ball placed on the table, which also appears in the video, and follow each gesture of the hands interacting with the ball. It is to measure an individual’s anxiety, especially their intolerance of uncertain future events. The Ball physically channels its participant to the imagined realm of psychiatry, unfolding in the video through its tactility.

Ivetta Sunyoung Kang is an interdisciplinary visual and video artist and writer, currently based in Montreal. She studied film directing in South Korea and earned her MFA in Film Production at Concordia University. She has presented short films and videos at film festivals and galleries around the world, including in South Korea, Canada, Germany and the United States. In 2016, Kang was shortlisted for the Simon Blais Award in Canada. She recently published a poetry book entitled Absent Seats and is a co-founding member of the artist collective Quite Ourselves, and the A/V duo CCVX?.

 

This artist has interactive materials which will be provided in the first 50 RWM swag bag in order to interact with their virtual content. All ticket holders will be invited to receive RWM swag bags available for free curbside pickup during festival hours.

To purchase this work, please visit our online store. To purchase only the interactive item, click here.

Images of the Intolerance of Uncertainty installation in Re:Building Resilience:

Photos by Henry Chang

Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.

ACCESSIBILITY

Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 10AM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.

Ivetta Sunyoung Kang will be participating in the virtual panel discussion Resistant Bodies: The Intersections of Self and Health on October 21, at 1 PM. Click here to book a ticket.

Apocalypse In Your Bedroom

Apocalypse In Your Bedroom

THIS PROJECT IS PART OF THE RE:BUILDING RESILIENCE EXHIBITION.

A photo collage depicting a person, positioned on their back, hanging off the bed in a darkened room. One of their hands points to flaming words “the Apocalypse in Your Bedroom” above them.

Creator: James Knott

This film adaptation of the award-winning, self-mythologized facade of a rock show incorporates life-sized video projection, original music, gestural choreography and on-the-go stage props to coalesce into a black-box style theatrical spectacle meets dirty diary, exploring the elusive and dichotomous nature of queer identity. With a reliance on the grimy mustard-coloured lights and sequins of 70s glam rock aesthetics, the protagonist travels the mental collapse of a dark night of the soul, searching for purpose in a world that doesn’t care to be purposeful. Themes include rejection, broken promises, wishes on a star, deals with the devil and packing up to leave with no intention of return… leaving behind the ghost of glitter’s past.

James Knott is an emerging, Toronto-based artist, having received a Bachelors of Fine Arts in Integrated Media from OCAD University. Their performance-based practice combines theatre, video and audio art to create immersive and emotionally resonant experiences for the viewer. Explored themes include: paradoxical and queer identity, inner dialogue, mental illness and camp theatrics. Currently their practice looks to house personal narratives and queer experience through poetic re-tellings, self-mythologizing, and auto-iconographic aestheticism.

CONTENT WARNINGS

Strobe Light, Loud Sounds, Nudity, Sexual Content, Self-Harm

JOIN THE CONVERSATION: Q&A with James Knott

James Knott will be participating in a virtual Q&A moderated by Francisco-Fernando Granados on Saturday, October 17, at 7 PM.

JAMES
KNOTT
ARTIST
FRANCISCO-FERNANDO
GRANADOS
MODERATOR

Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.

JOIN THE CONVERSATION
Online Q&A on ZOOM
  • Sat, Oct 17, 7PM
ACCESSIBILITY

ASL Interpreted, Open Captions, Active Listener

An Active Listener will be available Sat, Oct 17 from 7-9pm to support this program.
Your active listener for this program is Christeen.
You can connect with Christeen by phone (talk or text) at (289) 779-4114 or by email at christeen.salik@gmail.com.

Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.

Medication Meditation

Medication Meditation

THIS PROJECT IS PART OF THE RE:BUILDING RESILIENCE EXHIBITION.

A pixel drawing of lungs, colored in pink and light purple, and outlined in red against a brown background.

Creator: Kara Stone

Medication Meditation is a single player game about the daily experience of living with mental illness. This game demonstrates the effort put into maintaining wellbeing and the mundane aspects of mental illness we often overlook. Anatomical, flesh coloured pixel art brings the player into a game-y feel and lets them focus on their somatic experience in this unwinnable game.

