IN(SITE)

IN(SITE)

In(site) Logo

A Virtual Exhibition
In-Site, Incite, & Insight

Rather than experience the festival’s exhibition on-site, this year we experience it “in-site” — in a website, in the digital world, in the virtual. The works in the festival this year have been selected with the intention of being experienced virtually.

The artists bring insight to their experiences of the world having changed, how it continues to change and what this change can offer. This includes our growing awareness around mental health, our relationships with both the physical and digital worlds, and how the works can incite us into action. The exhibiting works investigate these themes and more, providing room to engage with the arts in a time when interacting and experiencing work has been significantly impacted. Through these works, we recognize that we are in the moment, in the current, in the site.

Visit the virtual exhibition here:

insite.workmanarts.com

IN THE EXHIBITION:

Blurred grey smoke-like smudges.

SELF // ISOLATION
Chelsea Watson

Top half of an individual in front of a multi-coloured graffiti filled wall. They wear mixed textiles of red where their face is covered with a chain mail piece which reveals their eyes.

UNBREAKABLE
Amplify Collective

Black and white drawing of a thin lined body of a human figure with a bird head and thin neck. One arm is a wing where both arms hold a cane each. There are two cross-hatched rectangles with dots

HYBRID PRECARITY
Leena Raudvee

Collage of a graph on the left and a handwritten letter on the right in the background, with a figure above walking away, and a headless figure holding a headless child below. Overtop of the letter is a diagram of a body part nearly resembling the brain. Overtop of the letter and graph is a portrait of a headless figure wearing a button up shirt. This is layed over a colourful rorschach implying that it is the head of this figure.

SZEPTY/WHISPERS: DIALOGUE

Man making "shush" gesture to bird

COAL MINES AND TREE TOPS
Dani Crosby

A laptop in the centre, open to a complicated program. In the foreground there are medical monitors connected to a plant. There is another plant on the right and more in the background. In the far back there is a projection of indiscernible plants.

GREEN GAZING
Ashley Bowa & Lesley Marshall

Three video stills ontop of blueprints and maps

HOW WE CARED
Saroja Ponnambalam & Rupali Morzaria

This year, the exhibition in the Rendezvous With Madness Festival will be presented virtually which will be accessible throughout the festival from October 28 to November 7. Work including timed events and performances will be accessible through the virtual exhibition site through the link below:

VIRTUAL GUIDED TOUR

Watch the virtual guided tour of the In(site) exhibition held on Sat, Oct 30, 12 PM ET

SPECIAL IN PERSON FEATURES

  • How we cared video installation will be on the ground floor window of 1025 Queen St W, available 24/7.
  • UNBREAKABLE performance will be presented live on opening night, in the CAMH Auditorium at 1025 Queen St W.

ONLINE LIVE EVENTS

  • Green Gazing invites the public to engage in a movement class as a virtual participatory performance on the final day of the festival.

ARTIST TALKS

ACCESSIBILITY

If either online or in-person access is a barrier, please contact Paulina Wiszowata at paulina_wiszowata@workmanarts.com.

Workman Arts will have available the In(site) virtual exhibition displayed and interactable on a monitor in their front office at 1025 Queen St W Suite 2400.
Available during Box Office hours:
Monday – Friday, 10 AM – 4 PM.

Visit the Accessibility page for further festival info.