goat(h)owl theatre / Lead Artist, Performer, Creator, Writer: Oliver Jane / Collaborator, Performer: Leah Pritchard / Collaborator, Performer: Jillian Rees-Brown / Video Collaborator, Editor: Jon Jorgensen / Outside Eye: Maria Wodzinska
TOPIC: ACTIVISM, ANTI-PSYCHIATRY, ANXIETY, BI-POLAR DISORDER(S), CHILD ABUSE, DEPRESSION, DISABILITY, FAMILY, GRIEF, INCEST, MOLESTATION, OCD, PEDOPHILIA, PSYCHIATRY, RACISM, SCHIZOPHRENIA, SEXUAL ASSAULT, SEXUAL VIOLENCE, SUICIDE, TRAUMA
TYPE: RE:BUILDING RESILIENCE
Enter the mind of Jo, a nonbinary trauma survivor, video artist and clown. Meet Jo’s consciousness embodied: their performative imaginary friend Oli Oli Ennui, a snarky clown who doesn’t take all this modern art stuff too seriously. If you know Jo’s personal story (hailing from NYC, navigating OCD and PTSD while occupying space in Toronto during the pandemic), do you know Jo? If you hear Oli sing punk-injected cabaret, do you know their soul? Experience Jo’s multimedia happening: a video series, music playlists, Instagram uploads, photo exhibition and a live installation performance at 651 Dufferin Street. This collection of fragments resonates in permanent refrain: Do you know me now?
Founded by Maria Wodzinska and Oliver Jane in 2017, goat(h)owl generates collaboratively devised experiences. Grounded in the body, at the core of every piece is a question. We take flight through our investigation of the thematic territory, of our position to the question, and of our will-to-know. We attempt to affirm the unknowable with proposals — playing in-front-of/with/around an audience. We want to shake up sedimented modalities of meaning and truth-telling with our moving ensemble. We point the eye to the kaleidoscope of forms created. Do we invite the audience to make meaning? Yes. Do we make meaning? Come and see.
Loud Sounds, Mature Language, Nudity, Rape and/or Sexual Violence, Sexual Content, Suicide
651 Dufferin Street
We regret that Workman Arts is not a barrier-free location. There are several steps from the street to the front door and interior steps leading to the Main Hall, upstairs, and downstairs. There is ample seating available, and washrooms between Skey Room and the Chapel (main floor) and outside Roseneath (upstairs) are gender-neutral. Workman Arts is a fragrance-free space (please don’t wear perfumes or scented products).