Kara Stone is an artist and scholar interested in the affective and gendered experiences of psychosocial disability, debility and healing as it relates to art production, particularly video games. Her artwork has been featured in The Atlantic, Wired and Vice. She is a member of the Different Games Collective. She is currently a PhD student in Film and Digital Media with a designated emphasis in Feminist Studies at University of California at Santa Cruz.

Images of the Medication Meditation installation in Re:Building Resilience:

Photos by Henry Chang

Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.

Join Kara Stone on Mon, Oct 19 at 1 PM for an Instagram Live event to interact in real-time as they walk you through their artwork and answer your questions. Follow @workmanartsto to get notified when we go live.

ACCESSIBILITY

ASL Interpreted, Active Listener

An Active Listener will be available Mon, Oct 19 from 1-3pm to support this program.
Your active listener for this program is Amanda.
You can connect with Amanda by phone (talk or text) at (647) 696-0893 or by email at amanda.virtualdesk@gmail.com.

Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.

COMMUNITY PARTNER

ALSO OF INTEREST

Re:Building Resilience Exhibition

Re:Building Resilience Exhibition

Promotional image for the festival incorporating artworks and event posters by participating artists. Imagery includes clay fish, from “Multitude of Fish” by Jenny Chen, multicolored blocks from “Alpha Support” by Justin Mence, a mobile titled “Cry Baby Mobile”, by Kassandra Walters, wallpaper-style design from “Post-Part” by Longernin Collective, and a pattern from “Ectoplasms” by Megan Moore.

Re:Building Resilience features 25 installations that examine all facets of mental health issues. This will be our last festival at 651 Dufferin Street before moving to a brand new facility at the Centre for Addiction and Mental Health. What better way to say “good-bye” than to animate all 11,000 square feet with performance art, installations, theatre, dance, film and media art?

Tickets and Viewing Options

Tickets for virtual viewing are pay what you wish. Virtual viewing is available throughout the festival. With your ticket, you will have access to a virtual tour that includes a virtual swag bag with extra features from the 25 projects on offer. All ticket holders will also be invited to receive physical RWM swag bags available for free curbside pickup during festival hours.

Please Note: There is one virtual ticket available for the entire Re:Building Resilience Exhibition. Whether you’d like to see one project or all of them, you only need to book one ticket to access everything. The exhibition runs October 15-25, and all purchasers will be sent a link to view the virtual content. Any ticket bought prior to October 15 will receive a follow up email on the 15th with the link.

ACCESSIBILITY

Self-Care Kits are available for free curbside pickup to ticket holders. Kits can be picked up from 651 Dufferin Street between the hours of 12PM-9PM, October 15-25. If pickup is not an accessible option for you, contact justina_zatzman@workmanarts.com for accommodation.

PROJECTS INCLUDED IN RE:BUILDING RESILIENCE

Blurry repeating abstract patterns with thick elongated orange streaks on a yellow background.
Grey K P Muldoon: Mad Carpets - Hotel Carpet Dance Projections
A line drawing of a two-storey house on the top half of the page and a bee with its wings spread on the bottom half of the page.
Saba Akhtar: The Anatomy of a Home
An abstract image of a blue and yellow rectangular block resting precariously upon a brown rectangular block.
Justin Mencel: Alpha Support
An abstract painting of a monstrous figure; its arms are spread and its head appears to be exploding.
Mitchell Clark Meller: Scarecrow
A pixel drawing of lungs, colored in pink and light purple, and outlined in red against a brown background.
Kara Stone: Medication Meditation
A cropped photo of a person in a lacy top with the word “threadbare” embroidered across the chest. Chunky blue-green yarn streams out of their mouth and fills the foreground of the image.
Alexandra Caprara & Raechel Kula: ThreadBare
A multiple-exposure photograph of a crouched nude figure on a black background.
Wieslawa Nowicka: Into the dark of my skin
A backlit circular paper cut image with a series of imaginative scenes involving a sea voyage.
Kristine White: Mad Fairy Tales
A photograph depicting a wire wastebasket in the corner of a room, overflowing with crumpled tissues covered in a smooth, hard yellowish or grayish substance.
Kassandra Walters: untitled (`{`not`}` always like this)
Two still frames from the video “Instruction to the Ball Measure” with the following captions: “The ball measure is designed to assess the intolerance of uncertainty “ and “A ball is a particle”.
Ivetta Sunyoung Kang: Intolerance of Uncertainty
A photo collage depicting a nude person jumping into a water vortex with their arms spread, viewed from above.
Sophie Dow: Mountain Duets
A photograph of a bottom half of a mannikin with a roll of silver duct tape on top of it against a concrete block wall. A piece of pink duct tape on the wall overlaps a piece of silver duct tape, with the two pieces forming an X shape.
Van Lisa: Due to Renovations
A collage-style photographic poster featuring prescription medication in containers, loose pills, notes, and Polaroid photos, overlaid with the text spelling “Prose in Therapy."
Quarter Kid Productions: Prose in Therapy
A photograph of many small hand-sculpted red clay fish laid out on a rocky river bank.
Jenny Chen: Multitude of Fish
Headshot of a person facing the camera with vividly colored stretchy paper strips wrapped around their head.
Laura Shintani: Neuroelastic
Abstract image of blurry, fluid, white shapes on a dark background.
Megan Moore: Ectoplasms
goat(h)owl theatre: Jo, Don't Go There
Post Part
Longernin Collective: Post-Part
A simplified icon depicting a person in a hospital gown hooked up to an IV drip placed within a photograph of a hospital hallway.
Rochelle R: Queen Latifah Give Me Strength
A photographic still life image with an ink bottle, books, a round analog clock with Roman numerals, large transparent bottles containing handwritten messages on yellowed paper, and a quill pen spelling out “Mad Poetry Apothecary” on a piece of paper.
Hanan Hazime: Mad Poetry Apothecary
An event poster featuring a cutting mat, scissors, a ruler, an exacto knife, and a cut up sheet of paper with words “The Collage party”.
Paul Butler: The Collage Party
A photo collage depicting a person, positioned on their back, hanging off the bed in a darkened room. One of their hands points to flaming words “the Apocalypse in Your Bedroom” above them.
James Knott: Apocalypse In Your Bedroom
Photograph of a person mid-somersault on a theatrical stage.
Mike 'Piecez' Prosserman: BREATHE: a dance production on Hip Hop + Mental Health
White logo of a bridge on a dark blue galaxy background.
Pesch Nepoose: The Bridge

Making Mad: How Expressions of Vulnerability Connect Us

Making Mad: How Expressions of Vulnerability Connect Us

Featured Artists: Alison Crouse, Peter Dillman, Esmond Lee, Ben McCarthy & SpekWork, Sarah Trad and Véronique Vallières

Curated by Claudette Abrams

Through humour and pathos, the artists in Making Mad explore the ways in which depictions of vulnerability in their work resonate on a human scale. Deep-diving into personal touchstones that go beyond the individual, these works relate in poignant and absurd ways to our condition as a collective of fallible, temporal beings. 

Vulnerability is rarely associated with courage, yet it is central to survival. Happiness and contentment require little consideration—fitting well within our expectations and ideals—yet pain and uncertainty seem to demand justification in order to understand their purpose and meaning (especially in the absence of any explanation). 

The artists in Making Mad unapologetically take cues from their own misgivings to draw attention to our universal susceptibility to harm. They attempt to debunk stigma equated with weakness, shame and isolation, to embrace the compassion, intimacy and intensity of the ways in which vulnerability teaches us to live with an awareness of the likelihood of change.

  • OPENING RECEPTION
    THURSDAY, OCTOBER 10, 7-11 PM
  • October 11- October 20
    daily, 12 - 6 PM
    (closed Oct 14)
FREE
TMAC - Toronto Media Arts Centre

32 Lisgar St
Toronto

ARTIST TALK/PANEL

Saturday, October 12, 1-3 PM

Wheelchair Accessible Venue, Artist Talk/Panel is ASL Interpreted

ARTISTS

Alison Crouse

Devastation Portraits is a series of performative images, staged by the artist, who deliberately collapses face down in public spaces. These overt re-enactments give visibility to the often-invisible weight of anxiety and depression and challenge societal norms of what is considered “appropriate” emotional expression. Alison continues to produce these scenarios for sharing on social media, and they have been featured in BuzzFeed, Metro.uk and on the NPR Picture Show.

Alison Crouse is a Philadelphia-based artist, filmmaker, photographer and instructor. She received her MFA in Film and Media Arts from Temple University and her BFA in Photography from the Nova Scotia College of Art and Design and University of Vermont. Her award-winning film and videos have been broadcast, screened and distributed internationally. Alison Crouse’s photographic work has been published and shown in galleries across North America.

Peter Dillman

45 Homes is a body of work which chronicles the forty-five different homes that he moved in and out of throughout his life with a changing constellation of family members, house mates and partners.  Through the compilation of documentary materials, such as census data and photographs the artist reconstructs and recounts a history of domestic instability from an early age, moving to a more stable environment as he achieved autonomy.

Peter Dillman is a Toronto-based multi-disciplinary artist, curator, theatre professional and instructor. He studied Fine Art at the University of Waterloo, Theatre Design at the National Theatre School, and Culture and Heritage Management at Centennial College. His multi-media work explores themes of home and environment. Peter Dillman’s work has been exhibited across Canada and is held in corporate and private collections.

Esmond Lee

Ancestral Veneration is a photo-based series depicting the inter-generational realities of migration. As a second-generation Chinese Canadian, Lee’s work examines the nuances and ambiguities of suburban cultural evolutions. His layering of familial and familiar motifs on vinyl mesh banner material echo the clash and assimilation of ancestral values with contemporary identities and experiences.

Esmond Lee is a Toronto-based artist and architect. He holds a Master of Architecture (University of Toronto) and Bachelor of Architectural Studies (Carleton University). He has received Toronto and Ontario Art Council grants and is recognized by the Ontario Association of Architects. His work has been exhibited at Gallery 44, Koffler Centre for the Arts, Toronto Media Arts Centre and Artscape Youngplace. Recent projects include participation in the Ontario Heritage Trust’s Doris McCarthy Artist-in-Residence program and Nuit Blanche 2019.

SpekWork

resourced is a VR documentary about the precarious labour of frontline workers. The user progresses through a series of interactive levels, each built to reflect the lived experience of street nurses, social workers, sex workers, and activists; people serving those at the margins of society who are often marginalized themselves through associated stigma and poverty.

SpekWork is a studio exploring new political narratives through game design with a focus on the dynamic relationship between work and play. The studio is a collaborative effort of Cat Bluemke, Ben McCarthy and Jonathan Carroll, post-secondary instructors teaching from the intersections of art, labour and emerging technologies. Members of the collective have been recognized through awards, grants and commissions for their individual and collective work, and supported by Rhizome, the Canada Council for the Arts and the Art Gallery of Ontario.

Sarah Trad

In Sickness and in Health (but mostly, Just in Sickness) is a multi-channel video projection installation which visually shows unnoticed moments between couples and explores the difficulties of seeking companionship while faced with mental illness, codependent tendencies and metaphysical crisis. The title, partly taken from traditional marriage vows, highlights the optimistic decision to bond.

Sarah Trad is a Philadelphia-based artist. She graduated with a BFA in Art Film from Syracuse University, where she subsequently became an Engagement Fellow. She is the recipient of the 77Art Artist Residency (Rutland Vermont Art Center) and Carol N. Schmuckler Award for Outstanding Achievement in Film. Sarah has shown at The Warehouse Gallery (Syracuse, NY), Kitchen Table Gallery (Philadelphia, PA), Gravy Studio and Gallery (Philadelphia, PA) and the Everson Museum of Art (Syracuse, NY).

Véronique Vallières

I Extend my Arms/Je Tends les Bras is a multi-media installation involving a methodically storied assemblage of forms that playfully hinge on spectrums of human experience, spirited dualities and intensity of feeling. Physical interaction with material is signified as curative. Craft functions as a survival tool, patterns as armour, and scale that transforms larger-than-life, gender-fluid, soft-sculptures into delightfully embracing recliners.

Véronique Vallières is a Toronto-based, multi-media artist, working primarily in ceramics, textiles and printmaking. They hold a BFA from Concordia University and have attended residencies in Montréal, Moncton and Winnipeg. As a film curator, they co-programmed monthly film and performance events for the Revue Cinema. Véronique Vallières has received multiple grants for their work, which has been exhibited widely, and most recently, acquired for the CAMH permanent art collection.

MEDIA PARTNER

#GETMAD: JOIN THE CONVERSATION

ARTIST TALK/PANEL
Saturday, October 12, 1-3 PM
Toronto Media Arts Centre

Join the exhibiting artists in conversation with Curator Claudette Abrams as they discuss how their work explores and navigates issues of mental health and pushes back against stigmas.

For Information Contact
Paulina Wiszowata
Visual Arts Coordinator
416.583.4339, ext 6
paulina_wiszowata@workmanarts.com

ALSO OF INTEREST